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Kirsten Hoving

Professor Emerita of History of Art & Architecture

 
 Fall Term 2018- Tuesday's 1:15 p.m.-4:15 p.m., and by appointment

Kirsten Hoving joined the department in 1983, after earning her Ph.D. at Columbia University.  She teaches modern art and history of photography. 

Her research interests revolve around her teaching fields.  In particular, she has published widely on surrealism, with articles about surrealist photography in such journals as Art History and History of Photography, as well as an essay in the Guggenheim Museum's exhibition catalogue, Speaking with Hands. She is also interested in intersections between surrealist art and science, seen in her recent book, Joseph Cornell and Astronomy: A Case for the Stars, published by Princeton University Press in 2009.

Last fall, Kirsten Hoving was a guest lecturer at the Oregaard Museum in Copenhagen, Denmark, in conjunction with an exhibition at that museum of work by the artist Man Ray.

 
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Courses

Course List: 

Courses offered in the past four years.
indicates offered in the current term
indicates offered in the upcoming term[s]

HARC 0100 - Monuments/Ideas in Western Art      

Monuments and Ideas in Western Art
This course is an introduction to the study of Western art history through an investigation of selected art works, considered individually and in broader contexts. The course chronicles the evolution in painting, sculpture, and architecture of the western world. It is designed for those who wish to build a broad acquaintance with the major works and ideas of Western art in their historical settings and to develop tools for understanding these works of art as aesthetic objects and bearers of meaning for the societies, groups, or individuals that produced them. Registration priority will be given to first and second year students. 2 hrs. lect./1 hr. disc. ART EUR HIS

Fall 2018

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HARC 0218 - History of Photography      

History of Photography
In this course we will survey the history of photography from its beginnings in the early nineteenth century to the present. From its inception, the photograph created a global network of circulation as art, document, and portable knowledge. Moreover, photographs have been historically deployed across a number of disciplines, including science, medicine, criminal studies, law, journalism, anthropology, and the visual arts. Organized along chronological lines and looking at case studies in Europe, America, Africa, the Middle East, and Asia, the course will consider a range of genres, formal strategies, and contexts for photography. We will pay particular attention to the ways in which photographic images are mobilized to produce knowledge and disrupt conventional ways of seeing in the service of science, social reform, political activism, and aesthetics. Students will have the opportunity to work first hand with the photography collection at Middlebury College Museum of Art. 3 hrs. lect. ART HIS

Winter 2018

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HARC 0247 - Impressionism/Post-Impression      

Impressionism and Post-Impressionism
In this course we will examine the Impressionist and Post-Impressionist movements that evolved in France during the second half of the 19th century. Looking at artists such as Manet, Degas, Cassatt, and Monet, as well as Cézanne, Van Gogh, Seurat, and Gauguin, we will place their work in social and historical contexts that include the rise of the city, new opportunities for leisure, demographic change, and the breakdown of artistic establishments. When appropriate we will compare visual artistic production to parallel developments in literature and music. 3 hrs. lect. ART EUR HIS

Fall 2017, Fall 2018

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HARC 0327 / ENVS 0327 - Photography & the Environment      

Photography and the Environment
Since the invention of photography in 1839, photographers have turned their gaze toward the world around them. Working on the land, they have considered issues of land management and natural resources in a variety of ways. In this course we will explore the question of how American photographers from the 19th century to the present have used their photographs as a way of raising awareness about a variety of environmental questions. Artists to be considered may include: Timothy O'Sullivan, William Henry Jackson, Carleton Watkins, Annie Brigman, Ansel Adams, Laura Gilpin, Richard Misrach, and Edward Burtynsky. 3 hrs. lect/disc. AMR ART HIS NOR

Fall 2017

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HARC 0510 - Advanced Studies      

Advanced Studies
Supervised independent work in art history, museum studies, or architectural studies. (Approval Required)

Winter 2017, Spring 2017, Fall 2017, Winter 2018, Spring 2018, Fall 2018, Winter 2019, Spring 2019, Fall 2019, Winter 2020, Winter 2021

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HARC 0540 - Independent Museum Studies      

Supervised Independent Work in Museum Studies
This practicum builds upon the Museum Assistants Program (MAP), the hands-on museum education program at the Middlebury College Museum of Art. In MAP, the Curator of Education trains students to conduct tours of the Museum’s permanent collection and of special exhibitions for audiences of peers, school groups, and the general public. Combining service learning with the opportunity to both support and learn more about the arts, students gain expertise in public speaking, art history, and public programming. HARC 0540 should be taken concurrently with the second semester of MAP. The class will culminate with a public presentation on a museum-related topic evaluated by a faculty member of the Department of History of Art & Architecture. (Approval required)

Fall 2017, Fall 2018, Fall 2019

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Department of History of Art & Architecture

Edward Vazquez, Chair


Michaela Davico, Department Coordinator

Mahaney Center for the Arts
72 Porter Field Road
Middlebury College
Middlebury, VT 05753