Middlebury

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MUSC0130A-S15

CRN: 22595

Topics in Music
Beethoven
Introductory Topics in Music History: Beethoven
Ludwig van Beethoven (1770–1827) was perhaps the most influential figure in the history of Western music. In this course we will explore Beethoven’s life and work in the context of political, social, and musical currents during and after his lifetime. Through intensive listening, reading, concert attendance, and discussion, we will develop critical listening skills, examine the relationship between an artist’s biography and creative work, and critique how and whether social and political events shape the development of music and vice versa. No previous musical experience is required. (Not open to students who have taken FYSE 1132)

MUSC0160A-S15

CRN: 21017

Music Theory I: Fundamentals
Music Theory I: Fundamentals
This course is an introduction to the basic elements and theoretical concepts of Western music. We will focus on such topics as basic keyboard skills, sight singing, musical notation, rhythm, and harmony. Theoretical work and drills will be combined with compositional and performance projects. The goal of the course is to expand students’ musical intuition and skill and to provide the technical basis for further music study. No prior musical experience is required. (Students who wish to take upper-level composition or music theory courses must either complete this course or pass a theory and musicianship test administered by the department to demonstrate equivalent experience.) (Formerly MUSC 0109). 2.5 hrs. lect.

MUSC0160Y-S15

CRN: 22058

Music Theory I: Fundamentals
Discussion
Music Theory I: Fundamentals
This course is an introduction to the basic elements and theoretical concepts of Western music. We will focus on such topics as basic keyboard skills, sight singing, musical notation, rhythm, and harmony. Theoretical work and drills will be combined with compositional and performance projects. The goal of the course is to expand students’ musical intuition and skill and to provide the technical basis for further music study. No prior musical experience is required. (Students who wish to take upper-level composition or music theory courses must either complete this course or pass a theory and musicianship test administered by the department to demonstrate equivalent experience.) (Formerly MUSC 0109). 2.5 hrs. lect.

MUSC0205A-S15

CRN: 20018

Performance Lab
Performance Lab-Orchestra
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205B-S15

CRN: 20020

Performance Lab
Performance Lab-College Choir
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205C-S15

CRN: 20021

Performance Lab
Performance Lab-CommunityChoir
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205D-S15

CRN: 21016

Performance Lab
Performance Lab-Jazz
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0210A-S15

CRN: 22060

Music II
Music II
This course is a continuation of MUSC 0209. While using the same format, including composing and labs, as in MUSC 0209, the course covers elements of modality (western and non-western), functional harmony, heterophony, fugal processes, strophic forms, melodic analysis, serial processes, and extensions of tonality and atonality. (MUSC 0209) 3 hrs. lect./1 hr. lab.

MUSC0210Z-S15

CRN: 22061

Music II
Discussion
Music II
This course is a continuation of MUSC 0209. While using the same format, including composing and labs, as in MUSC 0209, the course covers elements of modality (western and non-western), functional harmony, heterophony, fugal processes, strophic forms, melodic analysis, serial processes, and extensions of tonality and atonality. (MUSC 0209) 3 hrs. lect./1 hr. lab.

MUSC0212A-S15

CRN: 22062

Electronic Music
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 3 hrs lect.

MUSC0212X-S15

CRN: 22063

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 3 hrs lect.

MUSC0212Y-S15

CRN: 22064

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 3 hrs lect.

MUSC0212Z-S15

CRN: 22065

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 3 hrs lect.

MUSC0221A-S15

CRN: 20961

Music History II
Music Since 1750
Music History II: Music Since 1750
This course is a survey of the principle genres and forms of Western art music from the Viennese classicism of Haydn and Mozart to the present day. The approach of the course is analytical, historical, and cultural. That is, we will study selected works from the Western repertory, attempting to understand each piece on its own terms as artistic expression, in the context of stylistic developments, and as it reflects its time and the concerns of its composer and audience. (MUSC 0260 or waiver) 3 hrs. lect.

MUSC0232A-S15

Cross-Listed As:
AMST0232A-S15

CRN: 22066

Music in the United States
Music in the United States
In this course we will examine folk, classical, and popular music in the United States from the 18th century to the present. We will use historical and analytical approaches to gain insight into the music, the musicians, and the social and cultural forces that have shaped them. Students will explore music’s relation to historical events, other artistic movements, technological changes, and questions of national identity and ethnicity. Topics may include music in the British colonies, minstrelsy, American opera and orchestras, the rise of the popular music industry, and the experimentalist composers of the 20th century. (Assumes ability to read music.) 3 hrs lect./disc.

MUSC0234A-S15

CRN: 21610

Music in World Cultures
Music in World Cultures
In this course students will develop skills for analyzing music and appreciating its social, economic, and political importance within societies other than their own. We will explore world musical styles through readings, lectures, discussions, film screenings, listening sessions, workshops, concerts, and hands-on activities. Assuming a strong background in music, this course will be open to music majors and others by approval.

MUSC0240A-S15

CRN: 21611

Performing Chamber Music
Performing Chamber Music
In this course for intermediate to advanced performers we will explore the art of collaborative music making in the classical tradition. Students will form small vocal and instrumental ensembles (2–6 players) at the beginning of the semester or may enroll in the course as an established ensemble. Repertoire will be determined in collaboration with instructor. Weekly coaching sessions for each group and master classes for all groups will culminate in at least one end-of-semester performance and writing assignment. In addition to technical performance issues, master classes and readings will consider group dynamics, rehearsal techniques, and interpersonal aspects of musical collaboration. Although previous chamber music experience is not required, students should be experienced performers of notation-based music. 3 hrs. lect/disc.

MUSC0243A-S15

CRN: 21275

Conducting
Conducting
In this course students will develop basic skills of conducting including movement, aural skills, creative gesture, and score study. Daily work will include preparation to conduct an ensemble of classmates. (MUSC 0160 or by approval of instructor. Score-reading ability is required.)

MUSC0244A-S15

Cross-Listed As:
DANC0244A-S15

CRN: 21278

African Music Dance & Perform.
African Music and Dance Performance
This course will introduce students to various techniques of performing East African (primarily Ugandan) musical and dance traditions through regular rehearsals, culminating in an end-of-semester concert. As an ensemble, we will learn and master how to play and sing/dance to bow-harps, thumb-pianos, xylophones, tube-fiddles, bowl-lyres, gourd shakers, reed-box rattles, ankle bells, and various types of drums. Prior knowledge of performing African music and dance is not required. 4 hrs. lect.

MUSC0261A-S15

CRN: 21015

Music Theory III: Chromatic
Music Theory III: Chromatic Theory
This course is a continuation of MUSC 0260. Students study more advanced harmonic devices including modulation and chromaticism, jazz harmony and post-tonal techniques. In-depth analysis of classical music, jazz, and popular music supports a more advanced study of musical form. (MUSC 0260) 3 hrs. lect./disc.

MUSC0500A-S15

CRN: 20074

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500B-S15

CRN: 20076

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500C-S15

CRN: 20077

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500D-S15

CRN: 20079

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500E-S15

CRN: 20080

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500F-S15

CRN: 20890

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500G-S15

CRN: 20948

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0704A-S15

CRN: 20082

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704B-S15

CRN: 20084

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704C-S15

CRN: 20086

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704D-S15

CRN: 20087

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704E-S15

CRN: 20089

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704F-S15

CRN: 20891

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704G-S15

CRN: 20949

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

Department of Music

Mahaney Center for the Arts
72 Porter Field Road
Middlebury College
Middlebury, VT 05753