Middlebury

 

Su Lian Tan

Professor of Music

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Phone: work802.443.5224
Office Hours: On leave 2013-14
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Professor Tan will be in residence at the Yong Siew Toh Conservatory of Music in Singapore later this month. She will be working with composition and flute students there in workshops, Masterclasses, as well as performing a recital, New Worlds for flute. The repertoire of the recital is taken from her recent CD release Grand Theft and other felonies (" a must- own for flutists and flute enthusiasts" Fanfare)  and will include exciting premiers of music by Denise Hofmann, John McDonald and the reduction of her concerto Autumn Lute- Song.


 

Trumpet virtuoso Joe Burgstaller performed the world premier of Ming (Brush Strokes), by Su Lian Tan, on 27 October 2012 at the Yong Siew Toh Conservatory, Singapore .

burgstaller

The Straits Times, Singapore 28 Oct 2012

".... A highlight was the world premiere of Malaysian-American composer Su Lian Tan's Ming, an evocation of Chinese brush-painted landscapes, its placid waters, gnarled trees, rugged mountains and soaring birds. Partnered by pianist Low Shao Suan, this atmospheric score ambled from impressionistic half-lights to a Messiaen-like timeless calm. Burgstaller's part used the mute liberally, to temper the bluesy timbre before going full voice on a song."


 

"Flute Talk Magazine," October, 2010

“Particularly alluring…began in an angular Western style with a balance of vehemence and serenity” The New York Times

“The stunner of the evening was Su Lian Tan’s Life In Wayang”… The Washington Post

“…a crystal-like evocation of autumn…began in a serene meditation…filling a whole sky with the memory of creation….” The Rutland Gazette


Su Lian Tan is a much sought after flutist and composer. Her music has been described as “the stunner of the evening,” (Washington Post) and “…refined, cultured compositions… Rewarding for everyone...” “ far and away my favorite…a must- own for flutists and flute enthusiasts..” (Fanfare Magazine), “it is simply gorgeous…so original” ( Carol Wincenc, flutist). Making her first recordings at the age of 14, she has recently been featured in Flute Talk and released a CD featuring her performances of new works dedicated to her, Grand Theft and other Felonies (ARSIS Audio). Superstar Carol Wincenc performs her Autumn Lute- Song as a finale to the program. Ms. Tan has been commissioned by groups such as the Grammy-winning Takacs String Quartet, Da Capo Chamber Players, and the Vermont Symphony. Another recent release Music by Su Lian Tan (ARSIS) contains Jamaica’s Songs, written in collaboration with author Jamaica Kincaid. Her intermedia chamber opera Lotus Lives was performed to great acclaim in the last two seasons. Upcoming premiers of commissioned works includes a piano quintet for Sophie Shao, cellist, and concerti for virtuosi Joe Burgstaller , trumpet, and Darrett Adkins, cellist. A current recording project features the Jupiter String Quartet and Bruce Brubaker. Her music is published by ECS Publishing and Theodore Presser.

Also a dedicated teacher, Ms. Tan is Professor of Music at Middlebury

College, where she continues to mentor talented young musicians. This season and next, she will perform, give master classes and guest lectures at several venues including the Yong Siew Toh Conservatory in Singapore and Oberlin College, Ohio. She has received numerous accolades and citations for teaching as well as for her music, including awards from ASCAP and the Naumburg Foundation. She holds degrees from the Trinity College, London (F.T.C.L.), Bennington College (B.A.), The Juilliard School (M.M.) and Princeton University (Ph.D.).

 

 

 

Courses

Courses offered in the past four years.
indicates offered in the current term
indicates offered in the upcoming term[s]

FYSE 1080 - Mozart Operas      

Mozart Operas: Swains, Countesses, and Magic Flutes
In this seminar we will delve into how opera comes about, its place in our culture, and its aesthetic, with our explorations centering on musical components. We will focus on the text and music of Mozart’s The Abduction from the Seraglio, The Marriage of Figaro, Don Giovanni, and The Magic Flute. The main work will be viewing, listening to, and understanding these great works, with excursions into operas old and new. Special attention will be given to writing, varying from response and research papers to some creative writing. Assignments will be given throughout the semester in the various disciplines that come together in operas. We will have informal presentations of your creative work in class and, if possible, gather them in a public performance late in the semester. Music background preferred. 3 hrs. sem.

