Benjamin Graves
Visiting Lecturer in English and American Literatures
benjaming@middlebury.edu
work802.443.5884
Fall Term: Monday 2:00-3:30, Tuesday 9:00-10:30, and by appointment
Axinn Center at Starr Library 302
Ben Suzuki Graves is completing a Ph.D in English at the University of California, Berkeley. His teaching and research interests include 20th c. British and Anglophone postcolonial literature, ethnic fictions (British and American), and literary and cultural theory.
Courses
Courses offered in the past four years.
▲ indicates offered in the current term
▹ indicates offered in the upcoming term[s]
CMLT0700 - Senior Thesis ▲
CRWR0560 - Special Project: Writing ▲ ▹
CRWR0701 - Senior Thesis:Creative Writing ▲ ▹
Senior Thesis: Creative Writing
Discussions, workshops, tutorials for those undertaking one-term projects in the writing of fiction, poetry, or creative nonfiction.
Fall 2016, Spring 2017
ENAM0103 - Reading Literature
Reading Literature
Please refer to each section for specific course descriptions. CW LIT
Spring 2013, Spring 2016
ENAM0230 - Human Rights &World Literature
Human Rights and World Literature
In this course we will explore the idiom of human rights in law, literature, and political culture. We will place literary representations of human rights violations (genocide, torture, detention and forced labor, environmental devastation, police violence) in dialogue with official human rights treaties and declarations in order to historicize and critique the assumptions of human rights discourse. Who qualifies as a “human” deserving of humanitarian intervention? How do human rights rehearse a colonial dynamic based on racial and geo-political privilege? To answer these questions we will turn to some of the most controversial voices in global fiction and poetry. 3 hrs. lect. (Diversity)/ CMP LIT SOC
Fall 2015
ENAM0273 - Fictions of Globalization
Slumdogs and Millionaires: Fictions of Globalization
In this course we will explore the rich and still growing body of creative writing addressing the processes (cultural, social, and economic) we now know as globalization. Viewing English as a global literary language, we will read both established and lesser-known authors to examine their sense of globalization's human impact. Special attention will be paid to literary representations of migration, and to certain narratives of self-making and economic possibility shared by fictional, cinematic, and "official" accounts of the recent past. Authors will include V.S. Naipaul, Jamaica Kincaid, Amitav Ghosh, R. Zamora Linmark, Kiren Desai, Aravind Adiga, and Monica Ali. CMP LIT
Spring 2014
ENAM0275 - Multi-Ethnic British Lit
Multi-Ethnic British Literatures
"My name is Karim Amir," announces the protagonist of a Hanif Kureishi novel, "and I am an Englishman born and bred, almost." In this course we will investigate the complex subject of ethnic and national identity in the writing of British authors of Asian, African, and Caribbean descent. We will trace the shifting meanings of "black" and "British" as we move from 1950s migrant fictions to more recent reckonings with British multiculturalism. Topics to be considered will include diaspora and the work of memory; race and religion after 9/11; the representation of urban space; and the experience of asylum-seekers and refugees. 3 hrs. lect./disc. CMP EUR LIT
Fall 2012, Spring 2015
ENAM0460 - Affect, Emotion, Feeling
Affect, Emotion, and Structures of Feeling
What is the role of emotion in the shaping of identities, communities, and political cultures? How have narratives of shame, love, melancholy, anger, and “muddle” allowed writers to address experiences of injury and stigmatization? In this seminar we will explore the growing body of interdisciplinary scholarship on affect. Readings will include theoretical approaches (Deleuze, Berlant, Ngai, Hardt/Negri, Williams, Love) and literary works drawn mostly from queer and postcolonial archives. Topics considered will include affective citizenship; embodiment and touch; antisocial behavior; empathy, hospitality, and conviviality; care-giving and affective labor; and the recent embrace of tragedy in postcolonial studies. 3 hrs. sem. LIT SOC
Fall 2014
ENAM0500 - Special Project: Lit ▲ ▹
Special Project: Literature
Approval Required.
Fall 2013, Fall 2014, Fall 2015, Spring 2016, Fall 2016, Spring 2017
ENAM0700 - Senior Thesis:Critical Writing ▲ ▹
Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking one-term projects in literary criticism or analysis. All critical thesis writers also take the Senior Thesis Workshop (ENAM 700Z) in either Fall or Spring Term.
Fall 2013, Spring 2014, Fall 2014, Spring 2015, Fall 2015, Spring 2016, Fall 2016, Spring 2017
ENAM0710 - Senior Thesis: Critical Writ.
Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking two-term projects in literary criticism or analysis. All critical thesis writers also take the thesis workshop (ENAM 710z) in both Fall and Spring terms.
Fall 2012, Winter 2013, Spring 2013, Fall 2013, Winter 2014, Spring 2014
FYSE1316 - The Work of Art ▲
The Work of Art: Labor in Contemporary Literature and Visual Culture
In this seminar we will examine imaginative accounts of work and workers in recent literature, art, and film. Garment workers, miners, computer programmers, taxi drivers, teachers, and sex workers will take center stage as we consider the shifting meanings of paid and unpaid labor in contemporary culture. Class materials will consist of an international mix of novels, poems, photographs, performance pieces, theoretical texts, documentaries, and feature films. Topics to be considered include women’s work, labor migrations, the rise of service work and other forms of “affective” labor, and the representation of the body at work. 3 hrs. sem. ART CMP CW
Fall 2013, Fall 2016
INTD1135 - British Popular Culture
British Popular Culture
George Orwell once described the English in terms of their fondness for “the pub, the football match, the back garden, the fireside, and the ‘nice cup of tea'." But what would he have made of the Sex Pistols or Amy Winehouse? In this course we will trace a particular arc through post-1945 British popular culture in order to ask how we got from Orwell to The Office, from the Rolling Stones to Radiohead. We will ask how film, music, and TV prepared the ground for important episodes in British history: the “special relationship” with the United States, the modernization of sexuality, the transformation from welfare state to free market capitalism, the slow passage toward a multicultural society. ART EUR SOC WTR
Winter 2013, Winter 2015