Chapel Carillon
About Our Carillon
A carillon is set up like a keyboard, with black and white keys and foot pedals that can help produce different kinds of sound. Each key is connected by wire to a bell clapper so different bells are rung depending on which key is struck. It is a 75-step climb up to Middlebury’s bell tower, atop Middlebury Chapel. The Middlebury Carillon is considered a traditional carillon of 48 bells. The pitch of Middlebury’s heaviest bell is E in the middle octave. It is a 2,300-pound bell; roughly the same weight as the Liberty Bell. In 1915, the instrument was begun with eleven bells by the Meneely bellfoundry in Watervliet, New York. Nine bells remain from that work. In 1986, the instrument was enlarged to its present size with bells made by Paccard-Fonderie des Cloches in Annecy, France. The enhanced carillon was presented as a gift from then Chairman of the Board of Trustees Allen Dragone ‘50 (and his wife Jane) in 1986. 27 bells remain from that work. In 2001, 12 bells were recast or replaced in 2001 by Meeks & Watson of Georgetown, Ohio.
In 1918, the family of former governor John Mead gave Mead Chapel a chime of 11 bells made by the Meneely Company of West Troy, New York (a chime is defined as six to 22 bells. A carillon comprises 23 or more bells.) A note about the chapel name. The Meneely family of that time was the 8th or 9th generation descendants of Paul Revere (a bell cast by Paul Revere is in the tower of St. Stephen’s Episcopal Church, Middlebury). In 1985, through the kindness of donor Allen Dragone, then President of the Board of Trustees of the College, the chime was expanded to a full carillon of 48 bells by the firm Paccard et Fils of Annecy le-Vieux of France. Middlebury’s carillon is one of 183 carillons in the United States (71 of them in colleges or universities) and about 750 in the world.
George Matthew, Jr., has been the College Carillonneur since 1985, and teaches Middlebury College students the art of this unique musical form.
Daily Performances
All programs will be at 12:30 to 1:30 pm unless otherwise announced.
Performed by George Matthew Jr., college carillonneur
Monday, March 16
- Passemede (Brussels)
- Cecelia (Ghent)
- De Malesynes (Ghent)
- Variations on a theme of Mozart – J. F. Volkerick
- Variations on a German folksong – J. F. Volkerick
- Catalan folksongs – Traditional
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Tuesday, March 17
- Program of Traditional Irish Music
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Wednesday, March 18
- Passacalles – Santiago de Murzia
- Pasacaglia & Fugue in d minor – W. Laurence Curry
- Under Mother’s Parasol – Kees Van Eersel
- Swiss folksongs - Traditional
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Thursday, March 19
- Variations on a theme from Bellini’s opera Norma – J. F. Volkerick
- Variations on a theme from Bellini’s opera Zemir and Azor - J. F. Volkerick
- Variations on “Duke John” – Adrian Koussemaker
- Canadian folksongs - Traditional
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Friday, March 20
Mini Shabbat:
- Traditional Ashkenazic and Sephardic melodies
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Saturday, March 21
- 17th Century Clockwork Carillon Pieces (Ghent):
- Pavane Dèspagne
- A ce Mars
- Doen Daphne
- Variations on a theme of Labitsky – J. F. Volkerick
- Rondo – J. F. Volkerick
- Variations on a theme of Strauss – J. F. Volkerick
- New Zealand folksongs - Traditional
- Traditional Ukrainian, Afghani, Hispanic music and Spirituals
Sunday, March 22
- Program of Spirituals
- Traditional Ukrainian, Iranian, Afghani and Hispanic music