Studio Art

Photographers Jon Henry and Mikael Owunna discuss their artistic responses to police murder of Black men. Andrew Plumley ’11 (Senior Director, Equity & Culture, American Alliance of Museums) moderates this online conversation, which will include audience Q&A. Free.

Advance registration required. Learn more and register: https://bit.ly/OwunnaHenry.

The Studio Art Program presents the work of the Senior Thesis Studio Art class (ART700) on May 21st, 2021. The exhibition’s reception will take place in the Johnson Memorial Building Central Atrium (Pit and Mezzanine) from 5PM-7PM. 

Interdisciplinary artist from the Caribbean diaspora and current Cameron Visiting Artist Tiffany Smith gives a lecture on her work in photography, video, installation, and design.  Smith’s practice centers on what forms and defines communities of people of color—in particular, how they are identified and represented, and how they endure. 

Tamara Johnson (b. Waco, Texas) is a visual artist and Co-Founder of Sweet Pass Sculpture Park working primarily in sculpture, performance and installation. Johnson and her partner, Trey Burns, opened Sweet Pass Sculpture Park in west Dallas in 2018. Sweet Pass is a non-profit art space exhibiting outdoor projects by emerging and mid-career artists on a rotating basis.

Join us Tuesday evening to view the final work of seniors Jill Stauffer, Michaela Lombard,
Allyson Stevens, Reed Martin, Raine Ellison, Emilio Ovalles-Misterman, and Olivia Ryder. Food and drinks provided. Work for class ART700.

Join us to view and celebrate the thesis work of 6 seniors: Jay Silverstein, Sarah Gratz, Elizabeth Warfel, Zahrrah Ahmed, Charlotte Massey, Noah Sauer, and Charlotte Reider-Smith. Food and drinks provided.

Senior Exhibition Opening Reception: Was It Good for You Too?  Senior art exhibition of Michaela Anne Lombard ‘19.

M Gallery, Old Stone Mill, 3 Mill Street, Middlebury, VT
Refreshments provided. Free and open to the public.

“Local artist Rebecca Kinkead shares her current undertaking, A Neighbor Project. After spending two months painting 250 portraits of local ‘neighbors,’ she plans to take her project around the globe exploring communities through portraiture. During her presentation Kinkead will paint a portrait of a randomly selected audience member.”

A lifelong fascination with waterfront cultures and topographies has led Duke Riley to explore nautical history and the marginalized inhabitants of borderland regions in his art. Working as a fine artist and tattooist, Riley stages performances, installations, and videos that reenact historic moments in a contemporary context. Shorelines and areas where the land meets the water have typically been associated with crime, disease, danger, and people on the fringes of society, especially in urban landscapes.