The Museum produces six to eight temporary exhibitions each year, in addition to its display of works from the permanent collection.
The museum is open to all visitors, no reservations required. In accordance with current Middlebury College guidelines, masks are optional but encouraged.
Temporary exhibits are often curated by Museum staff using works from the collection. Other exhibits are borrowed from other museum collections or from institutions that specialize in traveling shows. Exhibitions are carefully chosen to support both the curriculum of the College and the needs of the Museum’s education programs. See below for current and upcoming exhibits.
This installation of Middlebury’s art collection invites visitors to join a conversation sparked by objects created throughout time and around the globe. Arranged thematically to highlight similarities as well as differences across cultures, the reinstalled galleries represent steps in the ongoing journey toward a more inclusive and accessible presentation of the many stories art can tell.
Historically, museums in the United States have prioritized art made by White men. As a result, the important contributions of many artists have been absorbed, marginalized, overlooked, or ignored—especially those of women and BIPOC (Black, Indigenous, and people of color) artists. While the present display features more diverse personal and artistic identities than ever before (with the highest increase among Black, women, and LGBTQIA+ artists), much work lies ahead.
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African cities are growing rapidly, and these two cities have experienced this growth in diverse yet fascinating ways. The street scenes in this exhibition represent the complex narratives of these urban areas: tales of migration, labor, desperation, success, hope, and imagination among others.
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Comprised of nearly twenty works that make use of discarded materials, Tossed, which is curated by the museum’s longtime exhibition designer Ken Pohlman, explores themes of thrift, aesthetics, social / political commentary, and cultural reference juxtaposing contemporary works—by artists such as Swoon, Richard Stankiewicz, El Anatsui, Romuald Hazoumè, Melvin Edwards, and Betye Saar—with artists’ statements and contextual insights about our throwaway society.
