COVID-19: Essential Information

Deborah Evans

Assistant Professor of American Studies

 
 work(802) 443-3350
 Fall 2020: Zoom hours Thursday 11-1 or send an email to request in person appointment
 Axinn Center 247

Deborah Evans, an assistant professor in American Studies and English and American Literatures, earned a B.A. from the University of Michigan, an M. A. and Ph. D. in English from the University of North Carolina at Chapel Hill, and has taught at Middlebury since 1996.  

Her regular course offerings include early American literature, 19th century American literature, and studies in American regionalism--particularly of the American South and West. She teaches courses on the captivity narrative, western film, the history of tourism and leisure in American culture, and on controversies surrounding American monuments and memorials.   Her current research interests revolve around confederate monuments and remembrance in the South.   

Of late she has been particularly interested in exploring new pedagogies: she has been using a game format called Reacting to the Past in her American literature and culture courses, where students learn by taking on roles, informed by classic texts, in elaborate games set in the past.  In addition, she now serves as the faculty lead on the Mellon Grant supporting Middlebury’s development of a Sophomore Seminar in the Liberal Arts; this class was designed to help students develop a greater sense of meaning and purpose that can inform the decisions facing them as sophomores.

 

Courses

Course List: 

Courses offered in the past four years.
indicates offered in the current term
indicates offered in the upcoming term[s]

AMST 0209 / ENAM 0209 - Am. Lit. & Cult: origins-1830      

American Literature and Culture: Origins-1830
A study of literary and other cultural forms in early America, including gravestones, architecture, furniture and visual art. We will consider how writing and these other forms gave life to ideas about religion, diversity, civic obligation and individual rights that dominated not only colonial life but that continue to influence notions of "Americanness" into the present day. Required for all majors and minors.3 hrs. lect./disc. AMR LIT NOR

Fall 2018, Fall 2019

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AMST 0231 - Tourism in American Culture      

See the U.S.A.: The History of Tourism in American Culture
In this course, we will explore the history and evolution of American tourism, beginning in the 1820s, when middle-class tourists first journeyed up the Hudson River valley, and ending with our contemporary and continuing obsession with iconic destinations such as Graceland, Gettysburg, and the Grand Canyon. We will explore how the growth of national transportation systems, the development of advertising, and the rise of a middle class with money and time to spend on leisure shaped the evolution of tourism. Along the way, we will study various types of tourism (such as historical, cultural, ethnic, eco-, and 'disaster' tourism) and look at the creative processes by which places are transformed into 'destinations'. Our texts will come from visual art, travel literature, material culture, and film and television. We will consider their cultural meaning and reflect on our own motivations and responses as tourists, and by so doing contemplate why tourism was-and still is-such an important part of American life. 3 hrs. lect. AMR CW HIS NOR

Fall 2018, Spring 2021

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AMST 0240 / ENAM 0240 - Captivity Narratives      

Captivity Narratives
Captivity narratives—first-person accounts of people's experiences of being forcibly taken and held against their will by an "other"—were immensely popular and important in early America; the captivity motif has been perpetuated and transformed throughout later American literature and film. In this course we will explore what these types of tales reveal about how Americans have handled the issues of race and racism, religion, gender, violence and sexuality that experiences of captivity entail. Beginning with classic Puritan narratives (Mary Rowlandson) and moving forward through the 19th and 20th centuries, we will consider the ways that novels (The Last of the Mohicans), autobiographies (Patty Hearst, Iraqi captivity of Pvt. Jessica Lynch) and films (The Searchers, Little Big Man, Dances with Wolves) do cultural work in shaping and challenging images of American national identity. 3 hrs. lect. (Diversity) AMR ART LIT NOR

Spring 2018

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AMST 0251 - Monuments and Memorials      

