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History of Arts and Architecture

History of Arts and Architecture HARC

Thesis Art Exhibition

Sponsored by:
History of Arts and Architecture
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Students enrolled in ART 700 exhibit works in various media in this culminating exhibition, showcasing the work of advanced students completing semester long independent studio art.  

Johnson Atrium

Sonic Preservation of the Berlin Wall

Sponsored by:
History of Arts and Architecture
Pamela Jordan of the Netherlands’ HEAD-Genuit-Foundation analyzes the Berlin Wall as a sonic infrastructural space. Propaganda broadcasts, guard dogs, gunfire, and sirens were violent, auditory markers along the barrier. The patent differences in the two sides’ soundscapes coerced silence on the East, actively demarcating a territory of surveillance and hostile control. Free

Mahaney Arts Center 125

Open to the Public

Sarah Laursen lecture Pageantry and Power: Gold in the Realm of Women during China's Six Dynasties and Tang Periods

Sponsored by:
Rohatyn Center for Global Affairs and History of Arts and Architecture
International and Global Studies Colloquium lecture “Pageantry and Power: Gold in the Realm of Women during China’s Six Dynasties and Tang Periods” by Sarah Laursen, assistant professor of history of art and architecture, Middlebury College. Lunch is free for current Middlebury College students/faculty/staff; $5 for others; RSVP by 4/29 to rcga@middlebury.edu.

Robert A. Jones '59 Conference Room

Open to the Public

Queer Bauhaus

Sponsored by:
History of Arts and Architecture
An illustrated lecture by Dr. Elizabeth Otto, executive director of the Humanities Institute and associate professor of modern and contemporary art history and visual studies at the University at Buffalo. She shares her research on the roles queer identities and gender fluidity played in the development of Modernism’s legendary art school. Free

   

Mahaney Arts Center 125

Open to the Public

Public Lecture by Jun Nakamura -The Diachronic Print: Rembrandt’s Posthumous Interlocutors

Sponsored by:
History of Arts and Architecture and ENGAGED LISTENING PROJECT
Prints are a unique medium in that, through the repeated printing of a plate or block, prints index their own histories. Most of the prints that we have today from plates made in the sixteenth and seventeenth centuries were likely pulled by hands not belonging to the artists who engraved, etched, and cut the plates themselves. Many, in fact, were printed posthumously, sometimes with interventions being made to the plates before reprintings by later artists and printers.

Virtual Middlebury

Free

Shan Zeng '19, Lecture and Gallery Talk: Sacred Ropes

Sponsored by:
Museum of Art and History of Arts and Architecture
Shimenawa, or “enclosing ropes”, are used to construct sacred space in the worship of kami (Shinto gods). Shan Zeng ’19 will discuss the history of shimenawa in a short talk based on her thesis work. The talk will be followed by light refreshments and a visit to the Reiff Gallery of Asian Art to view the newly installed shimenawa there.

Mahaney Arts Center 125

Open to the Public

Manifestaciones en Periodo de Caza/Demonstration During Hunting Season

Sponsored by:
Dean of Students, Atwater Commons, Rohatyn Center for Global Affairs, Dance, History of Arts and Architecture, The Center for Community Engagement, American Studies, Education Studies, Center for Comparative Study of Race & Ethnicity, Latin American Studies, Gender, Sexuality, & Fem Studies, Food Studies, and Black Studies
In this performance and artist talk, the renowned artistic duo better known as Las Nietas de Nonó will share the visceral motivations of their creative work and artistic practices in recent struggles for equity, visibility, and political change in Puerto Rico and beyond. 

Ilustraciones de la Mecánica takes up the history of medical experimentation and the pharmaceutical industry in Puerto Rico. It considers in particular the violence inflicted on Black women’s bodies in the name of medical research.

Adirondack Coltrane Lounge

Open to the Public

Unintentionally Awesome Design Strategies and the Future of Accessibility

Sponsored by:
Environmental Studies, History of Arts and Architecture, and Alliance for an Inclusive Middlebury (AIM)
Sustainable architecture in the 21st century tends to work without explicit attention to disability. In this public lecture, Johnna S. Keller, RA discusses ways that architecture can consciously consider both sustainability and accessibility as creative design challenges, thus promoting a socially just and ecologically restorative environment.

Co-sponsored by Middlebury’s Advisory Group on Disability Access and Inclusion, Architecture Studies/History of Art & Architecture, Franklin Environmental Center, and the Program in Environmental Studies.

Franklin Environmental Center, The Orchard-Hillcrest 103

Open to the Public