These are the passages from Beethoven's Eroica Symphony that you will be asked to play at the orchestra auditions on Thursday, Sept 22.
You can, in theory, offer as many instruments as you like!
This policy outlines the written guidelines for the continued growth and maintenance of Middlebury College's music collection and is a supplement to the Middlebury College Library Collection Development Policy. By articulating the collection goals and policies, this document helps to ensure that the music collection supports the needs of the College community. The policy acknowledges the music collection's distinct roles in:
The Fall 2016 music lesson series begins September 19 for ten weeks.
Online registration is open September 12-16
Chamber Music at Middlebury College
Middlebury’s music department puts student creative work in the spotlight. There are opportunities to compose and perform; courses in popular and classical music, ethnomusicology, electronic music, and jazz; choral, orchestral, African music and dance, jazz and chamber ensembles; and annual music theater productions.
Peter Hamlin, Class of 1973 and chair of the Music Department at Middlebury, served as on-air host and interviewer for live television broadcasts of the Quad City Symphony and Dubuque Symphony on Iowa Public Television (fall, 2008).
Hamilin also was the emcee for the Vermont Symphony's youth concerts, performing in five different school locations throughout the state (spring 2009). The program included three movements from an orchestra piece of Hamlin's called Green Mountain Variations.
Hamlin's electronic music ensemble Data Stream, with Scot Schwestka, Sandy Nordahl, and Hamlin, created and performed music for a CD last summer. The CD, Flow, was released in March 2009.
Also, Hamlin composed "Grand Theft Flauto" for fellow music faculty member Su Tan. This is a piece for solo flute and live computer processing that was performed at Tufts University, Bennington and Middlebury (fall, 2009).
He has just completed a choral piece called "Chaoufarou," a setting of an excerpt from Samuel de Champlain's diary. The piece will be performed this summer, as part of the 400th anniversary celebration of Champlain's voyage, by a choir of students from France, Quebec and New England.
Larry Hamberlin had an essay included in a book of Schubert studies published by Ashgate Press in the fall.
In the spring, Hamberlin presented papers at the Experience Music Project's pop music conference in Seattle and at the conference Feminist Music and Theory in Greensboro, North Carolina.
He is active on the editorial board of the Journal of the Society for American Music, and he's on the program committee for the society's 2010 annual meeting, as well as chair of the selection committee for the society's award for the year's best book about American music.
Alison Maggart, Class of 2008, has been working as harpist with and assistant to the renowned Indian film composer A.R. Rahman. Rahman is known as the "John Williams of India" -- with "Slumdog Millionaire" just one of the recent films for which he has composed music. Maggart's duties include orchestrating, arranging and preparing Rahman's scores for his films.
The College Choir embarked on a highly successful tour of Connecticut, Boston and New York City over spring break, April 21-26, 2009. The tour included concerts at the phenomenal Trinity Church in the City of Boston, St. Michael's Church on 99th Street in Manhattan, and the New York Society for Ethical Culture on Central Park. The choir sang contemporary choral music, madrigals, and folk music, and a short choral drama featured several Middlebury student soloists. The trip also included a visit to an alum's high school chorus, and joint concerts with Saengerfest Men's Chorus in Boston, the United Nations International School Chamber Ensemble, and Philip Hamilton '82 and his a cappella project, Voices. The choir gave a home concert of the tour program on March 30 at Middlebury.
2008-2009 marks the successful establishment of two new Music Department ensembles, the Men's and Women's Glee Clubs. The men's group offers a department ensemble singing group for men to learn vocal technique and a variety of repertoire, as well as ensemble singing. The women's group grew to 15 members this year and performed selections from "Gloria" by the 17th century master Antonio Vivaldi, with chamber orchestra, as well as several modern pieces and adaptations of international folk music. The Women's Glee Club is conducted by Jessica Allen. With the addition of the Glees, the Middlebury Music Department now has more students singing in ensembles than in the past several years, mostly students who have little or no contact with the department outside of those ensembles.
In May the College Choir performed five Ukrainian Romani songs, with several Middlebury student soloists and a student guitarist. The songs arrangements are the result of field research by Director of Choral Activities Jeffrey Buettner, who returns to Ukraine in June to share the recordings of the College Choir with Romani musicians there. Also on the program were three songs for chorus and piano by Johannes Brahms.
The Sound Investment Jazz Ensemble completed its third full year under Dick Forman’s direction, and its second year as a Music Department performance ensemble. Twenty one students participated. The band offered five performances this year, including a town-gown dance at the Town Hall Theater in April.
