Introduction to World Literature
This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc.

Introduction to World Literature
This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc.

Introduction to World Literature
This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc.

Introduction to World Literature
This course is an introduction to the critical analysis of imaginative literature of the world, the dissemination of themes and myths, and the role of translation as the medium for reaching different cultures. Through the careful reading of selected classic texts from a range of Western and non-Western cultures, students will deepen their understanding and appreciation of the particular texts under consideration, while developing a critical vocabulary with which to discuss and write about these texts, both as unique artistic achievements of individual and empathetic imagination and as works affected by, but also transcending their historical periods. 3 hrs. lect./disc.

Continental Fiction
An introduction to some major novels and shorter works by 19th and 20th century European authors, including Flaubert's Madame Bovary, Zola's L'Assommoir, Tolstoy's Anna Karenina, Dostoevsky's Crime and Punishment, Mann's The Magic Mountain, Kafka's The Trial, Sartre's Nausea, Camus's The Stranger, and others. These works of fiction are triumphs of achievement and innovation aesthetically and conceptually; and they give us a powerful sense of significant and significantly different levels of society, culture, and periods of history. 3 hrs. lect./disc.

Greek and Roman Comedy
A survey of the comic playwrights of Greece (Aristophanes and Menander) and Rome (Plautus and Terence) in light of their ancient social, political, and religious contexts as well as modern theoretical approaches to laughter (including psychoanalysis and structural anthropology). We will trace enduring aspects of the comic tradition that can be found in both Greece and Rome and also look forward to Renaissance and modern comedy. These include: the nature of the comic hero; the patterns of comic plots; the dependence of comedy on language; the comic poet's concern with questions of freedom and slavery, desire and repression. (formerly CLAS 0160) 3 hrs. lect., 1 hr. disc.

Greek and Roman Comedy
A survey of the comic playwrights of Greece (Aristophanes and Menander) and Rome (Plautus and Terence) in light of their ancient social, political, and religious contexts as well as modern theoretical approaches to laughter (including psychoanalysis and structural anthropology). We will trace enduring aspects of the comic tradition that can be found in both Greece and Rome and also look forward to Renaissance and modern comedy. These include: the nature of the comic hero; the patterns of comic plots; the dependence of comedy on language; the comic poet's concern with questions of freedom and slavery, desire and repression. (formerly CLAS 0160) 3 hrs. lect., 1 hr. disc.

Greek and Roman Comedy
A survey of the comic playwrights of Greece (Aristophanes and Menander) and Rome (Plautus and Terence) in light of their ancient social, political, and religious contexts as well as modern theoretical approaches to laughter (including psychoanalysis and structural anthropology). We will trace enduring aspects of the comic tradition that can be found in both Greece and Rome and also look forward to Renaissance and modern comedy. These include: the nature of the comic hero; the patterns of comic plots; the dependence of comedy on language; the comic poet's concern with questions of freedom and slavery, desire and repression. (formerly CLAS 0160) 3 hrs. lect., 1 hr. disc.

Once Upon A Time ... Folk Fairy Tales Of The World
Tell me a story! We will examine the complex, inter-connected fairy tale traditions found in every society. Comparing fairy tale variants from around the world-including Japan, China, India, Near East, Africa-we will explore their convoluted and fertile relationships as observed in the rise of fairy tale collections in 15th-century Europe, reaching a culmination in the Brothers Grimm collection, often synonymous with the fairy tale itself. To attain a more dispassionate critical perspective we will explore theoretical approaches to the fairy tales through authors such as Zipes, Bottigheimer, Tatar, and Rölleke, and conclude by examining modern variants in prose, poetry, and film.

