Sections

« Winter 2014	Spring 2014	Fall 2014 »
CMLT0101A-S14 CRN: 21406	Intro to World Literature Introduction to World Literature This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc. Instructors: Stefano Mula Location: Library 230 Schedule: 12:15pm-1:30pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, CW, LIT
CMLT0101B-S14 CRN: 21407	Intro to World Literature Introduction to World Literature This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc. Instructors: John McWilliams Location: Munroe Hall 401 Schedule: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, CW, LIT
CMLT0101C-S14 CRN: 21408	Intro to World Literature Introduction to World Literature This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc. Instructors: Ahmad Almallah Location: Munroe Hall 405 Schedule: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, CW, LIT
CMLT0101Z-S14 CRN: 21409	Intro to World Literature Discussion Introduction to World Literature This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc. Instructors: Stefano Mula Location: Hillcrest 103 Schedule: 7:30pm-9:00pm on Tuesday (Feb 10, 2014 to May 12, 2014)
CMLT0200A-S14 CRN: 21809	Folk-Fairy Tales of the World Once Upon A Time ... Folk Fairy Tales Of The World Tell me a story! We will examine the complex, inter-connected fairy tale traditions found in every society. Comparing fairy tale variants from around the world-including Japan, China, India, Near East, Africa-we will explore their convoluted and fertile relationships as observed in the rise of fairy tale collections in 15th-century Europe, reaching a culmination in the Brothers Grimm collection, often synonymous with the fairy tale itself. To attain a more dispassionate critical perspective we will explore theoretical approaches to the fairy tales through authors such as Zipes, Bottigheimer, Tatar, and Rölleke, and conclude by examining modern variants in prose, poetry, and film. Instructors: Roger Russi Location: Freeman CK2 Schedule: 3:00pm-4:15pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, LIT
CMLT0205A-S14 Cross-Listed As: ENAM0205A-S14 CRN: 21813	Intro:Contemporary Lit. Theory Please register via ENAM 0205A Introduction to Contemporary Literary Theory This course will introduce several major schools of contemporary literary theory. By reading theoretical texts in close conjunction with works of literature, we will illuminate the ways in which these theoretical stances can produce various interpretations of a given poem, novel, or play. The approaches covered will include New Criticism, Psychoanalysis, Marxism and Cultural Criticism, Feminism, and Post-Structuralism. These theories will be applied to works by Shakespeare, Wordsworth, The Brontës, Conrad, Joyce, and others. The goal will be to make students critically aware of the fundamental literary, cultural, political, and moral assumptions underlying every act of interpretation they perform. 3 hrs. lect/disc. Instructors: Albert Baldridge Location: Axinn Center 219 Schedule: 10:10am-11:00am on Monday, Wednesday, Friday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: EUR, LIT
CMLT0210A-S14 Cross-Listed As: ARBC0210A-S14 CRN: 22306	Arabia: A Literary Approach Please register via ARBC 0210A Arabia: A Literary Approach (in English) In this course we will examine the Arabian Peninsula as a literary topos that has beguiled representation in both Eastern and Western literature. Whether it is depicted as a glittering spectacle of petro-dollars, the haunt of Bedouin tribesmen or as a sacred focal point, Arabia is an open canvas on which successive societies have sketched their anxieties and aspirations Simultaneously, Arabia has its own rich legacy of self-representation that has been shaped by its harsh environment and unique resources. We will sift through these representations in texts that range among pre-Islamic poetry, the accounts of foreign explorers, novels by modern Arab authors, and contemporary Bedouin oral poetry. All readings will be in English and no previous knowledge of Arabic is required. 3 hrs. sem. Instructors: Samuel Liebhaber Location: Atwater Dining 102 Schedule: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: AAL, CW, LIT
CMLT0285A-S14 Cross-Listed As: ENAM0285A-S14 CRN: 22512	Magical Realism(s) Please register via ENAM 0285A Instructors: Albert Baldridge Location: Warner Hall 202 Schedule: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, LIT
CMLT0299A-S14 Cross-Listed As: ITAL0299A-S14 CRN: 22046	Literary Feasts Please register via ITAL 0299A Literary Feasts: Representations of Food in Modern Narrative (in English) This course will consider food and eating practices within specific cultural and historical contexts. We will analyze realistic, symbolic, religious, erotic, and political functions surrounding the preparation and consumption of food. Readings will be drawn from several national traditions, with a focus on Europe. Authors will include, among others, I. Dinesen, L. Esquivel, J. Harris, E. Hemingway, T. Lampedusa, P. Levi, C. Petrini, M. Pollan, E. Vittorini, and B. Yoshimoto. Viewing of several films where food and eating play an important role will supplement class discussion. 3 hrs. lect./disc. Instructors: Sandra Carletti Location: Hillcrest 103 Schedule: 1:45pm-2:35pm on Monday, Wednesday, Friday at HLD 103 (Feb 10, 2014 to May 12, 2014) 7:30pm-9:30pm on Tuesday at AXN 100 (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: EUR, LIT
