Intensive Beginning French
For students who have not previously studied French, an introduction to listening, speaking, reading, and writing in French, providing the syntactic and semantic foundation of the French language in a concentrated program of grammar presentation, drills, laboratory work, and discussion. Primary emphasis will be placed on the student's active use of the language, and weekly attendance at the French language table will be required. This course does not fulfill the foreign language distribution requirement. Students are expected to continue with FREN 0102 in the winter term after successfully completing FREN 0101, and with FREN 0103 in the spring. 6 hrs. lect./disc.

Intensive Beginning French
For students who have not previously studied French, an introduction to listening, speaking, reading, and writing in French, providing the syntactic and semantic foundation of the French language in a concentrated program of grammar presentation, drills, laboratory work, and discussion. Primary emphasis will be placed on the student's active use of the language, and weekly attendance at the French language table will be required. This course does not fulfill the foreign language distribution requirement. Students are expected to continue with FREN 0102 in the winter term after successfully completing FREN 0101, and with FREN 0103 in the spring. 6 hrs. lect./disc.

Intensive Intermediate French
An active and intensive review of French grammar for students having had good beginning-level training in French. We will work not only to perfect mastery of the structures of the language with practice of writing and reading, but also to develop oral comprehension and production skills. (FREN 0103 or placement) 5 hrs. lect./disc.

Intensive Intermediate French
An active and intensive review of French grammar for students having had good beginning-level training in French. We will work not only to perfect mastery of the structures of the language with practice of writing and reading, but also to develop oral comprehension and production skills. (FREN 0103 or placement) 5 hrs. lect./disc.

Toward Liberated Expression
A course designed to increase and perfect the ability to express oneself in spoken and written French. Emphasis on precision, variety, and vocabulary acquisition. Sections limited to 15 students. (FREN 0203 or placement) This requirement for the major and the minor may be satisfied by placement at a higher level. 3 hrs. lect./disc.

Toward Liberated Expression
A course designed to increase and perfect the ability to express oneself in spoken and written French. Emphasis on precision, variety, and vocabulary acquisition. Sections limited to 15 students. (FREN 0203 or placement) This requirement for the major and the minor may be satisfied by placement at a higher level. 3 hrs. lect./disc.

Toward Liberated Expression
A course designed to increase and perfect the ability to express oneself in spoken and written French. Emphasis on precision, variety, and vocabulary acquisition. Sections limited to 15 students. (FREN 0203 or placement) This requirement for the major and the minor may be satisfied by placement at a higher level. 3 hrs. lect./disc.

Identity in French Literature
Exploration of differing views of the self, society, and the world in major works of French poetry, drama, and prose. This course is designed to develop students' ability to read and critique literature in French, as a transition from FREN 0205 to more advanced literature courses. (FREN 0205 or by placement) 3 hrs. lect./disc.

Identity in French Literature
Exploration of differing views of the self, society, and the world in major works of French poetry, drama, and prose. This course is designed to develop students' ability to read and critique literature in French, as a transition from FREN 0205 to more advanced literature courses. (FREN 0205 or by placement) 3 hrs. lect./disc.

From Romanticism to Modernism
The 19th and 20th centuries were marked by social and political revolutions and by literary and artistic movements that changed our attitudes to art and to ourselves, including romanticism, realism, symbolism, surrealism, and existentialism. We will study literary texts, artistic and philosophical movements, and the social circumstances that conditioned them. Close readings of the texts (including prose, drama, and poetry) will develop critical vocabulary and writing skills. Authors may include Hugo, Balzac, Flaubert, Baudelaire, Gide, Camus, Sartre, and Francophone writers. (FREN 0210 or placement) 3 hrs. lect./disc. (1 additional hour for CW, Fall).

From Romanticism to Modernism
The 19th and 20th centuries were marked by social and political revolutions and by literary and artistic movements that changed our attitudes to art and to ourselves, including romanticism, realism, symbolism, surrealism, and existentialism. We will study literary texts, artistic and philosophical movements, and the social circumstances that conditioned them. Close readings of the texts (including prose, drama, and poetry) will develop critical vocabulary and writing skills. Authors may include Hugo, Balzac, Flaubert, Baudelaire, Gide, Camus, Sartre, and Francophone writers. (FREN 0210 or placement) 3 hrs. lect./disc. (1 additional hour for CW, Fall).

