Museum of Art

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Drawn from the holdings of the Sabarsky Foundation in New York City, this exhibition-which features works by Egon Schiele, Gustav Klimt, and other members of the Viennese Secession-illuminates how these individuals challenged the artistic and social establishment by rejecting the traditional academic system and turning to new means of expression, often attempting to reunify art and life in a “total work of art,” before giving into cultural pessimism and withdrawing from public life. Free

Join us for a reception to mark the opening of the exhibition Black Is, Black Ar’nt: Defining and Resisting through Art. Through paintings, photographs, and prints, Tamir Williams ‘16, Najwa Stanford ‘16, and Chicago-based artist, educator, and activist Turtel Onli challenge historical and contemporary definitions of Blackness. Refreshments will be served. Black Is, Black Ar’nt runs through March 4, 2016 in Center Gallery (2nd floor of McCullough Student Center, between The Grille and Wilson Hall). Image from Turtel Onli’s Ms Liberty Melon series.

A wide-ranging exhibition of East Asian ceramics, including works and wares from the Han, Tang, Song, Ming, and Qing dynasties. Free This gallery is sometimes closed during periods when the adjacent Johnson Gallery is being reinstalled. Please call 802-443-5007 or visit museum.middlebury.edu for up-to-date information.