Museum of Art

Pieter Broucke, professor of history of art and architecture and associate curator of ancient art, recounts the multiyear quest that resulted in the reattribution of one of the museum’s earliest acquisitions from German artist Hans Von Aachen (1522–1615) to Orazio Samacchini (1532–1577), an influential Mannerist artist from Bologna. Enjoy further conversation over a light lunch in the lobby. Presented as part of the series Off the Wall: Informal Discussions About Art. Sponsored by the Middlebury College Museum of Art and the Committee on the Arts. Lunch is provided.

Celebrate the installation of Chaos Xaxis, a sculpture by artist Jedd Novatt, with a ceremony beginning at 4:30 p.m. and a reception immediately following.

Join us at the museum for free food, drinks (21+), live music and student-led tours of the current exhibition American Faces: A Cultural History of Portraiture and Identity.

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free