Theatre

Lali and Beng are held captive. They don’t know for how long or if anyone is looking for them. Playwright Winter Miller writes a story about intimacy, surrender, and the will to live. Starring Meili Huang ‘23 and Gabrielle Martin ‘21.5 in her 700-thesis work for Acting. Directed by Madison Middleton ‘22.5.

Content warning: depictions and references to violence and self-harm

Tickets can be purchased through the College Box Office.

Lali and Beng are held captive. They don’t know for how long or if anyone is looking for them. Playwright Winter Miller writes a story about intimacy, surrender, and the will to live. Starring Meili Huang ‘23 and Gabrielle Martin ‘21.5 in her 700-thesis work for Acting. Directed by Madison Middleton ‘22.5.

Content warning: depictions and references to violence and self-harm

Tickets can be purchased through the College Box Office.

The 26th Annual First Year Show will feature select works from Pulitzer Prize winner Suzan-Lori Parks’s 365 Days/365 Plays. Each short play has its own story line, but are connected through similar themes of love, politics, and the pursuit of human connection. 

Click here for ticket information.

The 26th Annual First Year Show will feature select works from Pulitzer Prize winner Suzan-Lori Parks’s 365 Days/365 Plays. Each short play has its own story line, but are connected through similar themes of love, politics, and the pursuit of human connection. 

Click here for ticket information.

The 26th Annual First Year Show will feature select works from Pulitzer Prize winner Suzan-Lori Parks’s 365 Days/365 Plays. Each short play has its own story line, but are connected through similar themes of love, politics, and the pursuit of human connection. 

Click here for ticket information.

The 26th Annual First Year Show will feature select works from Pulitzer Prize winner Suzan-Lori Parks’s 365 Days/365 Plays. Each short play has its own story line, but are connected through similar themes of love, politics, and the pursuit of human connection. 

Click here for ticket information.

1965. A house on top of a hill. An isolated village in Québec, Canada. Three sisters and their brother are reunited for the first time in many years. The reason for the reunion: the imminent return of their mother, who abandoned them twenty years earlier, leaving the town in the amorous arms of her Spanish lover. After her departure, the older siblings rewrote the family history to protect Isabelle, who was seven-years old at the time. Fantasy replaced reality. But today, as the orphans await the mother’s return, Isabelle will demand to know the truth.

1965. A house on top of a hill. An isolated village in Québec, Canada. Three sisters and their brother are reunited for the first time in many years. The reason for the reunion: the imminent return of their mother, who abandoned them twenty years earlier, leaving the town in the amorous arms of her Spanish lover. After her departure, the older siblings rewrote the family history to protect Isabelle, who was seven-years old at the time. Fantasy replaced reality. But today, as the orphans await the mother’s return, Isabelle will demand to know the truth.

1965. A house on top of a hill. An isolated village in Québec, Canada. Three sisters and their brother are reunited for the first time in many years. The reason for the reunion: the imminent return of their mother, who abandoned them twenty years earlier, leaving the town in the amorous arms of her Spanish lover. After her departure, the older siblings rewrote the family history to protect Isabelle, who was seven-years old at the time. Fantasy replaced reality. But today, as the orphans await the mother’s return, Isabelle will demand to know the truth.

1965. A house on top of a hill. An isolated village in Québec, Canada. Three sisters and their brother are reunited for the first time in many years. The reason for the reunion: the imminent return of their mother, who abandoned them twenty years earlier, leaving the town in the amorous arms of her Spanish lover. After her departure, the older siblings rewrote the family history to protect Isabelle, who was seven-years old at the time. Fantasy replaced reality. But today, as the orphans await the mother’s return, Isabelle will demand to know the truth.