Introduction to Contemporary Literary Theory
This course will introduce several major schools of contemporary literary theory. By reading theoretical texts in close conjunction with works of literature, we will illuminate the ways in which these theoretical stances can produce various interpretations of a given poem, novel, or play. The approaches covered will include New Criticism, Psychoanalysis, Marxism and Cultural Criticism, Feminism, and Post-Structuralism. These theories will be applied to works by Shakespeare, Wordsworth, The Brontës, Conrad, Joyce, and others. The goal will be to make students critically aware of the fundamental literary, cultural, political, and moral assumptions underlying every act of interpretation they perform. 3 hrs. lect/disc.

Myth and Contemporary Experience: Modern Poems on Classical Myths*
Greek mythology, an enduring presence in Western thought, has provided, according to Carl Jung, the foundation of one half of our spiritual tradition. In this course we shall study how this rich mythical material has shaped modern poetry. Through close readings of modern poems and their ancient models, we will trace the way 20th-century poets appropriate and transform the classical past in order to reflect on their historical present. While viewing this function of myth as an element of modernity, we shall also explore how these poets build connections between the archetypal meaning of the ancient stories, the questions of existence, and our own contemporary lives. Readings will include Rilke, Eliot, Pound, Cavafy, Montale, Akhmatova, Borges, as well as Sylvia Plath, Joseph Brodsky, Derek Walcott, Louise Glück, and Seamus Heaney. 3 hrs. lect., 1 hr. disc.

Myth and Contemporary Experience: Modern Poems on Classical Myths*
Greek mythology, an enduring presence in Western thought, has provided, according to Carl Jung, the foundation of one half of our spiritual tradition. In this course we shall study how this rich mythical material has shaped modern poetry. Through close readings of modern poems and their ancient models, we will trace the way 20th-century poets appropriate and transform the classical past in order to reflect on their historical present. While viewing this function of myth as an element of modernity, we shall also explore how these poets build connections between the archetypal meaning of the ancient stories, the questions of existence, and our own contemporary lives. Readings will include Rilke, Eliot, Pound, Cavafy, Montale, Akhmatova, Borges, as well as Sylvia Plath, Joseph Brodsky, Derek Walcott, Louise Glück, and Seamus Heaney. 3 hrs. lect., 1 hr. disc.

Myth and Contemporary Experience: Modern Poems on Classical Myths*
Greek mythology, an enduring presence in Western thought, has provided, according to Carl Jung, the foundation of one half of our spiritual tradition. In this course we shall study how this rich mythical material has shaped modern poetry. Through close readings of modern poems and their ancient models, we will trace the way 20th-century poets appropriate and transform the classical past in order to reflect on their historical present. While viewing this function of myth as an element of modernity, we shall also explore how these poets build connections between the archetypal meaning of the ancient stories, the questions of existence, and our own contemporary lives. Readings will include Rilke, Eliot, Pound, Cavafy, Montale, Akhmatova, Borges, as well as Sylvia Plath, Joseph Brodsky, Derek Walcott, Louise Glück, and Seamus Heaney. 3 hrs. lect., 1 hr. disc.

"A Home Away From home": The Hotel and the Modern Experience (in English)*
In this course we will examine the hotel as a quintessentially modern social and cultural space. Sex and love, death and crime, money and leisure, and architecture and commerce find a special "home away from home" in the hotel, a quality that has inspired the cultural imagination for generations. Theories by G. Simmel, S. Kracauer, and Th. Veblen will help explain the complex dynamics between time, space, and money underlying the hotel's special aura. By “reading" real and fictional hotels in the arts and media (E. Hopper, Th. Mann, A. Hailey, St. Zweig), we will show the hotel's complex significance as a symbol of modern life. 3 hrs sem.

(Re)Constructing Identities: Francophone Colonial and Postcolonial Fiction*
This course will focus on major works written in French by writers from North Africa, sub-Saharan Africa, and the Caribbean. We will explore the complex (re)construction of identities through fiction writing as it evolves from traditional folktale to political criticism, and as it shifts from colonial alienation to post-colonial disillusionment. We will also examine the emergence of cultural blending or métissage. (FREN 0221 or by waiver) 3 hrs. lect./disc.

Independent Study
Approval Required

Independent Study
Approval Required