CMLT0325A-S14 Cross-Listed As: ENAM0325A-S14 CRN: 22079	Chinese Poetry in the Far West Please register via ENAM 0325A Chinese Poetry in the Far West Although Tang poetry is recognized as one of the great achievements of world literature, its beauty is often lost in translation since so much of that beauty is integrally related to the structure of classical Chinese. In this course—intended for students with no knowledge of Chinese—we will thus spend a significant portion of our time learning from scratch how to read Tang poetry in the original by studying the most common characters and the most fundamental grammatical structures found in the Tang “sonnet.” Our energy will equally be devoted to examining such topics as: differences between Chinese and European poetics; differing theories of translation and intercultural adaptation; Orientalist fantasies of the ideogram; and the impact of ancient Chinese poetry on modern European and American poetry, especially the Imagism movement. Students will both study and write multiple translations in various styles. Readings will include both poetry and critical theory. Students who already know Chinese are not allowed to enroll. 3 hrs. lect/disc. Instructors: Timothy Billings Location: Le Chateau 107 Schedule: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, LIT
CMLT0333A-S14 Cross-Listed As: GRMN0333A-S14 CRN: 22446	Dealing With The Devil Dealing with the Devil: The "Faust" Tradition (in English) Would you sell your soul to the devil if you could receive whatever you wanted in return? Faust made that deal for ultimate knowledge. Did he achieve his goal? Can the devil be trusted? Who wins in such a scenario: Faust or the devil? The search for knowledge and its inherent pitfalls have occupied cultures for centuries. The "Faust" Stoff emanates from a literary tradition that revolves around this search and connects it with the inexplicable forces of the supernatural. We can find "Faust" in music, literature, and the visual arts not only all over Europe, but also in the United States. This course focuses on a discussion of "Faust" in music and literature, primarily in the works of Marlowe, Goethe, Gounod, Liszt, Mann, Bulgakov, and Kerouac. 3 hrs. lect./disc. Instructors: Roman Graf Location: McCardell Bicentennial Hall 538 Schedule: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: EUR, LIT
CMLT0358A-S14 Cross-Listed As: RUSS0358A-S14 CRN: 22355	Non-Conformism in Lit & Art Please register via RUSS 0358A The Art and Life of Non-Conformism in Twentieth-Century America and Russia (in English) In this course we will explore the artistic production of Non-Conformists in 20th century Russia and America. Starting with the Russian Futurists, who stood behind the Soviet Revolution, we will consider how literature and art moved into the dissident realm as the new Soviet state increased its pressure to conform. We will read works by Russian dissidents within the Soviet Union and those written by political émigrés. We will compare these works to those by American non-conformists, including the New Orleans Second Line parades, Hobo, Beat Generation, Hippie, Punk, and the Burning Man cultures. 3 hrs. lect. Instructors: Nina Wieda Location: Freeman FR2 Schedule: 12:15pm-1:30pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: ART, CMP, EUR, LIT
CMLT0373A-S14 Cross-Listed As: ENAM0373A-S14 CRN: 22519	The Novel and the City Please register via ENAM 0373A The Novel and the City In this course we will examine a number of novels from the 20th and 21st centuries that are about life in the city, taking a global and trans-national approach. We will explore formations of urban life alongside transformations in the novel as a genre. We will put these novels of city life in dialogue with critical theory—that is, theories of culture and society that have as their aim human emancipation (for example, Marxism, feminism, critical race studies, and postcolonial studies). The novels we read will reflect important literary movements such as realism, modernism, and postmodernism. (Not open to students who have taken ENAM 0447) Instructors: Yumna Siddiqi Location: Axinn Center 104 Schedule: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014) Requirements Satisfied: CMP, LIT, SOC
CMLT0500A-S14 CRN: 21414	Independent Study Independent Study Approval Required Location: Main Schedule: 7:00pm-8:29pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0500B-S14 CRN: 21415	Independent Study Independent Study Approval Required Instructors: Stefano Mula Location: Main Schedule: 7:00pm-8:29pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0500C-S14 CRN: 22081	Independent Study Independent Study Approval Required Instructors: Natasha Chang Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0500D-S14 CRN: 22082	Independent Study Independent Study Approval Required Instructors: Roman Graf Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700A-S14 CRN: 22361	Senior Thesis Senior Thesis Approval required. Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700B-S14 CRN: 22362	Senior Thesis Senior Thesis Approval required. Instructors: Stefano Mula Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700C-S14 CRN: 22536	Senior Thesis Senior Thesis Approval required. Instructors: Florence Feiereisen Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700D-S14 CRN: 22538	Senior Thesis Senior Thesis Approval required. Instructors: Roman Graf Location: Main Schedule: 7:00pm-8:29pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700E-S14 CRN: 22565	Senior Thesis Senior Thesis Approval required. Instructors: Jay Parini Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)
CMLT0700F-S14 CRN: 22570	Senior Thesis Senior Thesis Approval required. Instructors: Patricia Saldarriaga Location: Main Schedule: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)

