Mario Higa

Accelerated Beginning Portuguese
This course is an intensive and fast-paced introduction to Portuguese, covering all of the basic structures and vocabulary as well as important aspects of the cultures of Lusophone countries. Within a cultural context, emphasis will be placed on active communication aimed at the development of comprehension, speaking, reading, and writing. Students are expected to continue with PGSE 0215, after successful completion of PGSE 0115 (formerly PGSE 0210). Open to all students. 6 hrs. lect./disc.

Japanese Immigration to Brazil
Japanese Brazilians are the largest ethnic Japanese community outside Japan. What factors gave rise to this community? How did it expand over time? In this course we will study the modern Japanese diaspora from a Brazilian perspective. The first families from Japan arrived in Brazil in 1908. Why did these families leave their country? Which work did Japanese immigrants do? How did they negotiate their Japanese cultural identities within the Latin American context? To what extent have they contributed to the Brazilian culture? In order to answer these and other questions, students will examine and discuss a set of critical/creative sources that include essay, film, testimony, painting, advertisement, poetry, and literary fiction. In the last segment of the course, we will consider a social-economic counterpoint: the context in which Brazilians of Japanese ethnicity followed the reverse path of their grandparents and massively immigrated to Japan during the 1990s. 3 hrs sem.

The School of Bossa Nova
During the 1950s, Brazil left the image of an exotic country behind to emerge on the world stage as a prosperous and modern nation. The soundtrack to this historical period was Bossa Nova, a revolutionary musical genre that blends together Afro-Brazilian samba and American jazz. In this course students will explore the history of Bossa Nova, its cultural paradigms, and its global impact. As a product of samba and jazz, how did Bossa Nova deal with issues of race and gender? Is Bossa Nova a “whitened” form of samba? How are women represented in Bossa Nova’s lyrics? Also, how were Tom Jobim and Vinicius de Moraes’ songs received in countries such as Japan, France, Cape Verde, Argentina, and the U.S.? How did these songs help change the perception of Brazil from abroad? In order to reflect on these and other questions, we will combine the reading of essays on Brazilian history and culture with the analysis of a number of Bossa Nova’s classics. Moreover, we will dedicate a section of our classes to “practice” these songs. As in the movie The School of Rock, students and teacher will rehearse for a performance, open to the Middlebury community, that will take place on campus by the end of the semester. Music skills are desirable, but not required. (PGSE 0215, or by approval) 3hrs. lect.