Museum of Art MUSEUM OF ART

Remains of the Neronian Aqueducts

Piranesi: Extraordinary Fellow, Madman, Sublime Dreamer, Inventive Genius

Sponsored by:
Museum of Art

Giovanni Battista Piranesi was an artist like no other. Working as an architect, printmaker, polemicist, archaeologist, interior designer, and art dealer, he created works that even today define our notions of Ancient and Modern Rome, and which helped establish a taste for Neoclassical design that spread across Europe.

Mahaney Arts Center 125

Open to the Public
Guest artist and photographer, Rania Matar

Artist Talk, Rania Matar (lecture and Q & A)

Sponsored by:
Museum of Art

The photographs of Lebanese American artist, Rania Matar tells the stories of young women through portraits taken throughout Lebanon, France, Egypt and the United States.

Mahaney Arts Center 125

Open to the Public
image of Our Lady of Cocharcas

Christianity, the Spanish Empire and Post-colonial Theory in the Inca Territory

Sponsored by:
Museum of Art

Student lecture by Stephanie Quichimbo ’25, Robert F. Reiff Curatorial Intern.

Pre-colonial and post-colonial South American art differ greatly in medium, with a shift from stonework and textiles to paintings, reflecting changes in subject matter and ideology. Our Lady of Cocharcas exemplifies how cultural hybridity influenced colonial art, as indigenous communities may have adopted European figures to assert their identity while outwardly conforming to Spanish rule.

Mahaney Arts Center 125

Rania Matar: SHE— Opening Reception

Sponsored by:
Museum of Art

The photographs of Lebanese Palestinian American artist, based in Boston, Rania Matar tell the stories of young women through portraits taken throughout Lebanon, France, Egypt, and the United States. Photographed through car windows, in abandoned buildings, snow-strewn fields, or floating in the Mediterranean Sea, the women collaborate with Matar, sharing a sense of creative agency. These large-scale color photographs portray individuality intimately tied to the histories and connections of place.

Mahaney Arts Center Lower Lobby

Free
Open to the Public
Edwin Austin Abbey’s (1852–1911) drawings at Yale University.

Edwin Austin Abbey’s Mural Painting: Context and Conservation

Theresa Fairbanks Harris, Senior Conservator of Works on Paper at the Yale University Art Gallery and the Yale Center for British Art, and Josephine Rodgers, Curator of Collections and Director of Engagement at the Middlebury College Art Museum, will lead a discussion on the conservation treatment and history of Edwin Austin Abbey’s (1852–1911) drawings at Yale University. The treatment was completed in preparation for the ‘The Dance of Life: Figure and Imagination in American Art, 1876–1917’ exhibition now on view at the Yale University Art Gallery.

Johnson Classroom 204

Open to the Public

Ancient Beacons Long for Notice: a conversation with Dario Robleto

In his prints, sculptures, and films, multi-disciplinary artist Dario Robleto incorporates a deep fascination with science, history, sound, medicine, and human empathy. His 2024 film, “Ancient Beacons Long for Notice,” is currently installed at the Middlebury College Museum of Art in the exhibit, “An Invitation to Awe.” He will join Guest Curator Katy Smith Abbott in conversation, as they explore Robleto’s conviction that “awe is a courtship with the unknown.”

Mahaney Arts Center, Olin C. Robison Concert Hall

Open to the Public

FoAM Annual Purchase Party

Sponsored by:
Museum of Art

Join the Friends of the Art Museum as we consider our next gift to the museum’s collection. Assistant Professor of Psychology Mike Dash will present three works of art for possible purchase, and the members of the Friends will vote to determine which work gets added to the collection. The evening will also feature a buffet dinner and cash bar.

Atwater Dining Hall

Open to the Public