« Winter 2014

Spring 2014

Fall 2014 »

CRN: 21406

Intro to World Literature

Introduction to World Literature
This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc.

Instructors:: Stefano Mula
Location:: Library 230
Schedule:: 12:15pm-1:30pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, CW, LIT

CMLT0101B-S14

CRN: 21407

Intro to World Literature

Instructors:: John McWilliams
Location:: Munroe Hall 401
Schedule:: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, CW, LIT

CMLT0101C-S14

CRN: 21408

Intro to World Literature

Instructors:: Ahmad Almallah
Location:: Munroe Hall 405
Schedule:: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, CW, LIT

CMLT0101Z-S14

CRN: 21409

Intro to World Literature
Discussion

Instructors:: Stefano Mula
Location:: Hillcrest 103
Schedule:: 7:30pm-9:00pm on Tuesday (Feb 10, 2014 to May 12, 2014)

CMLT0200A-S14

CRN: 21809

Folk-Fairy Tales of the World

Once Upon A Time ... Folk Fairy Tales Of The World
Tell me a story! We will examine the complex, inter-connected fairy tale traditions found in every society. Comparing fairy tale variants from around the world-including Japan, China, India, Near East, Africa-we will explore their convoluted and fertile relationships as observed in the rise of fairy tale collections in 15th-century Europe, reaching a culmination in the Brothers Grimm collection, often synonymous with the fairy tale itself. To attain a more dispassionate critical perspective we will explore theoretical approaches to the fairy tales through authors such as Zipes, Bottigheimer, Tatar, and Rölleke, and conclude by examining modern variants in prose, poetry, and film.

