Studio Art

An exhibition of student work from Jim Butler’s fall class ART180 features intricate houses made from balsa, hardwoods, foam core, and fused glass.  Each is built to fit an actual site on campus by combining practical approaches to architectural thinking with philosophical freedoms of studio art.

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a “plate” of zinc, copper, wood, Plexiglas^TM, or cardboard, and then transferred onto paper by pulling it through a press.

Exhibit is ongoing through April 18

Exhibit is on-going through April 28 Students present their new work from Hedya Klein’s class ART 315: Scratching the Surface, exploring traditional and contemporary methods of printmaking. Imagery is developed through drawing, layering, and hand-coloring applications as well as exposure to contemporary art discourse. Intaglio encompasses an array of techniques: in essence, ink is applied to a plate of zinc, copper, wood, Plexiglas, or cardboard, and then transferred onto paper by pulling it through a press. Sponsored by the Program in Studio Art. Free.