From Romanticism to Modernism
The 19th and 20th centuries were marked by social and political revolutions and by literary and artistic movements that changed our attitudes to art and to ourselves, including romanticism, realism, symbolism, surrealism, and existentialism. We will study literary texts, artistic and philosophical movements, and the social circumstances that conditioned them. Close readings of the texts (including prose, drama, and poetry) will develop critical vocabulary and writing skills. Authors may include Hugo, Balzac, Flaubert, Baudelaire, Gide, Camus, Sartre, and Francophone writers. (FREN 0210 or placement) 3 hrs. lect./disc. (1 additional hour for CW, Fall).

From Romanticism to Modernism
The 19th and 20th centuries were marked by social and political revolutions and by literary and artistic movements that changed our attitudes to art and to ourselves, including romanticism, realism, symbolism, surrealism, and existentialism. We will study literary texts, artistic and philosophical movements, and the social circumstances that conditioned them. Close readings of the texts (including prose, drama, and poetry) will develop critical vocabulary and writing skills. Authors may include Hugo, Balzac, Flaubert, Baudelaire, Gide, Camus, Sartre, and Francophone writers. (FREN 0210 or placement) 3 hrs. lect./disc. (1 additional hour for CW, Fall).

Animal Encounters in French Literature
In this course we will explore representations of animals in French literature. Animals have played an important role in literature, yet, in post-Darwinian modernity their depiction became increasingly tied to a questioning of the human/animal divide. What are the recurrent motifs and concerns that shape depictions of animals in 19th century French literature? What ethical and social questions do they raise? We will study fictional works of animal metamorphosis, and literary accounts of zoos and animal spectacles, as well as ways in which animals have been used as a rhetorical device to de-humanize "Others"—women and foreigners, in particular. We will read texts by Baudelaire, Balzac, Maupassant, Flaubert, Zola, Lautréamont, and Rachilde. (FREN 0221 or by waiver). 3 hrs. lect./disc.

French Sexual Politics
Reaction to the recent Dominic Strauss-Kahn scandal and deliberations over same-sex marriage are but two illustrations of the important role sex and gender differences continue to play in contemporary French society. In this course we will examine the political responses such phenomena have elicited. Topics will include: the evolution of gender roles within French family structure, including homoparentalité; attempts to increase women's participation in French national politics, especially via the parité initiative; the question of Muslim women's integration in-or exclusion from-French society; and the attention given to sex and gender differences in anti-discrimination policies. We will critically assess French media and writings from sociology and political philosophy. (This course will be taught in French; FREN 0230 or by waiver) 3 hrs.lect./disc.

Dangerous Liaisons: Love and Death before the French Revolution
Laclos's famous book Les Liaisons dangereuses highlights the dangerous collusion between love and death, but this unexpected association is not exclusive to 18th-century libertinism. Since the Middle Ages, the Tristan myth has defined love as a fatal passion. Is a sense of fatality necessarily associated with love? How did the conception of love evolve, and what does it say about power relations and gender tensions? In this course we will study texts that are critical to understanding the mentalities and sensibilities of French society. Readings include texts by Béroul, Labé, Guilleragues, Racine, Cazotte, and Laclos. We will also watch three films, L'Éternel retour by Jean Delannoy, La Religieuse portugaise by Eugène Green, and Cruel Intentions by Roger Kumble. (FREN 0221 or by waiver) 3 hrs.lect./disc.

Resistance and Memory: France in the Second World War *
The Second World War has cast a long shadow over France's postwar history and politics. Contemporary events are still refracted through the prism of a past that, as one historian has noted, does not seem to go away. We will focus on a critical aspect of that past, the French Resistance, a politically and socially diverse underground movement that took root in a divided nation under the collaborationist Vichy regime and German occupation. What forms did refusal take, how did resistance function, and what motivated resisters to risk their lives? We will examine the myths, realities, and legacy of the Resistance through original documents and period artifacts, memoirs and testimony, film and fiction, and seminal works of postwar historiography. Students will produce a significant piece of independent research to present to the class. (Open to French Senior Majors). 3 hrs. lect/disc.

The Social Life of Wilderness
In this seminar we will examine evolving American ideas of “wilderness” from a social science perspective. We will explore how ideas of what wilderness is—or should be—play out in complex cases including the removal of Native Americans from some U.S. National Parks and the establishment of wilderness parks in poor countries that cater to tourists. Through a focus on the nearby Adirondack Park, which contains both land designated in the New York state constitution as “forever wild” and the homes of 130,000 people, we will explore historian William Cronon’s question: “How do you manage a wilderness full of human stories?” 3 hrs. sem.

