History of Arts and Architecture

A selection of senior thesis architectural design work by students in the Class of 2015. Sponsored by the Art & Architecture. Exhibition on view through September 30.

Please join Andrea Murray’s Architecture and the Environment class for a screening of the documentary ‘One Big Home’ in the Johnson Memorial Building room 304.

The Mahabharata, one of India’s most ancient texts, describes a war between family members embroiled in a succession dispute. At its heart is a conversation about the ethics of war between the warrior Arjuna, who is conflicted about fighting his own kin, and his charioteer and confidant Krishna, a manifestation of the god Vishnu.

Jessica Levin Martinez, director of the Division of Academic and Public Programs at the Harvard Art Museums, discusses new spaces and strategies for teaching and learning at the museums, which reopened in the fall of 2014 after a major renovation and expansion. She also addresses public programs that encourage collaboration with campus and community partners. Sponsored by the Middlebury College Museum of Art, Museum Studies Enrichment Fund, Education Studies, and the Art History program. Free

Kendo, “The Way of the Sword,” is the art of Japanese fencing. Kendo is one of the oldest and most celebrated of the Japanese martial arts and is held in high regard in Japan as an important cultural legacy. Kendo has transcended its bloody origins in Japan’s feudal past to become a modern martial discipline that instills courtesy, humility, self-control, and fighting spirit through mentally intense and physically rigorous training. This demonstration is conducted by members of Boston Kendo Kyokai and Boston Shufukai. Sponsored by the Department of History of Art and Architecture. Free

News channels broadcast chaotic scenes from Cairo, Damascus, and Kabul to millions of people, increasing awareness of Islamic sites and cultures in North Africa, Central Asia, and the Middle East while simultaneously contributing to erroneous public assumptions about a monolithic Islam hostile to art. Islamic art historian and museum curator Leslee Michelsen discusses the changing role that contemporary museums play in curating and interpreting Islamic art amidst the socio-political realities of the 21st century.

Edward Shaughnessy, distinguished professor in early Chinese studies at the University of Chicago, discusses the casting and inscription of a Western Zhou dynasty bronze vessel called the Shi Wang Ding, acquired by the Chicago Institute of Art in 2005. This lecture considers both the dating of the vessel and the significance of the casting technique for the presentation of writing in ancient China.

For more than a thousand years, the Tale of Genji has captured the imagination of writers and artists. In 1970 Genji appeared in one of its newest iterations—Japanese manga comics. Lynn Miyake, Professor of Japanese at Pomona College, offers an illustrated lecture on the range of manga interpretations and the ancient tale’s interpretive richness. Sponsored by the Middlebury College Museum of Art, Department of Japanese Studies, East Asian Studies Program, Department of History of Art and Architecture, Gender, Sexuality, and Feminist Studies Program, and the Christian A.

Professor Kirin Narayan of the School of Culture, History, and Language at Australian National University will give a public lecture on Vishwakarma, a Hindu deity traditionally associated with the creative processes of making the material world. Elaborated through very different iconographies, genealogies, and rituals in different regions of India, his worship was once confined to craftsmen who view him as a primordial ancestor, honor him through tools, and pray to him for inspiration and success.

Jeehee Hong, Associate Professor of East Asian Art History at McGill University and current Fellow at the Clark Art Institute, examines representations of grief in Chinese middle-period (9th-14th centuries) funerary contexts. Hong shows that fictional or localized mourners were “inserted” into monuments to transmit corporeal and raw emotions. Sponsored by the Department of History, Department of History of Art and Architecture, Middlebury College Museum of Art, and the Program in East Asian Studies.  Free