Alix Pauchet ’15 is a resilience designer working at the intersection of architecture, landscape architecture, engineering, ecology, and mapping to address climate change along urban waterfronts. She returns to Middlebury as part of the Cameron Visiting Architect Program.
Johnson Classroom 204
Open to the Public
Support the Fall 2025 Studio Art & Architecture students. Come and enjoy refreshments and lite bites while you view student artwork and architecture student projects.
Johnson Classroom 204
Open to the Public
Dahomey, dir. Mati Diop, 2024
*This film will be ticketed to ensure capacity. Get your tickets here.*
Dana Auditorium (Sunderland Language Center)
Open to the Public
Orlando : ma biographie politique (Orlando, My Political Biography), dir. Paul. B. Preciado, 2023
Dana Auditorium (Sunderland Language Center)
Open to the Public
Banel & Adama, dir. Ramata-Toulaye Sy, 2023
Twilight Auditorium 101
Open to the Public
Ni Chaînes, Ni Maitres (No Chains, No Masters), dir. Simon Moutairou, 2024
Twilight Auditorium 101
Open to the Public
Le salaire de la peur (Wages of Fear), dir. Henri-Georges Clouzot, 1953
McCardell Bicentennial Hall 216
Open to the Public
Mariam Ghani is an artist, writer, and filmmaker. Her work examines places, spaces, and moments where social, political, and cultural structures manifest in visible forms, encompassing video, sound, installation, photography, performance, text, and data.
Mahaney Arts Center 125
Open to the Public
Le Règne Animal (The Animal Kingdom), dir. Thomas Cailley, 2023
McCardell Bicentennial Hall 216
Open to the Public
Please join HARC Faculty and Majors from both the Art History and Architectural Studies tracks, to learn more about the major/minor requirements, in addition to department opportunities, trips, funding, and fun.
Mahaney Arts Center Lower Lobby
Closed to the Public
Over the last several years, universities and museums have partnered with commercial technology firms like Google, Microsoft, and Meta, who have promised that their AI products will enhance both historical research and accessibility to historical collections. These promises, however, are not supported by the reality of what computer vision—the branch of AI most relevant to the history of art—can achieve. So why have major institutions in education and the arts been so quick to take up these firms’ offers?
Mahaney Arts Center 125
Open to the Public
