Classics & Classical Studies CLAS

Kellogg Latin Translation Exam

The Classics Department announces the Kellogg competition in Latin translation. The Kellogg Prize fund was established in May 1918 by Prof. Brainerd Kellogg, Class of 1858 ‘to encourage Latin and English’. This award is given for the best sight translation of a passage from Latin poetry into English. Contestants may use a dictionary.
This contest is open to all Middlebury College students.

Twilight 206

Homer's Odyssey Marathon Reading

The Fall Family Weekend Marathon Reading this year will be Homer’s Odyssey.  We are reading the Emily Wilson translation. The reading, open to all, will continue through dusk each evening. Translation, laurel wreath and baklava provided; please contact the Classics Department to sign up for a reading time or visit go/epic.

The reading will be held on the plaza, and move to the vestibule in the event of rain.

Davis Family Library

Open to the Public

Homer's Odyssey Marathon Reading

The Fall Family Weekend Marathon Reading this year will be Homer’s Odyssey.  We are reading the Emily Wilson translation. The reading, open to all, will continue through dusk each evening. Translation, laurel wreath and baklava provided; please contact the Classics Department to sign up for a reading time or visit go/epic.

The reading will be held on the plaza, and move to the vestibule in the event of rain.

Davis Family Library

Open to the Public

Homer's Odyssey Marathon Reading

The Fall Family Weekend Marathon Reading this year will be Homer’s Odyssey.  We are reading the Emily Wilson translation. The reading, open to all, will continue through dusk each evening. Translation, laurel wreath and baklava provided; please contact the Classics Department to sign up for a reading time or visit go/epic.

The reading will be held on the plaza, and move to the vestibule in the event of rain.

Davis Family Library

Open to the Public

FFW 2018: Vergil's Aeneid Marathon Reading

The Eve Adler Department of Classics will sponsor a marathon reading of Vergil’s <i>Aeneid<i>. The Latin epic about the destruction of one civilization and the founding of another, Vergil’s <i>Aeneid<i> recounts the wanderings of the hero Aeneas from the ruins of Troy to the shores of Italy, and describes with moving detail the wars he must fight in order to establish a line of leaders that will eventually lead to the Roman Caesars. The reading, open to all, will continue through dusk each evening.

Davis Family Library

Open to the Public

FFW 2018: Vergil's Aeneid Marathon Reading

The Eve Adler Department of Classics will sponsor a marathon reading of Vergil’s <i>Aeneid<i>. The Latin epic about the destruction of one civilization and the founding of another, Vergil’s <i>Aeneid<i> recounts the wanderings of the hero Aeneas from the ruins of Troy to the shores of Italy, and describes with moving detail the wars he must fight in order to establish a line of leaders that will eventually lead to the Roman Caesars. The reading, open to all, will continue through dusk each evening.

Davis Family Library

Open to the Public

FFW 2018: Vergil's Aeneid Marathon Reading

The Eve Adler Department of Classics will sponsor a marathon reading of Vergil’s <i>Aeneid<i>. The Latin epic about the destruction of one civilization and the founding of another, Vergil’s <i>Aeneid<i> recounts the wanderings of the hero Aeneas from the ruins of Troy to the shores of Italy, and describes with moving detail the wars he must fight in order to establish a line of leaders that will eventually lead to the Roman Caesars. The reading, open to all, will continue through dusk each evening.

Davis Family Library

Open to the Public

Euripides' "Hippolytus": Art, Cult, and Leadership

Classics lecture by Lucia Athanassaki, University of Crete

Euripides’ Hippolytus is the only surviving Greek tragedy that offers a scathing account of Theseus. This representation is also at odds with the visual representations of Athens’ mythical king after whom political leaders such as Cimon and, to a certain extent, Pericles modeled themselves. This paper reads the Euripidean portrait of Theseus against Athenian civic iconography and offers a political assessment of Euripides’ radical departure from previous flattering accounts.

Robert A. Jones '59 Conference Room

Open to the Public