Instructors:: Roger Russi
Location:: Freeman CK2
Schedule:: 3:00pm-4:15pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, LIT

CMLT0205A-S14

Cross-Listed As:
ENAM0205A-S14

CRN: 21813

Intro:Contemporary Lit. Theory
Please register via ENAM 0205A

Introduction to Contemporary Literary Theory
This course will introduce several major schools of contemporary literary theory. By reading theoretical texts in close conjunction with works of literature, we will illuminate the ways in which these theoretical stances can produce various interpretations of a given poem, novel, or play. The approaches covered will include New Criticism, Psychoanalysis, Marxism and Cultural Criticism, Feminism, and Post-Structuralism. These theories will be applied to works by Shakespeare, Wordsworth, The Brontës, Conrad, Joyce, and others. The goal will be to make students critically aware of the fundamental literary, cultural, political, and moral assumptions underlying every act of interpretation they perform. 3 hrs. lect/disc.

Instructors:: Albert Baldridge
Location:: Axinn Center 219
Schedule:: 10:10am-11:00am on Monday, Wednesday, Friday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: EUR, LIT

CMLT0210A-S14

Cross-Listed As:
ARBC0210A-S14

CRN: 22306

Arabia: A Literary Approach
Please register via ARBC 0210A

Arabia: A Literary Approach (in English)
In this course we will examine the Arabian Peninsula as a literary topos that has beguiled representation in both Eastern and Western literature. Whether it is depicted as a glittering spectacle of petro-dollars, the haunt of Bedouin tribesmen or as a sacred focal point, Arabia is an open canvas on which successive societies have sketched their anxieties and aspirations Simultaneously, Arabia has its own rich legacy of self-representation that has been shaped by its harsh environment and unique resources. We will sift through these representations in texts that range among pre-Islamic poetry, the accounts of foreign explorers, novels by modern Arab authors, and contemporary Bedouin oral poetry. All readings will be in English and no previous knowledge of Arabic is required. 3 hrs. sem.

Instructors:: Samuel Liebhaber
Location:: Atwater Dining 102
Schedule:: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: AAL, CW, LIT

CMLT0285A-S14

Cross-Listed As:
ENAM0285A-S14

CRN: 22512

Magical Realism(s)
Please register via ENAM 0285A

Instructors:: Albert Baldridge
Location:: Warner Hall 202
Schedule:: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, LIT

CMLT0299A-S14

Cross-Listed As:
ITAL0299A-S14

CRN: 22046

Literary Feasts
Please register via ITAL 0299A

Literary Feasts: Representations of Food in Modern Narrative (in English)
This course will consider food and eating practices within specific cultural and historical contexts. We will analyze realistic, symbolic, religious, erotic, and political functions surrounding the preparation and consumption of food. Readings will be drawn from several national traditions, with a focus on Europe. Authors will include, among others, I. Dinesen, L. Esquivel, J. Harris, E. Hemingway, T. Lampedusa, P. Levi, C. Petrini, M. Pollan, E. Vittorini, and B. Yoshimoto. Viewing of several films where food and eating play an important role will supplement class discussion. 3 hrs. lect./disc.

Instructors:: Sandra Carletti
Location:: Hillcrest 103
Schedule:: 1:45pm-2:35pm on Monday, Wednesday, Friday at HLD 103 (Feb 10, 2014 to May 12, 2014) 7:30pm-9:30pm on Tuesday at AXN 100 (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: EUR, LIT

CMLT0325A-S14

Cross-Listed As:
ENAM0325A-S14

CRN: 22079

Chinese Poetry in the Far West
Please register via ENAM 0325A

Chinese Poetry in the Far West
Although Tang poetry is recognized as one of the great achievements of world literature, its beauty is often lost in translation since so much of that beauty is integrally related to the structure of classical Chinese. In this course—intended for students with no knowledge of Chinese—we will thus spend a significant portion of our time learning from scratch how to read Tang poetry in the original by studying the most common characters and the most fundamental grammatical structures found in the Tang “sonnet.” Our energy will equally be devoted to examining such topics as: differences between Chinese and European poetics; differing theories of translation and intercultural adaptation; Orientalist fantasies of the ideogram; and the impact of ancient Chinese poetry on modern European and American poetry, especially the Imagism movement. Students will both study and write multiple translations in various styles. Readings will include both poetry and critical theory. Students who already know Chinese are not allowed to enroll. 3 hrs. lect/disc.

