Studio Art

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.