Constructing Memory: American Monuments and Memorials
“Democracy has no monuments,” John Quincy Adams once famously argued. “It strikes no medals; it bears the head of no man upon its coin; its very essence is iconoclastic.” Yet nearly 250 years after America’s founding, monuments and memorials surround us. In this course we will explore the memorializing impulse; the complexity and depth of emotion evoked by memorial acts; and the oftentimes heated controversies about modes, placement, and subject of representation. We will consider how and why America chooses to memorialize certain people and events, and what is gained—and sometimes erased—in the process. By choosing among a broad range of traditional and non-traditional modes of representation, we will consider how public memorials both reflect and shape Americans’ shared cultural values. The course will include site visits to local monuments and projects in which we propose designs or redesigns of memorials for a 21st century audience. AMR ART CW NOR

Spring 2018, Spring 2021

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AMST 0500 - Independent Study      

Independent Study
Select project advisor prior to registration.

Winter 2017, Spring 2017, Fall 2017, Winter 2018, Spring 2018, Fall 2018, Winter 2019, Spring 2019, Fall 2019, Winter 2020, Spring 2020, Fall 2020, Winter 2021, Spring 2021

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AMST 0701 - Senior Work I      

Senior Work
(Approval required)

Fall 2019, Fall 2020

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AMST 0710 - Honors Thesis      

Honors Thesis
For students who have completed AMST 0705, and qualify to write two-credit interdisciplinary honors thesis. on some aspect of American culture. The thesis may be completed on a fall/winter schedule or a fall/spring schedule. (Select a thesis advisor prior to registration)

Winter 2017, Spring 2017, Winter 2018, Spring 2018, Winter 2019, Spring 2019, Winter 2020, Winter 2021

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AMST 1012 - American West on Film      

Hollywood’s West: The American West on Film
From its beginnings the Hollywood western has presented an imaginative geography, a powerful popular fantasy expressing deep truths, and perhaps still deeper desires about American identity. Initially the western reasserted 19th century America’s optimistic vision of manifest destiny; ultimately, many westerns challenged that optimism, often explicitly presenting racial, sexual, and political tensions. Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed. Working with a broad range of films, including Stagecoach, High Noon, Pat Garrett and Billy the Kid, Blazing Saddles, Unforgiven, Lone Star, Smoke Signals, Cowboys & Aliens—we will explore the ways in which westerns have both shaped and reflected the dominant social and political desires and anxieties of their respective eras. . AMR ART NOR WTR

Winter 2019

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CRWR 0560 - Special Project: Writing      

Special Project: Creative Writing
Approval Required.

Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021

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CRWR 0701 - Senior Thesis:Creative Writing      

Senior Thesis: Creative Writing
Discussions, workshops, tutorials for those undertaking one-term projects in the writing of fiction, poetry, or creative nonfiction.

Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021

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ENAM 0206 / AMST 0206 - 19th Century American Lit.      

Nineteenth-Century American Literature (Pre-1900 AL)
This course will examine major developments in the literary world of 19th century America. Specific topics to be addressed might include the transition from Romanticism to Regionalism and Realism, the origins and evolution of the novel in the United States, and the tensions arising from the emergence of a commercial marketplace for literature. Attention will also be paid to the rise of women as literary professionals in America and the persistent problematizing of race and slavery. Among others, authors may include J. F. Cooper, Emerson, Melville, Douglass, Chopin, Whitman, Dickinson, Twain, Hawthorne, Stowe, Alcott, Wharton, and James. . 3 hrs. lect./disc. AMR LIT NOR

Spring 2017, Spring 2019, Spring 2020

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ENAM 0342 / AMST 0342 - Literature of American South      

Literature of the American South (AL)
In William Faulkner's Absalom, Absalom! Canadian Shreve McCannon commands his roommate, Mississippian Quentin Compson, "Tell about the South. What's it like there. What do they do there. Why do they live there. Why do they live at all?" Our course will take on writers who want to "tell about the South" in the post-Civil War era and beyond as they seek to help redefine and revitalize their region. We will focus our regional exploration on the "Southern Renascence," an era when writers and theorists like the Agrarians reexamined Southern history and reconsidered their role in relation to their regional community. Authors including William Faulkner, Zora Neale Hurston, Robert Penn Warren, Eudora Welty, and Tennessee Williams developed a new awareness of the restrictions of racial and gender roles, an interest in literary experimentation, and an increasingly realistic presentation of social conditions in the South. We will consider the legacy of these writers in later 20th century texts by authors such as Flannery O'Connor, Walker Percy, Alice Walker, Cormac McCarthy, Ernest Gaines, Randall Kenan and even relative newcomers such as Jackson Tippett McCrea. (Not open to students who have taken FYSE 1336) 3 hrs. lect./disc. AMR LIT NOR