Instructors:: Timothy Billings
Location:: Le Chateau 107
Schedule:: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, LIT

CMLT0333A-S14

Cross-Listed As:
GRMN0333A-S14

CRN: 22446

Dealing With The Devil

Dealing with the Devil: The "Faust" Tradition (in English)
Would you sell your soul to the devil if you could receive whatever you wanted in return? Faust made that deal for ultimate knowledge. Did he achieve his goal? Can the devil be trusted? Who wins in such a scenario: Faust or the devil? The search for knowledge and its inherent pitfalls have occupied cultures for centuries. The "Faust" Stoff emanates from a literary tradition that revolves around this search and connects it with the inexplicable forces of the supernatural. We can find "Faust" in music, literature, and the visual arts not only all over Europe, but also in the United States. This course focuses on a discussion of "Faust" in music and literature, primarily in the works of Marlowe, Goethe, Gounod, Liszt, Mann, Bulgakov, and Kerouac. 3 hrs. lect./disc.

Instructors:: Roman Graf
Location:: McCardell Bicentennial Hall 538
Schedule:: 1:30pm-2:45pm on Tuesday, Thursday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: EUR, LIT

CMLT0358A-S14

Cross-Listed As:
RUSS0358A-S14

CRN: 22355

Non-Conformism in Lit & Art
Please register via RUSS 0358A

The Art and Life of Non-Conformism in Twentieth-Century America and Russia (in English)
In this course we will explore the artistic production of Non-Conformists in 20th century Russia and America. Starting with the Russian Futurists, who stood behind the Soviet Revolution, we will consider how literature and art moved into the dissident realm as the new Soviet state increased its pressure to conform. We will read works by Russian dissidents within the Soviet Union and those written by political émigrés. We will compare these works to those by American non-conformists, including the New Orleans Second Line parades, Hobo, Beat Generation, Hippie, Punk, and the Burning Man cultures. 3 hrs. lect.

Instructors:: Nina Wieda
Location:: Freeman FR2
Schedule:: 12:15pm-1:30pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: ART, CMP, EUR, LIT

CMLT0373A-S14

Cross-Listed As:
ENAM0373A-S14

CRN: 22519

The Novel and the City
Please register via ENAM 0373A

The Novel and the City
In this course we will examine a number of novels from the 20th and 21st centuries that are about life in the city, taking a global and trans-national approach. We will explore formations of urban life alongside transformations in the novel as a genre. We will put these novels of city life in dialogue with critical theory—that is, theories of culture and society that have as their aim human emancipation (for example, Marxism, feminism, critical race studies, and postcolonial studies). The novels we read will reflect important literary movements such as realism, modernism, and postmodernism. (Not open to students who have taken ENAM 0447)

Instructors:: Yumna Siddiqi
Location:: Axinn Center 104
Schedule:: 2:50pm-4:05pm on Monday, Wednesday (Feb 10, 2014 to May 12, 2014)
Requirements Satisfied:: CMP, LIT, SOC

CMLT0500A-S14

CRN: 21414

Independent Study

Independent Study
Approval Required

Location:: Main
Schedule:: 7:00pm-8:29pm on Sunday (Feb 10, 2014 to May 12, 2014)

CMLT0500B-S14

CRN: 21415

Independent Study

Independent Study
Approval Required

Instructors:: Stefano Mula
Location:: Main
Schedule:: 7:00pm-8:29pm on Sunday (Feb 10, 2014 to May 12, 2014)

CMLT0500C-S14

CRN: 22081

Independent Study

Independent Study
Approval Required

Instructors:: Natasha Chang
Location:: Main
Schedule:: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)

CMLT0500D-S14

CRN: 22082

Independent Study

Independent Study
Approval Required

Instructors:: Roman Graf
Location:: Main
Schedule:: 8:00am-4:59pm on Sunday (Feb 10, 2014 to May 12, 2014)

CMLT0700A-S14

CRN: 22361