Sections

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MUSC0130A-S19

CRN: 22182

Topics in Music
Introductory Topics in Music History: Beethoven
Ludwig van Beethoven (1770–1827) was perhaps the most influential figure in the history of Western music. In this course we will explore Beethoven’s life and work in the context of political, social, and musical currents during and after his lifetime. Through intensive listening, reading, concert attendance, and discussion, we will develop critical listening skills, examine the relationship between an artist’s biography and creative work, and critique how and whether social and political events shape the development of music and vice versa. No previous musical experience is required. Not open to students who have taken FYSE 1132.

MUSC0160A-S19

CRN: 20907

Music Theory I: Fundamentals
Music Theory I: Fundamentals
This course is an introduction to the basic elements and theoretical concepts of Western music. We will focus on such topics as basic keyboard skills, sight singing, musical notation, rhythm, and harmony and form. Theoretical work and drills will be combined with compositional and performance projects. The goal of the course is to expand students’ musical intuition and skill and to provide the technical basis for further music study. No prior musical experience is required. (Students who wish to take upper-level composition or music theory courses must either complete this course or pass a theory and musicianship test administered by the department to demonstrate equivalent experience.) (Formerly MUSC 0109). 2.5 hrs. lect.

MUSC0205A-S19

CRN: 20016

Performance Lab
Performance Lab-Orchestra
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205B-S19

CRN: 20018

Performance Lab
Performance Lab-College Choir
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205C-S19

CRN: 20019

Performance Lab
Performance Lab-CommunityChoir
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205D-S19

CRN: 20906

Performance Lab
Performance Lab-Jazz
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0205E-S19

CRN: 22452

Performance Lab
Performance Lab-Afro Pop
Performance Lab
Credit can be conferred for performance in faculty-supervised ensembles: Middlebury College Orchestra, Middlebury College Choir and the Middlebury College Sound Investment Jazz Ensemble (see "Ensembles" above), one unit of such credit to accrue over two semesters (spring and fall only). The appropriate supervising faculty will give grades, based on attendance and quality of performance. A student should inform the ensemble director of intent to sign up for this course before starting, and should actually register for MUSC 0205 only the SECOND of the two terms by adding it as a fifth course. MUSC 0205 does not fulfill any major course requirements and may not be taken more than once. (Approval required)

MUSC0210A-S19

CRN: 21403

Music II
Music II
This course is a continuation of MUSC 0209. While using the same format, including composing and labs, as in MUSC 0209, the course covers elements of modality (western and non-western), functional harmony, heterophony, fugal processes, strophic forms, melodic analysis, serial processes, and extensions of tonality and atonality. (MUSC 0209 or by permission) 3 hrs. lect./1 hr. lab.

MUSC0210Z-S19

CRN: 21404

Music II
Discussion
Music II
This course is a continuation of MUSC 0209. While using the same format, including composing and labs, as in MUSC 0209, the course covers elements of modality (western and non-western), functional harmony, heterophony, fugal processes, strophic forms, melodic analysis, serial processes, and extensions of tonality and atonality. (MUSC 0209 or by permission) 3 hrs. lect./1 hr. lab.

MUSC0212A-S19

CRN: 21405

Electronic Music
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 2 hrs. lect./1 hr. lab

MUSC0212W-S19

CRN: 21756

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 2 hrs. lect./1 hr. lab

MUSC0212X-S19

CRN: 21406

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 2 hrs. lect./1 hr. lab

MUSC0212Y-S19

CRN: 21407

Electronic Music
Discussion
History, Theory, and Practice of Electronic Music
This course will provide a historical look at the development of electronic music from the earliest analog techniques to present-day computer technology. Students will learn about the theory of digital and analog sound, acoustics, and MIDI. Creative projects will guide the class through a range of techniques. Much of the focus will be on how the electronic medium enables composers to work with sound and musical forms in non-traditional ways. 2 hrs. lect./1 hr. lab

MUSC0232A-S19

Cross-Listed As:
AMST0232A-S19

CRN: 22377

Music in the United States
Music in the United States
In this course we will examine folk, classical, and popular music in the United States from the 17th century to the present. We will use historical and analytical approaches to gain insight into the music, the musicians, and the social and cultural forces that have shaped them. Students will explore music’s relation to historical events, other artistic movements, technological changes, and questions of national identity and ethnicity. Topics will include music in the British colonies, minstrelsy, American opera and orchestras, jazz, popular music, and the experimentalist composers of the 20th and 21st centuries. Music reading skills are useful but not required. 3 hrs. lect./disc.

