Theatre

Ophelia had everything: the boyfriend, the plan, the dress. Her life was a comedy. Until it really, really wasn’t. Set underwater in the mind of Hamlet’s forgotten, drowned heroine seconds after falling (or jumping?), Ophelia cross-examines her story, her existence, and most importantly - her ending. With the clock (literally) running out of time, Ophelia must decide how much she’s willing to pay to be the author of her own story.

Ophelia had everything: the boyfriend, the plan, the dress. Her life was a comedy. Until it really, really wasn’t. Set underwater in the mind of Hamlet’s forgotten, drowned heroine seconds after falling (or jumping?), Ophelia cross-examines her story, her existence, and most importantly - her ending. With the clock (literally) running out of time, Ophelia must decide how much she’s willing to pay to be the author of her own story.

Ophelia had everything: the boyfriend, the plan, the dress. Her life was a comedy. Until it really, really wasn’t. Set underwater in the mind of Hamlet’s forgotten, drowned heroine seconds after falling (or jumping?), Ophelia cross-examines her story, her existence, and most importantly - her ending. With the clock (literally) running out of time, Ophelia must decide how much she’s willing to pay to be the author of her own story.

Queers take back history… and look damn hot while doing it. Botticelli in the Fire by Jordan Tannahill, senior thesis work of Ryan Kirby ‘22 and Madison Middleton ‘22.5, is an extravagant and edgy queering of Italian Renaissance painter Sandro Botticelli and his iconic painting, The Birth of Venus. Tannahill creates a radical space where queers are no longer on the periphery of history but take center stage in a story that will leave you laughing, moaning, maybe even shedding a few tears.

Queers take back history… and look damn hot while doing it. Botticelli in the Fire by Jordan Tannahill, senior thesis work of Ryan Kirby ‘22 and Madison Middleton ‘22.5, is an extravagant and edgy queering of Italian Renaissance painter Sandro Botticelli and his iconic painting, The Birth of Venus. Tannahill creates a radical space where queers are no longer on the periphery of history but take center stage in a story that will leave you laughing, moaning, maybe even shedding a few tears.

Queers take back history… and look damn hot while doing it. Botticelli in the Fire by Jordan Tannahill, senior thesis work of Ryan Kirby ‘22 and Madison Middleton ‘22.5, is an extravagant and edgy queering of Italian Renaissance painter Sandro Botticelli and his iconic painting, The Birth of Venus. Tannahill creates a radical space where queers are no longer on the periphery of history but take center stage in a story that will leave you laughing, moaning, maybe even shedding a few tears.

Queers take back history… and look damn hot while doing it. Botticelli in the Fire by Jordan Tannahill, senior thesis work of Ryan Kirby ‘22 and Madison Middleton ‘22.5, is an extravagant and edgy queering of Italian Renaissance painter Sandro Botticelli and his iconic painting, The Birth of Venus. Tannahill creates a radical space where queers are no longer on the periphery of history but take center stage in a story that will leave you laughing, moaning, maybe even shedding a few tears.

Anne Washburn’s imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future.

After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of The Simpsons episode “Cape Feare” entirely from memory. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live

Anne Washburn’s imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future.

After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of The Simpsons episode “Cape Feare” entirely from memory. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live

Anne Washburn’s imaginative dark comedy propels us forward nearly a century, following a new civilization stumbling into its future.

After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of The Simpsons episode “Cape Feare” entirely from memory. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live