Throughout the Museum’s history the staff has produced a wide array of critically acclaimed exhibitions both with works from the permanent collection and with objects borrowed from other institutions.
In addition, we have hosted a number of nationally and internationally recognized exhibits curated by organizations that specialize in traveling shows. Some of our more recent exhibitions are archived here. Please browse the links to the left to view our past exhibitions by year
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This exhibition celebrates innovative recent video works by artists who use technology to push the boundaries of time-based media. Featured works highlight the process of the artists, inviting the viewer to consider the intersections between video and other art forms. A New Lens aims to ignite imagination, and to promote an embodied, reflective, and participatory viewing experience.
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Many works of art, architecture, and design throughout history have expressly reinforced existing societal power structures. This exhibition highlights art created for the opposite purpose—to shed light on injustice and inequity, challenge hierarchies, and advocate for progress—and aims to offer a sense of the breadth and depth that protest art encompasses.
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May 25, 2021
At the time James Hope painted this view of Sheldon’s and Slason’s Marble Quarry, the marble business was poised to become one of Vermont’s leading industries. America’s first commercial marble quarry opened thirty miles to the south in Dorset, Vermont, in 1785. By 1890 Vermont contributed 62 percent of the nation’s marble production.
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Genre scenes, commonly known as pictures of everyday life, like this interior of an inn, became popular in the decades after creation of the Dutch republic in 1609. They particularly appealed to an elite class of wealthy citizens who read moralizing messages into them.
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Joseph-Philibert Girault de Prangey learned about daguerreotypy immediately after its invention in 1839 and soon mastered the new medium. In 1842 he set out on a three-year photographic expedition to Italy, Greece, Turkey, Lebanon, Syria, Palestine, and Egypt, producing over nine hundred daguerreotypes of landscapes, portraits, and architectural structures old and new.
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This exhibition explores the artistry and social meanings of Chinese gold objects produced between the Warring States period (475–221 BCE) and Tang dynasty (618–907 CE), as well as the more recent story of how they entered American museum collections. The ancient artifacts are accompanied by innovative digital features that bring to life recent excavations, traditional goldsmithing techniques, and the diverse peoples who owned and used them.
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This collection of Fabergé objects offers a window into a vanished world of opulence and grandeur. They once belonged to Nancy Wynkoop, a direct descendant of the Romanov family. Gifted to Middlebury College in 1994, they demonstrate both the grandiose claims of the Romanov autocracy and a personal expression of whimsy and elegance.
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This miniature painting from the former Rajput court of Kota once belonged to a ragamala (“garland of musical modes”) album, whose paintings each depict a particular theme and its accompanying mood. Ragas are musical compositions attuned to specific seasons and times of day, and they are grouped into complex families of male ragas and female raginis.
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This richly illuminated late-medieval prayer bookcalled the Rokeghem Hours, is named for the family for whom is was originally made, the van Rokeghem, who owned lands outside of Bruges, in present-day Belgium. It was created for one of the members of that family—likely for one of the women—by a group of Bruges illuminators called the “Masters of Raphael de Mercatellis.”
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The thousand-year-old Japanese classic The Tale of Genji is acclaimed as the world’s first novel, and in it female author Murasaki Shikibu perceptively explores the minds of young men and women caught in the political and romantic intrigues of the imperial court.