Introduction to Sociology of Gender
What is gender and what would a sociology of it look like? When did gender become a category of inquiry and more importantly why? We will look at how the meaning and performance of gender changed over time, from Classical Greece to Victorian England, to the contemporary U.S. We will also look at how gender changes depending on one’s position in social space, e.g. one’s race, class, sexuality, and nationality. Finally, we will consider how the need to look at gender is the result of a variety of discourses, from psychoanalysis to capitalism to movements of liberation such as feminism. 3 hrs. lect.

Foundations in Women's and Gender Studies
This course provides an introduction to the interdisciplinary field of gender, sexuality, and feminist studies. Examining gender and sexuality always in conjunction with the categories of race and class, the course foregrounds how inequalities are perpetuated in different fields of human activity and the creative ways in which groups have resisted these processes. The course is organized in sections to illuminate the effects of particular social institutions and structures on individual lives. Each section will introduce a broad overview of feminist interventions in different fields of inquiry. Cumulatively, the course reveals the importance of gender and sexuality as analytical categories to understand social reality and to comprehend important areas of culture. 3 hrs. lect.

Queer Latin American Literature and Cinema
While there is no equivalent word for queer in the Spanish language, queerness is a theoretical framework that informs Latin American Studies on gender and sexuality. In this course we will begin with an exploration of how Latin American and Caribbean intellectuals have thought about queer art and cultural productions from a diversity of concepts: "leche negra," "loca geografía," and "nación marica," among others. Through encounters with a selection of literature and cinema we will think aesthetically and contextually about the specificities of queerness in Latin America. We will read literary texts by Alejandra Pizarnik, Cristina Peri Rossi, José Joaquín Blanco, Reinaldo Arenas, Manuel Ramos Otero, Lilliana Ramos Collado, Severo Sarduy, Néstor Perlongher, and Pedro Lemebel. We will also watch movies such as El lugar sin límites, Plata quemada, Y tu mamá también, Fresa y chocolate, and Antes que anochezca. (SPAN 0220 or equivalent)

French Sexual Politics
Reaction to the recent Dominic Strauss-Kahn scandal and deliberations over same-sex marriage are but two illustrations of the important role sex and gender differences continue to play in contemporary French society. In this course we will examine the political responses such phenomena have elicited. Topics will include: the evolution of gender roles within French family structure, including homoparentalité; attempts to increase women's participation in French national politics, especially via the parité initiative; the question of Muslim women's integration in-or exclusion from-French society; and the attention given to sex and gender differences in anti-discrimination policies. We will critically assess French media and writings from sociology and political philosophy. (This course will be taught in French; FREN 0230 or by waiver) 3 hrs.lect./disc.

History of the Soviet Union
In this course we will explore the tumultuous history of Russia's revolutions and the attempts to create a socialist utopia on earth. The course will be organized around three revolutionary moments: the political revolutions of 1905 and 1917, Stalin’s socioeconomic “revolution from above” in the 1930s, and Mikhail Gorbachev’s “accidental revolution” that led to the demise of the USSR in the 1980s. Through secret party documents, novels, diaries, films, and images, students will get a vivid look at everyday life, party dynamics, the shifting status of women, and the centrality of violence in Soviet society.

History of the Soviet Union
In this course we will explore the tumultuous history of Russia's revolutions and the attempts to create a socialist utopia on earth. The course will be organized around three revolutionary moments: the political revolutions of 1905 and 1917, Stalin’s socioeconomic “revolution from above” in the 1930s, and Mikhail Gorbachev’s “accidental revolution” that led to the demise of the USSR in the 1980s. Through secret party documents, novels, diaries, films, and images, students will get a vivid look at everyday life, party dynamics, the shifting status of women, and the centrality of violence in Soviet society.

Readings in Japanese History: Modernism and Fascism between the World Wars
The 1920s in Japan is typically understood as a period of political and cultural experimentation, as witnessed by the rise of avant-garde cultural groups and radicalized social movements. In contrast, the 1930s is portrayed as Japan's "dark valley", in which this sense of experimentation was suppressed or co-opted by the state. In this course, we will revisit these tumultuous decades by engaging with a range of historical assessments, novels, and critical essays. We will begin by examining theories of modernism and fascism, and then explore the changing socio-cultural milieu in interwar Japan, including mass-culture, modernization, romanticism, imperialism, and utopianism. (formerly HIST 0418)

Sophomore Seminar in the Liberal Arts
This course is designed for sophomores who are interested in exploring the meaning and the purpose of a liberal arts education. To frame this investigation, we will use the question "What is the good life and how shall I live it?" Through an interdisciplinary and multicultural array of readings and films we will engage our course question through intellectual discussion, written reflection, and personal practice. There will be significant opportunities for public speaking and oral presentation, as well as regular writing assignments, including a formal poster presentation. Readings will include reflections on a liberal arts education in the U.S. (Emerson, Brann, Nussbaum, Oakeshott, Ladsen-Billings, bell hooks); on "the good life" (excerpts from Aristotle, sacred texts of different traditions); on social science analyses of contemporary life; texts on the neuroscience of happiness; as well as literary and cinematic representations of lives well-lived. CMP (J. Miller-Lane; P. Zupan)