MUSC0237A-S19

CRN: 22592

Hist of African American Music
History of African American Music
In this course we will explore the evolution of American music from the perspective of its African roots to various styles of black music in the United States. In considering African American music as an artform, cultural expression, and political force, important issues and ideas will be examined, including the intersection of race, politics, gender, and emerging technologies to the production and consumption of American music. We will turn a musical ear to the sounds and significance of American musical genres such as sacred and secular folk styles, the Harlem Renaissance, blues, jazz, soul, funk, and hip hop.

MUSC0246A-S19

CRN: 22183

A Cappella Ensemble Perf.
A Cappella Ensemble Performance
Unaccompanied vocal music is rich in cultural expression and artistic beauty. Singing in an unaccompanied vocal ensemble enhances creativity, musicianship, and communication skills. This course affords an opportunity to develop analytical and ensemble skills that contribute to creative and informed performance. Through study of scores and source readings, students will explore vocal technique, performance, and cultural context in European art music, North American folk songs, and styles of improvisation. This course will conclude with a public performance and may include additional performances off campus. Music reading is required, prior singing experience is not. A preview of the reading requirement is available at go/Ensemble246.

MUSC0250A-S19

CRN: 22431

Performance Art
Performance Art
When different arts merge in unusual and provocative ways, performance art is created. This seminar will engage in discussions, research, and creative projects regarding performance art—how it comes about, its place in our culture, and its aesthetic. Our focus and explorations will center on musical components. We will delve into the roots of performance art in the early nineteenth-century in writing and music, including work from Berlioz, Cage, Kagel, the Talking Heads, Laurie Anderson, Reich, and Glass concluding with the music/performance art of today. In addition, we will discuss the processes behind performance art, and create some of our own, culminating in a ‘concert’ of work. (A knowledge of an instrument or voice is desirable, though not required) 3 hrs. lect

MUSC0261A-S19

CRN: 20905

Music Theory III: Chromatic
Music Theory III: Chromatic Theory
This course is a continuation of MUSC 0260. Students will study more advanced harmonic devices including modulation and chromaticism, jazz harmony, and post-tonal techniques. In-depth analysis of classical music, jazz, and popular music supports a more advanced study of musical form. (MUSC 0260) 3 hrs. lect./disc.

MUSC0261Z-S19

CRN: 22594

Music Theory III: Chromatic
Discussion
Music Theory III: Chromatic Theory
This course is a continuation of MUSC 0260. Students will study more advanced harmonic devices including modulation and chromaticism, jazz harmony, and post-tonal techniques. In-depth analysis of classical music, jazz, and popular music supports a more advanced study of musical form. (MUSC 0260) 3 hrs. lect./disc.

MUSC0334A-S19

CRN: 21586

Music in World Cultures
Music in World Cultures
In this course students will develop skills for analyzing a wide range of music styles and appreciating their social, economic, and political importance. We will explore selected case studies through readings, lectures, discussions, film screenings, listening sessions, workshops, concerts, and hands-on activities. (MUSC 0209 or MUSC 0261) 3 hrs. lect.

MUSC0500A-S19

CRN: 20065

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500B-S19

CRN: 20067

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500C-S19

CRN: 20068

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500D-S19

CRN: 20070

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500E-S19

CRN: 20071

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500F-S19

CRN: 20805

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0500H-S19

CRN: 21098

Independent Study
Independent Study
Admission by approval. Please consult published departmental guidelines and paragraph below.

MUSC0704A-S19

CRN: 20073

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704B-S19

CRN: 20075

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704C-S19

CRN: 20077

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704D-S19

CRN: 20078

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704E-S19

CRN: 20080

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

MUSC0704F-S19

CRN: 20806

Senior Work
Senior Work
Senior work is not required of all music majors and joint majors. However, students interested in and eligible for departmental honors (see guideline above, in "Departmental Honors" section) may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC0704 does not count as a course toward fulfillment of the music major.

Project and budget proposals for Independent Study and Senior Work should be submitted by the previous April 1 for fall and winter term projects, and the previous October 15 for spring term projects. Budget proposals will not be considered after those dates. Project proposals will be considered after the deadline but are more likely not to be approved due to previous commitments of faculty advisors or other scheduling reasons.

Department of Music

Mahaney Center for the Arts
72 Porter Field Road
Middlebury College
Middlebury, VT 05753