Richard Goode, piano; 10/05/2014
Richard Goode, piano
October 5, Sunday
3:00 PM, Mahaney Center for the Arts, Concert Hall
Pianist Richard Goode has been hailed for performances of tremendous emotional power, depth, and expressiveness, and acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. According to the New York Times, “It is virtually impossible to walk away from one of Mr. Goode’s recitals without the sense of having gained some new insight, subtly or otherwise, into the works he played or about pianism itself.” Goode performs works by Mozart, Beethoven, Brahms, Debussy, and Schumann on Middlebury’s new Steinway piano, which he helped select. Associate Professor of Music Larry Hamberlin offers a pre-concert lecture at 2:15 PM in Room 221. Sponsored by the Performing Arts Series and the Office of the President. Reserved Seating.
Tickets: $25/20/6. On sale to PASS members September 3; to Middlebury College ID card holders September 8; and to the general public on September 11. Go to the online box office>>
Photo Michael Wilson
MOZART Adagio in B Minor, K. 540
BEETHOVEN Sonata no. 24 in F-sharp Major, op. 78, "à Thérèse"
Adagio cantabile - Allegro ma non troppo
BRAHMS Eight Piano Pieces, op. 76
Capriccio in F-sharp Minor
Capriccio in B Minor
Intermezzo in A-flat Major
Intermezzo in B-flat Major
Capriccio in C-sharp Minor
Intermezzo in A Major
Intermezzo in A Minor
Capriccio in C Major
DEBUSSY Children's Corner, L.113
Doctor Gradus ad Parnassum
Serenade for the Doll
The Snow is Dancing
The Little Shepherd
SCHUMANN Humoreske in B-flat Major, op. 20
Richard Goode, piano
Richard Goode has been hailed for music-making of tremendous emotional power, depth and expressiveness, and has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. In regular performances with the major orchestras, recitals in the world’s music capitals, and through his extensive and acclaimed Nonesuch recordings, he has won a large and devoted following.
Gramophone magazine recently captured the essence of what makes Richard Goode such an original and compelling artist: '‘Every time we hear him, he impresses us as better than we remembered, surprising us, surpassing our expectations and communicating perceptions that stay in the mind.”
Mr. Goode begins his 2014-2015 season performing Mozart’s Concerto in A major (K.488) to open Lincoln Center’s Mostly Mozart Festival. He will be featured in five appearances at Carnegie Hall, including a recital in the main hall, as a soloist with the Boston Symphony Orchestra under the baton of Andris Nelsons, in two chamber music concerts with young artists from Marlboro Music Festival and conducting a master class on Debussy piano works. He will appear as soloist with orchestras including the Los Angeles Philharmonic, St. Louis, Milwaukee and San Diego Symphonies. In addition, this season includes recitals at the Concertgebouw in Amsterdam, Wigmore Hall in London, the Celebrity Series of Boston, Cal Performances in Berkeley, the Philadelphia Chamber Music Society, the University Musical Society in Ann Arbor, at Shriver Hall in Baltimore, in Toronto at the Royal Conservatory, at The Schubert Club in St. Paul, Spivey Hall in Atlanta, Yale School of Music, Dartmouth College, Duke Performances, Middlebury College and in other major series in the U.S. and Europe. In addition, Mr. Goode will present master classes at top conservatories and universities around the world.
In the 2013-2014 season, Mr. Goode appeared as soloist with such orchestras as the New York Philharmonic with David Zinman, the Chicago Symphony with Mark Elder, the Deutsches Symphonie-Orchester Berlin with Herbert Blomstedt, and the Royal Scottish National Orchestra with Peter Oundjian, with whom he will also appeared in Toronto, Ottawa and Montreal with the Toronto Symphony. His always compelling recitals were heard at Carnegie Hall in New York, in London, in Paris, at the Aldeburgh Festival and on leading concert and university series around the world.
Among the highlights of recent seasons have been the recitals in which, for the first time in his career, Mr. Goode performed the last three Beethoven Sonatas in one program, drawing capacity audiences and raves in such cities as New York, London and Berlin. The New York Times, in reviewing his Carnegie Hall performance, hailed his interpretations as “majestic, profound readings......Mr. Goode’s playing throughout was organic and inspired, the noble, introspective themes unfolding with a simplicity that rendered them all the more moving.” Recent seasons have also included performances with the Metropolitan Opera Orchestra led by Fabio Luisi at Carnegie Hall; with the Los Angeles Philharmonic and Gustavo Dudamel; with Orpheus on tour and at Carnegie Hall playing the Schumann Concerto; and on tour with the Boston Symphony Orchestra.
An exclusive Nonesuch recording artist, Goode has made more than two dozen recordings over the years, ranging from solo and chamber works to lieder and concertos. His latest recording of the five Beethoven concertos with the Budapest Festival Orchestra and Iván Fischer was released in 2009 to exceptional critical acclaim, described as “a landmark recording” by the Financial Times and nominated for a Grammy award. His 10-CD set of the complete Beethoven sonatas cycle, the first-ever by an American-born pianist, was nominated for a Grammy and has been ranked among the most distinguished recordings of this repertoire. Other recording highlights include a series of Bach Partitas, a duo recording with Dawn Upshaw, and Mozart piano concertos with the Orpheus Chamber Orchestra.
A native of New York, Richard Goode studied with Elvira Szigeti and Claude Frank, with Nadia Reisenberg at the Mannes College of Music, and with Rudolf Serkin at the Curtis Institute. His numerous prizes over the years include the Young Concert Artists Award, First Prize in the Clara Haskil Competition, the Avery Fisher Prize, and a Grammy award for his recording of the Brahms Sonatas with clarinetist Richard Stoltzman. His first public performances of the complete cycle of Beethoven sonatas at Kansas City’s Folly Theater and New York’s 92Y in 1987-88 brought him to international attention being hailed by the New York Times as “among the season’s most important and memorable events.” It was later performed with great success at London’s Queen Elizabeth Hall in 1994 and 1995.
Mr. Goode served, together with Mitsuko Uchida, as co-Artistic Director of the Marlboro Music School and Festival in Marlboro, Vermont from 1999 through 2013. Participating initially at the age of 14, at what the New Yorker magazine recently described as "the classical world's most coveted retreat," he has made a notable contribution to this unique community over the 28 summers he has spent there. He is married to the violinist Marcia Weinfeld, and, when the Goodes are not on tour, they and their collection of some 5,000 volumes live in New York City.
Official website: http://franksalomon.com/richardgoode
“Goode’s playing is thrilling from first to last.”--Gramophone
"Goode has so thoroughly entered into the spirit of the compositions he performs that you'd swear the composer himself was at the keyboard." --Toronto Globe and Mail
“He left listeners with deep respect for the instrument, for the music and for the player...Mr. Goode's interpretation had both integrity and immediacy; he made convincing and comprehensible what other pianists turn into ornamentation.
It is virtually impossible to walk away from one of Mr. Goode's recitals without the sense of having gained some new insight, subtle or otherwise, into the works he played or about pianism itself.”--New York Times