Film & Media Culture

One week before Kate Mercer’s (Charlotte Rampling) 45th wedding anniversary, a letter arrives for her husband (Tom Courtenay) with shattering news that promises to forever change the course of their lives. “a quietly explosive film, a potent drama with a nuanced feel for subtlety and emotional complications”––Kenneth Turan, Los Angeles Times. Sponsored by the Hirschfield International Film Series. (Andrew Haigh, UK, 2015, 95 minutes) Free

Suspecting that those around him are actually malevolent shape-shifters, a troubled man questions whether to protect his only friend from an impending war, or from himself. “An effective and unsettling neuro-psychological thriller.”––Katie Walsh, LA Times.

Sponsored by the Hirschfield International Film Series. (Perry Blackshear ‘05, USA, 2016, 90 minutes). Free.

A team of artists and activists expose the hidden world of extinction with never-before-seen images that will change the way we see the planet. “The film is a captivating, sobering look at the world’s endangered aquatic species, but it’s also a frightening revelation of what methane and carbon are doing to the ocean.” Duane Byrge, The Hollywood Reporter.

Sponsored by the Hirschfield International Film Series in association with the Vermont International Film Festival.  (Louie Psihoyos, USA, 2015, 90 minutes). Free.

The Film and Media Culture Department presents final creative work from Sight and Sound II.

FMMC/GSFS student August Laska (’17) will talk about his internship at Vimeo, a company that facilitates the sharing of videos among Internet users.

Zhang Mengqi graduated from the Dance Academy of China Minorities University in 2008. “Self-Portrait: Dreaming at 47 KM” (2013, 77 min, Chinese with English subtitles) was her second film for the Memory Project. 47 KM is the name of the village where Zhang’s grandfather lives. Zhang has said, “In the summer and winter of 2010 …

Wu Wenguang (b. 1956) is a leading figure in the Chinese New Documentary Film Movement. He has made ten films, including the seminal “Bumming in Beijing” (1991). In 2005 Wu co-founded the Caochangdi Workstation Art Center in Beijing, where he curated the Village Documentary Project (2005) and the on-going Memory Project (2010), which organizes amateur filmmakers to record memories of China’s Great Famine (1958-1961) and family and local histories. From 7:00 to 8:00 PM Wu will talk in English about the Memory Project and take questions.

Graduate reception for Film and Media Culture’s 2014 majors. Near entrance on Route 30.

Graduate reception for Film and Media Culture’s 2014 majors. Near entrance on Route 30.