Citing using the Chicago Manual of Style
The style for citing sources varies depending on the discipline. The citations style created for the University of Chicago Press is the standard style used by the Department of the History of Art and Architecture at Middlebury College. A hardcopy of the 15th ed. can be found in the reference section of the main library and each of the branches (Music and Armstrong (science)). The Chicago Manual of Style. 15th ed. Chicago: University of Chicago Press, 2003. LB2369 .C57 2003
Chicago Manual of Style describes two forms of documentation. One is similar to MLA and APA directing readers to the bibliography for the full citation. The other style uses a number within the text and a note either at the bottom of the page or as endnotes. Use this style for your papers.
TEXT: "We know that during the mid-70's Rodin intentionally copied from Michelangelo."
NOTE: 3. Alhadeff, Albert. "Michelangelo and the Early Rodin," The Art Bulletin 45, no. 4 (1963) : 365.
BIBLIOGRAPHY: Alhadeff, Albert. "Michelangel and the Early Rodin," The Art Bulletin 45, no. 4 (1963): 363-367.
Quick guide for formating citations
Books
| Single author |
note:
1. Alexandre, Arsène, Le Balzac de Rodin (Paris: H. Floury, 1930), 17.
bibliography:
Alexandre, Arsène. Le Balzac de Rodin. Paris: H. Floury, 1930 |
| Multiple authors |
note:
2. Glen Andres, John Hunisak, and A. Richard Turner, The Art of Florence (New York: Abbeville Press, 1988), 24
bibliography:
Andres, Glen, John Hunisak and A. Richard Turner. The Art of Florence. New York: Abbeville Press, 1988. |
| Edited book |
note:
3. Micale, Mark S, ed. The Mind of Modernism : Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940 (Stanford: Stanford University Press, 2004) 230
bibliography:
Micale, Mark S, ed. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Stanford: Stanford University Press, 2004. |
| Group or corporate author |
note:
4. Musée Rodin, Catalogue Sommaire des Oeuvres d'Auguste Rodin et Autres Oeuvres d'Art de la Donation Rodin (Paris : Imprimerie Frazier-Soye, 1921), 23
bibliography:
Musée Rodin. Catalogue Sommaire des Oeuvres d'Auguste Rodin et Autres Oeuvres d'Art de la Donation Rodin. Paris : Imprimerie Frazier-Soye, 1921. |
| Chapter/Essay in book |
note:
5. John Whiteclay Chambers, "American Views of Conscription and the German Nation in Arms in the Franco-Prussian War," in The People in Arms: Military Myth and National Mobilization since the French Revolution, ed. Daniel Moran and Arthur Waldron (Cambridge, U.K. ; New York: Cambridge University Press, 2003), 193-204.
bibliography:
Chambers, John Whiteclay. "American Views of Conscription and the German Nation in Arms in the Franco-Prussian War." In The People in Arms: Military Myth and National Mobilization since the French Revolution, edited by Daniel Moran and Arthur Waldron, 193-204. Cambridge, U.K ; New York: Cambridge University Press, 2003. |
| Article from a reference book |
note:
6.The Dictionary of Art, s.v. "Rodin, Auguste."
bibliography:
Usually not listed |
Articles
|
Article in a Journal
One author
|
note:
7. Ruth Butler, "The politics of public monuments: Rodin's Victor Hugo and Balzac," Sculpture Review 47, no. 2 (1998): 9.
bibliography:
Butler, Ruth. "The politics of public monuments: Rodin's Victor Hugo and Balzac," Sculpture Review 47, no. 2 (1998): 8-15..
|
| Article in Journal Mutiple authors |
note:
8. W. J. T. Mitchell and Edward W. Said, "The panic of the visual: a conversation with Edward Said," Boundary 2 25, no. 2 (1998): 12.
bibliography:
Mitchel, W. J. T. and Edward W. Said. "The panic of the visual: a conversation with Edward Said." Boundary 2 25, no. 2 (1998): 11-33. |
| Article in a newspaper |
note:
9. Richard B. Woodward, "Battleground art: revisiting the culture wars in Cincinnati," New York Times, September 5, 2004.
bibliography:
Woodward, Richard B. "Battleground art: revisiting the culture wars in Cincinnati.," New York Times, September 5, 2004, New England edition, sec. ar. |
| Article in a popular magazine |
note:
10. Edward Sorel and Nancy Caldwell Sorel, "First encounters: Auguste Rodin and Gwen John," Atlantic Monthly 274, no. 5 (Nov. 1994): 127.
bibliography:
Sorel, Edward and Nancy Caldwell Sorel."First encounters: Auguste Rodin and Gwen John." Atlantic Monthly 274, no. 5 (Nov. 1994): 127.
|
Online sources
| Electronic book |
note:
Honore de Balzac, Adieu (Project Gutenberg, 2004), chap. 1 http://www.gutenberg.net/dirs/1/5/5/1554/old/adieu10.txt.
bibliiography:
Balzac, Honore de. Adieu. Project Gutenberg, 2004. http://www.gutenberg.net/dirs/1/5/5/1554/old/adieu10.txt. |
| Article from an electronic journal |
note:
12. Rober Pensom, "Le poeme en prose: de Bauledaire a Rimbaud," French Studies, 56, no. 1 (2002), http://www3.oup.co.uk/frestu/hdb/Volume_56/Issue_01/pdf/560015.pdf.
bibliography:
Pensom, Robert. "Le poeme en prose: de Bauledaire a Rimbaud." French Studies, 56, no. 1 (2002): 15-28. http://www3.oup.co.uk/frestu/hdb/Volume_56/Issue_01/pdf/560015.pdf. |
| Online newspaper |
note:
Roberta Smith, "The man who made sculpture out of meat cleavers," New York Tiems, September 12, 2004, http://www.nytimes.com/2004/09/12/arts/design/12SMIT.html (accessed September 13, 2004).
bibliography:
Smith, Roberta. "The man who made sculpture out of meat cleavers." New York Tiems, September 12, 2004. http://www.nytimes.com/2004/09/12/arts/design/12SMIT.html (accessed September 13, 2004).
|
| News and Journal databases (JSTOR, Lexis-Nexis. etc.) |
note:
12. W. J. T. Mitchell and Edward W. Said, "The panic of the visual: a conversation with Edward Said," Boundary 2 25, no. 2 (1998) http://links.jstor.org/sici?sici=0190-3659%28199822%2925%3A2%3C11%3ATPOTVA%3E2.0.CO%3B2-W.
bibliography:
Mitchel, W. J. T. and Edward W. Said. "The panic of the visual: a conversation with Edward Said." Boundary 2 25, no. 2 (1998): 11-33. http://links.jstor.org/sici?sici=0190-3659%28199822%2925%3A2%3C11%3ATPOTVA%3E2.0.CO%3B2-W. |