Fall 2017

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ENAM 0500 - Special Project: Lit      

Special Project: Literature
Approval Required.

Winter 2017, Spring 2017, Fall 2017, Winter 2018, Spring 2018, Fall 2018, Winter 2019, Spring 2019, Fall 2019, Winter 2020, Spring 2020, Fall 2020, Winter 2021, Spring 2021

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ENAM 0700 - Senior Thesis:Critical Writing      

Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking one-term projects in literary criticism or analysis. All critical thesis writers also take the Senior Thesis Workshop (ENAM 700Z) in either Fall or Spring Term.

Spring 2017, Fall 2017, Spring 2018, Fall 2018, Spring 2019, Fall 2019, Spring 2020, Fall 2020, Spring 2021

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FYSE 1556 - Liberal Arts and the Good Life      

The Liberal Arts and Living "the Good Life"
You are here—now what? In this seminar we will reflect on this pivotal moment in your intellectual journey. We will consider key questions that help us understand why a liberal arts education offers more than ‘useless knowledge’ and is instead an investment in the good of the soul and the community: What does it mean—and has it meant--to live ‘the good life’? We will read critical writings about American liberal arts education; selected philosophical and sacred texts as they pertain to living ‘the good life’; and creative works such as Orwell’s /1984/ and Martel’s /Life of Pi/. We’ll slow down and deepen your learning process--and get another step closer to identifying a sense of meaning and purpose for your four years at Middlebury. 3 hrs. sem.
CW LIT

Fall 2019

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FYSE 1566 - American Revolutions –Reacting      

American Revolutions: Reacting to the Past
In this course we will be examining four moments of intellectual and cultural conflict in the United States, including: 1)The Revolution in NYC, 1775-76, 2)The Fate of John Brown, 1859, 3)Greenwich Village, 1913 (Suffrage, Labor and the New Woman) and, 4)Chicago, 1968. We will dive deep into these moments of revolution via Reacting to the Past games, in which you’ll present the perspectives of historical characters—sometimes with values quite different than your own--in lively debate. These games do not have a fixed script: you’ll find yourself researching classic documents, collaborating, making public speeches, plotting—and in the end, perhaps even rewriting history. AMR CW HIS

Fall 2020

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INTD 0210 / EDST 0210 - Sophomore Seminar/Liberal Arts      

Sophomore Seminar in the Liberal Arts
The current pandemic, and all the questions it brings to the fore about what we value in a college experience, make this an ideal moment to consider the meaning and purpose of your liberal arts education. At the heart of this exploration will be a question posed by physicist Arthur Zajonc: “How do we find our own authentic way to an undivided life where meaning and purpose are tightly interwoven with intellect and action, where compassion and care are infused with insight and knowledge?” We will examine how, at this pivotal moment of decision making, you can understand your college career as an act of “cultivating humanity” and how you can meaningfully challenge yourself to take ownership of your intellectual and personal development. Through interdisciplinary and multicultural exploration, drawing from education studies and philosophical, religious, and literary texts, we will engage our course questions by way of student-led discussion, written reflection, and personal, experiential learning practices. In this way we will examine how a liberal arts education might foster the cultivation of an ‘undivided’ life, “the good life”, a life well-lived. (The course is open to sophomores and second semester first-year students. Juniors by permission only.) CMP

Spring 2017, Fall 2017, Spring 2019, Spring 2020, Fall 2020

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Department of English & American Literatures

Axinn Center at Starr Library
15 Old Chapel Road
Middlebury College
Middlebury, VT 05753