Readings in Japanese History: Modernism and Fascism between the World Wars
The 1920s in Japan is typically understood as a period of political and cultural experimentation, as witnessed by the rise of avant-garde cultural groups and radicalized social movements. In contrast, the 1930s is portrayed as Japan's "dark valley", in which this sense of experimentation was suppressed or co-opted by the state. In this course, we will revisit these tumultuous decades by engaging with a range of historical assessments, novels, and critical essays. We will begin by examining theories of modernism and fascism, and then explore the changing socio-cultural milieu in interwar Japan, including mass-culture, modernization, romanticism, imperialism, and utopianism. (formerly HIST 0418)

Cults and New Religions AR, AT
Religious outsiders have been persistent yet controversial. Mystics and messiahs preaching a variety of radical beliefs and ways of life have provoked strong responses from mainline traditions as well as from publics concerned about the "cult" menace. Yet new religions have also been a source of religious experimentation and revival. In this course we will explore the unique characteristics of new religions, the historical circumstances that give rise to them, who join and why, the societal reaction they generate, questions of authority and leadership, violence, and the factors that influence their success, decline and failure. A variety of new religions from North America and the West, as well as from Japan and China, will be considered. These may include the Shakers, the People's Temple, Hare Krishna, Soka Gakkai, the Children of God/Family, Solar Temple, Aum Shinrikyo, Falun Gong, the Branch Davidians, and the Raelians. 3 hrs sem.

Introduction to Sociology of Gender
What is gender and what would a sociology of it look like? When did gender become a category of inquiry and more importantly why? We will look at how the meaning and performance of gender changed over time, from Classical Greece to Victorian England, to the contemporary U.S. We will also look at how gender changes depending on one’s position in social space, e.g. one’s race, class, sexuality, and nationality. Finally, we will consider how the need to look at gender is the result of a variety of discourses, from psychoanalysis to capitalism to movements of liberation such as feminism. 3 hrs. lect. (Sociology)

Cults and New Religions
Religious outsiders have been persistent yet controversial. Mystics and messiahs preaching a variety of radical beliefs and ways of life have provoked strong responses from mainline traditions as well as from publics concerned about the "cult" menace. Yet new religions have also been a source of religious experimentation and revival. In this course we will explore the unique characteristics of new religions, the historical circumstances that give rise to them, who join and why, the societal reaction they generate, questions of authority and leadership, violence, and the factors that influence their success, decline and failure. A variety of new religions from North America and the West, as well as from Japan and China, will be considered. These may include the Shakers, the People's Temple, Hare Krishna, Soka Gakkai, the Children of God/Family, Solar Temple, Aum Shinrikyo, Falun Gong, the Branch Davidians, and the Raelians. 3 hrs sem. (Sociology)

Queer Latin American Literature and Cinema
While there is no equivalent word for queer in the Spanish language, queerness is a theoretical framework that informs Latin American Studies on gender and sexuality. In this course we will begin with an exploration of how Latin American and Caribbean intellectuals have thought about queer art and cultural productions from a diversity of concepts: "leche negra," "loca geografía," and "nación marica," among others. Through encounters with a selection of literature and cinema we will think aesthetically and contextually about the specificities of queerness in Latin America. We will read literary texts by Alejandra Pizarnik, Cristina Peri Rossi, José Joaquín Blanco, Reinaldo Arenas, Manuel Ramos Otero, Lilliana Ramos Collado, Severo Sarduy, Néstor Perlongher, and Pedro Lemebel. We will also watch movies such as El lugar sin límites, Plata quemada, Y tu mamá también, Fresa y chocolate, and Antes que anochezca. (SPAN 0220 or equivalent)

Literatura Gauchesca
In this course we will examine the roots of the culture of the Río de la Plata region through the study of gauchesca literature. We will concentrate on issues of the formation of national identity; city vs. Pampa; written vs. oral texts; the transformation of the gaucho from vagabond to national myth; and the use of literature as a political tool. Authors include Hidalgo, Pérez, Ascasubi, del Campo, Hernández, Gutiérrez, Güiraldes and Borges. (Senior majors with at least two Spanish courses numbered 0350 or above, or by waiver) 3 hrs. sem.