ART CW EUR

Fall 2014

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MUSC 0160 - Music Theory I: Fundamentals      

Music Theory I: Fundamentals
This course is an introduction to the basic elements and theoretical concepts of Western music. We will focus on such topics as basic keyboard skills, sight singing, musical notation, rhythm, and harmony. Theoretical work and drills will be combined with compositional and performance projects. The goal of the course is to expand students’ musical intuition and skill and to provide the technical basis for further music study. No prior musical experience is required. (Students who wish to take upper-level composition or music theory courses must either complete this course or pass a theory and musicianship test administered by the department to demonstrate equivalent experience.) (Formerly MUSC 0109). 2.5 hrs. lect.

ART

Spring 2010, Spring 2011, Spring 2012, Spring 2013

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MUSC 0209 - Music I      

Music I
Music I focuses on the materials and grammar of music through compositional exercises. As part of these explorations, we will examine the elements of harmony (scales, triads and seventh chords), notation, rhythm, polyrhythm, binary and ternary forms, two-voice counterpoint, variation, transposition, as well as skills in conducting, analysis, ear-training, and sight-singing. Students will write short pieces for a variety of instruments and ensembles, notate their pieces, and rehearse and perform them, thereby learning about music through discovery and observation. The assignments are designed for students with or without compositional experience. (Ability to play an instrument or sing; MUSC 0109 or 0160, or passing score on the MUSC 0160 placement exam) 3 hrs. lect./1 hr. lab.

ART

Fall 2010, Fall 2011, Fall 2012, Fall 2014

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MUSC 0210 - Music II      

Music II
This course is a continuation of MUSC 0209. While using the same format, including composing and labs, as in MUSC 0209, the course covers elements of modality (western and non-western), functional harmony, heterophony, fugal processes, strophic forms, melodic analysis, serial processes, and extensions of tonality and atonality. (MUSC 0209) 3 hrs. lect./1 hr. lab.

ART

Spring 2011, Spring 2013

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MUSC 0225 - European and Asian Operas      

European and Asian Operas: Crowns, serpents and high Cs
In this seminar we will study operas from early baroque and Mozart, to later works in the classical repertoire such as Madame Butterfly by Puccini and Der Rosenkavalier by Strauss, through to traditional music theater pieces from Asia. We will examine the varying partnerships of libretto to music and discover the philosophy of our cultures embedded in these structures. Along with musical analysis, we will delve into issues of prosody and word painting and engage in discussions, research, and creative projects examining its place in our culture, its aesthetic and relevance. The instructor’s original opera Lotus Lives will be presented. Qualified members of the class will participate in the production as assistants, stage managers, perform as puppeteers, and other stagecraft elements. (Ability to read music)

CMP

Fall 2011

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MUSC 0241 - Performing Music      

Performing Chamber Music
Topic is determined by the instructor - refer to section for the course description.

ART

Spring 2010, Fall 2010, Spring 2012

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MUSC 0309 - Advanced Composition I      

Advanced Composition
In this course we will focus on writing for string quartet, brass quintet, a cappella singing, piano, or performance art and involve issues of technique, style, and practical considerations, as well as study of selected elements of the literature. The course will culminate with a reading of student works by a professional ensemble or solo performer. This semester we focus on composing for the string quartet. We will discuss a variety of string techniques as well as issues of form and orchestration. We will listen to important works for that medium and discuss the styles from the Classical period to this century. Students will compose exercises, leading to a substantial string quartet to be "read" by the Jupiter String Quartet. (MUSC 0209 and 0210 or approval of instructor). 3 hrs. lect./disc.

Spring 2010, Fall 2010, Fall 2011, Fall 2012, Fall 2014

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MUSC 0310 - Adv Composition II      

Advanced Composition II
This course will focus on writing for string quartet, brass quintet, a cappella singing, piano, or performance art and involve issues of technique, style, and practical considerations, as well as study of selected elements of the literature. The course will culminate with a reading of student works by a professional ensemble or solo performer. (MUSC 0209 and 0210 or approval of instructor). 3 hrs. lect./disc.

Spring 2011

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MUSC 0500 - Independent Study      

Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

Spring 2010, Fall 2010, Winter 2011, Spring 2011, Fall 2011, Winter 2012, Spring 2012, Fall 2012, Winter 2013, Spring 2013, Winter 2014, Fall 2014, Spring 2015

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MUSC 0704 - Senior Work      

Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

Spring 2010, Fall 2010, Winter 2011, Spring 2011, Fall 2011, Winter 2012, Spring 2012, Fall 2012, Winter 2013, Spring 2013, Winter 2014, Fall 2014, Spring 2015

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Activities and Pursuits

Composition
Performance
Flutist
Soprano