Studio Art

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is ongoing through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Paintings from Jim Butler’s Portraiture in Ceramics and Oil Paint course convey visions of who and what students think is powerful in their lives. The large-scale paintings and ceramic assemblages use dynamic design and powerful color to create images that range from photorealistic to expressionist in style. Ongoing through September 15. Sponsored by the Program in Studio Art.

Paintings from Jim Butler’s Portraiture in Ceramics and Oil Paint course convey visions of who and what students think is powerful in their lives. The large-scale paintings and ceramic assemblages use dynamic design and powerful color to create images that range from photorealistic to expressionist in style. Ongoing through September 15. Sponsored by the Program in Studio Art.

Paintings from Jim Butler’s Portraiture in Ceramics and Oil Paint course convey visions of who and what students think is powerful in their lives. The large-scale paintings and ceramic assemblages use dynamic design and powerful color to create images that range from photorealistic to expressionist in style. Ongoing through September 15. Sponsored by the Program in Studio Art.