Eliza Garrison
Assistant Professor of History of Art & Architecture
Email: egarriso@middlebury.edu
Phone: work802.443.5296
Office Hours: Wednesdays and Thursdays 4:30-6:00 p.m.
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Eliza Garrison arrived at Middlebury College in the fall of 2004. She received her Ph.D. from Northwestern University in 2005 under the direction of Otto-Karl Werckmeister with a dissertation on the art policy of the emperor Henry II (1002-1024). Her research focuses on the art of the Carolingian and Ottonian Empires and the historiography of medieval art. She is also broadly interested in processes of political representation, theories of portraiture and the incorporation of spolia into medieval art objects. At present she is completing a book on the art patronage of the emperors Otto III and Henry II.
Courses
Courses offered in the past four years.
▲ indicates offered in the current term
▹ indicates offered in the upcoming term[s]
HARC 0100 - Monuments/Ideas in Western Art ▲
Monuments and Ideas in Western Art
This course is an introduction to the study of Western art history through an investigation of selected art works, considered individually and in broader contexts. The course chronicles the evolution in painting, sculpture, and architecture of the western world. It is designed for those who wish to build a broad acquaintance with the major works and ideas of Western art in their historical settings and to develop tools for understanding these works of art as aesthetic objects and bearers of meaning for the societies, groups, or individuals that produced them. Registration priority will be given to first and second year students. 2 hrs. lect./1 hr. disc.
Spring 2011, Spring 2012
HARC 0214 - Northern Renaissance Art
Northern Renaissance Art: The Rhetoric of the Real
This course will provide students with an overview of art objects created in a variety of media in Northern Europe between the 15th and 16th centuries. We will analyze the changing uses of art in cultures where people defined themselves and the depths of their piety in relation to their material wealth and social standing. During the last few weeks of the semester, the class will look at the emergence of genre painting and the representation of peasant life. We will consider how these phenomena were tied to the histories and careers of individual artists and their workshops. General questions will include: How does the convincing representation of "reality" make for a persuasive image? What are the benefits of fusing secular and religious subject matter? Is it valid to speak of a new artistic self-awareness? 3 hrs. lect.
Fall 2008, Spring 2011
HARC 0216 - Medieval Art ▹
The Power of the Image in the Middle Ages
We live in a society saturated with images, but in the medieval period the average person encountered pictures only within a limited range of contexts. In this course we will examine architecture, sculpture, illuminated manuscripts, and luxury artworks of the fifth through the 15th centuries in Europe and will consider the significances these works held for their original viewers. Key topics include: the image in Christian devotion, the role of the luxury arts in royal propaganda, the use of the image to crystallize stereotypes, and the status of the female figure as embodiment of positive and negative forces. 3 hrs. lect.
Fall 2010, Fall 2012
HARC 0219 - Early Medieval &Romanesque Art
Understanding Early Medieval and Romanesque Art: Seeing Ste. Foy
This course is an introduction to key artworks and architectural monuments made and built in Europe during the eighth through twelfth centuries. We will study such structures as Charlemagne's Palace Chapel and the reliquary statue of Ste. Foy at Conques to explore how these monuments were products of independent cultures that valued the creation of a visual fusion between the Judeo-Christian God and humankind. Likely lines of inquiry include: the persistence of a Classical ideal and its myriad adaptations; the coordination of art objects to specific locations; and, not least, the self-conscious staging of political and ecclesiastical power. 3 hrs lect.
Fall 2008
HARC 0251 - Court, Castle, & Cathedral
Court, Castle, and Cathedral: The Gothic World
This survey course will consider closely the major architectural monuments of the Gothic period in Western Europe, using them as a point of departure in a larger consideration of the artistic culture of this time. In looking at Gothic art and architecture, the class will ask some of the following questions: How were buildings embedded in the promotion of distinct political programs? How do liturgical considerations determine the shapes of buildings and sites? How can we track the emergence of a non-Christian "other" in art of all media? How can we characterize the visual and intellectual culture of "courtly love"? 3 hrs. lect.
Fall 2011
HARC 0300 - Colloquium in Art History
Colloquium in Art History
Topic is determined by the instructor - refer to section for the course description.
Fall 2010
HARC 0301 - Objects and Analysis ▲
Objects and Analysis: Works from the Middlebury College Collections
In this museum-based college writing course, we will take a selection of artworks from the Middlebury College Museum and from the campus at large and study them in relation to a variety of art-historical approaches such as Formalism, Marxism, Feminism, Iconography, and Social Art History. We will use these and other approaches to art-historical analysis as lenses through which one can view and understand works of art and architecture. Strongly recommended for recently declared art history majors.
Spring 2012
HARC 0510 - Advanced Studies ▹
Advanced Studies
Supervised independent work in art history. (Approval Required)
Fall 2008, Winter 2009, Spring 2009, Fall 2009, Fall 2010, Winter 2011, Fall 2011, Winter 2012, Fall 2012, Spring 2013
HARC 0540 - Indep. Museum Studies ▲ ▹
Supervised Independent Work in Museum Studies
This course is a complement to the Museum Assistants Program consisting of a one-time project on a museum topic undertaken in conjunction with continuing participation in MAP. Students will be advised by the Curator of Education of the Art Museum and by a member of the Department of the History of Art and Architecture, and will produce a paper or curate a public presentation. (Approval required; HARC 0100 or 0102, an upper level course in the area of the proposed project, one year of previous participation in MAP, a proposal approved during the preceding term. Priority will be given to HARC majors.)
Spring 2011, Spring 2012, Spring 2013
HARC 0700 - Methods & Theories in Art Hist ▹
Methods and Theories in the History of Art
This seminar is designed for art history majors and is required of them. We will endeavor to reach a critical understanding of the range of methodologies employed in art historical research and writing, thereby preparing students to undertake their senior thesis work. 3 hrs. sem.
Fall 2011, Fall 2012
HARC 0710 - Senior Independent Study
Senior Thesis, Supervised Research
This course is a continuation of HARC 0700 which provides a framework for intensive research for the senior thesis in the history of art. We will work as a small community of scholars on the research process, meeting regularly to discuss the refinement of topics, methodologies of research, and thesis construction, as well as the actual process of writing and editing. During the third week of the course, we will observe art history in action by traveling to a major center for art and architecture, to visit museums, auction houses, galleries, and other institutions that gainfully employ art historians. The culmination of the course will be a thesis symposium at the end of winter term, when students present the fruits of their research to the faculty and the larger community. (HARC 0700)
Winter 2011
HARC 0711 - Sr Thesis: History of Art ▲ ▹
Senior Thesis: History of Art *
This course is a continuation of HARC 0710 which consists of ongoing, supervised independent research with an advisor, plus the organizing, writing, and presenting the thesis, which will be due on a Friday, two weeks before the end of classes. (HARC 0700, HARC 0710)
Spring 2009, Spring 2011, Spring 2012, Spring 2013
Publications:
• Article, “Otto III at Aachen” in special issue of Peregrinations devoted to Ottonian Art, forthcoming March 2010
• Article, “A Curious Commission: The Reliquary of St. Servatius in Quedlinburg,” forthcoming in Gesta, March 2010
• Article, “Ottonian Art and its Afterlife: Revisiting Percy Ernst Schramm’s Portraiture Idea,” Oxford Art Journal, volume 32, number 2 (June 2009): 205-222
• Book Chapter, “Henry II’s renovatio in the Pericope Book and Regensburg Sacramentary,” in The White Mantle of Churches: Architecture, Liturgy and Art Around the Millennium, ed. Nigel Hiscock (Turnhout: Brepols, 2003), 57-79
