Environmental Literature and Writing Courses

Animals in Literature and Culture
Animals, wrote anthropologist Claude Levi-Strauss, are good to think with. They are good to write with as well; almost all works of literature include animals, their importance varying from the merely peripheral to the absolutely central. Among other narrative functions, animals serve as essential metaphors for understanding the human animal. In this course we will read a wide variety of fiction, poetry, children's literature, philosophy, science, history, and cultural theory from Ancient Greek sources (in translation) to the present. We will consider theoretical, ethical, religious, psychological, linguistic, and political issues pertaining to animals and their representation in literary texts. lect./disc.

Nineteenth-Century American Literature (Pre-1900 AL)
This course will examine major developments in the literary world of 19th century America. Specific topics to be addressed might include the transition from Romanticism to Regionalism and Realism, the origins and evolution of the novel in the United States, and the tensions arising from the emergence of a commercial marketplace for literature. Attention will also be paid to the rise of women as literary professionals in America and the persistent problematizing of race and slavery. Among others, authors may include J. F. Cooper, Emerson, Melville, Douglass, Chopin, Whitman, Dickinson, Twain, Hawthorne, Stowe, Alcott, Wharton, and James. . 3 hrs. lect./disc.

Encounters With the Wild: Nature, Culture, Poetry (I) (Pre-1800)
Civilization is often defined against wilderness. The two ideas are not exclusive but mutually constitutive, for wilderness and the wild turn out to be central to notions of the civil and the civilized. Poets have long been preoccupied by the boundaries and connections between these ideas. The word "poetry" itself comes from a Greek word for "craft" or "shaping"; thus, poetry implies the shaping of natural elements into an artful whole. In this course we will examine the literary history of this ongoing dialectic by reading and discussing masterpieces of Western literature, from ancient epics to modern poetry and folklore. As we do so we will rethink the craft of poetry, and the role of the poet, in mapping the wild. Readings will include Gilgamesh, The Odyssey, sections of The Bible and Ovid's Metamorphoses, Beowulf, Sir Gawain and the Green Knight, A Midsummer Night's Dream, The Tempest, and poems by Wyatt, Marlowe, Jonson, Donne, Marvell, Pope, and Thompson. (This course counts toward the ENVS Literature focus and the ENVS Environmental Non-Fiction Focus) lect./disc.

Nature Poetry
Can a poem reframe the relationship between humans and nature? Poets have posed this and similar questions for centuries. Scholars of literature and the environment, or “ecocritics,” ask it anew with reference to ongoing disasters such as global climate change, mass extinction, and new pandemics. In this course we will develop our ecocritical skills by exploring how poems about the human relationship to the biophysical environment can inspire us to rethink our place in the universe. We will read works by such poets as Gerard Manley Hopkins, William Butler Yeats, Edna St. Vincent Millay, Robert Frost, Elisabeth Bishop, Stanley Kunitz, Mary Oliver, Wendell Berry, Galway Kinnell, Maxine Kumin, Lucia Perillo, and Jorie Graham. (at least one course each in ENAM and ENVS) 3 hrs. sem.

African Environmental Writing, Photography, and Film
Concerned with social implications of environmental change, a burgeoning number of contemporary African photographers, filmmakers, and authors are challenging the public with social documents that protest ecologically destructive forms of neocolonial development. These works actively resist oppression, abuse, and conflagration of both the black body and the environment. Subverting the neocolonialist rhetoric and gaze, these creative practitioners complicate what it means to write about and look at those most affected by environmental injustices perpetrated by international and national actors. In this course we will view relevant photographs and films and read African environmental literature as sources of artistic and activist inspiration. Whilst reading, we will ask ourselves the hard questions of what to do with our own complicity when facing the role that the global north plays in the causation of environmental degradation and human suffering. Students will be expected to reflect upon how best to regard the pain of others in the Anthropocene, as well as upon how culture influences creative depictions of the Anthropocene. Seminar papers will address questions that arise from analyzing particular works. This course counts as a Humanities cognate for environmental studies majors. (Diversity) (Rec)