Fifteen students performed in the Spring Jazz Showcase. Combos that formed in the Jazz Workshop performed regularly at the Grille, and occasionally at 51 Main.
The jazz program is growing. About 50 applicants for the Class of ’13 submitted jazz recordings with their applications. This is about a 30 percent increase from last year.
Andrew Throdahl, Class of 2009, studied piano with Music Department affiliate artist Diana Fanning, an internationally renowned musician. Throdahl has played the piano for more than a dozen years, and recently gave his senior recital in the Mahaney Center for the Arts Concert Hall. He has a special perspective on playing in Concert Hall, having worked as page-turner for many of the chamber musicians who visit as part of Middlebury’s Performing Arts Series. He has been able to sit at the elbows of some of the greats—and had the best seat in the house to observe their technique. Throdahl is also a classical music reviewer for The Campus, the student newspaper. So while he’s been earning a paycheck turning pages, he’s also had an insider’s eye for evaluating professional artists’ work.
Added Diana Fanning, "Andrew started off his time at Middlebury by winning the College Concerto Competition and playing a Prokofiev Piano Concerto with the College Orchestra. He ended his time at Middlebury performing a Prokofiev Sonata, as well as works by Beethoven, Chopin, Bach and Scriabin, at his Senior Recital. In the meantime, he also won the Chamber Music Competition, studied music composition in Paris, had an internship with an early music ensemble in NYC, was Arts Editor for The Campus, wrote insightful music reviews for The Campus and for the Addison Independent, and played in a benefit concert to help raise money for the Town Hall Theater.
Middlebury's Stuck in the Middle men's a cappella group traveled to Japan this spring. They sang at a number of Japanese schools as part of a tour of Tokyo. You'll find stories and photos about the trip on the SIMnews blog.
One of the ways that town and gown come together in Middlebury is through the 100-member College Community Chorus, headed up by Jeff Rehbach, who works in LIS. On Tuesday and Sunday evenings during the fall and spring semesters, a couple of dozen students -- some who love singing, others singing in a choir for the first time -- join folks from throughout the greater Addison County area (including College staff and alumni) to share in the experience of making music together.
During her sabbatical leave in Germany during 2008-09, Bettina Matthias (German) researched and wrote a German textbook for opera singers and musicians. Having taught in the "German for Singers and Vocal Coaches" program in the German Summer Language School since 2000, she decided to dedicate her sabbatical to writing a much-needed book that takes into account this special group's needs, abilities, interests and professional realities. Her research brought her into contact with some of Germany's finest musicians, opera houses, agents, conservatories, professors and directors, and the final result will prepare singers both linguistically and culturally for auditions, projects and work in the German-speaking world.
Matching a crinkly, crimson tube top and glittery skirt to her auburn-tinted- brunette, shoulder-length hair and ruby lipstick, Anaïs Mitchell ’04 looks bewitching on stage, part siren and part waif; only her ice blue eyes offset the fiery red. She strums her acoustic guitar as the sold-out crowd at Club Passim, the legendary folk haunt in Cambridge, Massachusetts, nods along in appreciation. And then we hear her voice, a light, fresh thing, and a jolt of energy shoots through the room. This, this is something new.
The College Choir tour program is a collection of exciting, dramatic, though-provoking and fun music for a cappella chorus. Exquisite madrigals by Claudio Monteverdi and Thomas Morely are coupled with the tempestuous and playful French choruses from “The Lark,” by Leonard Bernstein. An ensemble committed to understanding between people of different cultures, College Choir sings sentimental, humorous, spiritual and celebratory music from folk traditions of the Americas, Europe and the Far East. A Spiritual arranged by Middlebury’s Francois Clemmons is prelude to two works by Kirke Mechem, “I Know What the Caged Bird Feels” and “Everyone Sang,” settings of poetry by Paul Lawrence Dunbar and Siegfried Sassoon that capture musically both the pain of persecution and the triumph of freedom.
On Saturday, Feb. 21, a daylong series of one-hour workshops culminating in an evening concert will be presented by Philip Hamilton and members of the internationally-touring a cappella groups Cadence and Duwende at Middlebury College. The evening performance will take place at 7:30 p.m. at Mead Chapel, located on Hepburn Road off College Street (Route 125). Tickets to the evening concert are $10 general admission, $8 for seniors and children; and $5 for Middlebury College students.
The Vermont A Cappella Summit is co-sponsored by Middlebury College’s “Dissipated 8 Alumni Association,” Office of the Dean of the College, the Music Department, and the Department of Library and Information Services.