Museum of Art

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Selected prints, drawings, and watercolors by Gustav Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann, Kathe Kollwitz, and others—whose work wrestled with the relationship between the nude body and contemporary morality—are featured in this exhibit, which explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, a time that changed the world’s notions of flesh and blood forever. Presented in conjunction with the 2015 Clifford Symposium, The “good” Body. Free

Please join us for a reception marking the opening of the exhibition Landscaped, featuring the work of local photographer Timothy Case. The photographs on view present a variety of landscapes from around the country that are attuned to the effects of human interaction with the natural world. Six Middlebury College students curated and installed this exhibition as the culmination of the MuseumWorks 2016 summer internship program. Brief remarks from the artist and curators at 6:00 P.M. Refreshments will be served. Free and open to the public.

The public is invited to attend the opening of an exhibition curated by the participants of MuseumWorks, a summer internship program for Middlebury College students interested in pursuing museum careers. The exhibition will highlight FoodWorks, a Middlebury College summer internship program focused on local, sustainable agriculture. Beverages and light snacks will be served.