Pre-semester Workshop with
Shani Nwando Ikerioha Collins & Trebien Pollard
Friday and Saturday: September 3-4, 2010
9 am – 5 pm each day with a break for lunch
Sign Up Now!
ANYONE INTERESTED IN AUDITIONING FOR DANCE COMPANY
SHOULD ATTEND THIS PRE-SEMESTER WORKSHOP.
A two-day experience of technique, culture, and choreography presented through the artistic perspectives of Dance Company of Middlebury 2010/2011 guest choreographer Trebien Pollard and Connecticut College faculty member Shani Collins. Students will have the opportunity to study with each artist for an entire day exploring technique, artistic process, cultural perspective, and repertory.
Designed for students with previous dance experience (DANC 0160/3 or by permission). Participants should plan to attend the full workshop. See Penny Campbell for more information. (email@example.com)
Shani Nwando Ikerioha Collins is a New York-based performing artist. Born in Greensboro, NC, she earned her BA in Dance from Hollins University and her MFA from Hollins University/American Dance Festival (ADF) at Duke University. SNIC has taught and performed nationally/internationally with Ronald K. Brown/EVIDENCE, Urban Bush Women, Bill T. Jones,/Arnie Zane Dance Company, The National Dance Company of Mozambique, and in Trinidad with the “Roots and Wings” Movement. She is a recipient of the “Bessie” New York Dance and Performance Award.
Trebien Pollard is a graduate of Florida A&M University with a BS in Mathematics Education and a MFA in Dance from NYU Tisch School of the Arts. He received training at the Alvin Ailey American Dance Center, Florida A&M University, Florida State University, Martha Graham School of Contemporary Dance, and from a number of gifted teachers and choreographers. Trebien has performed with many dance companies, including Tania Isaac Dance, Nia Love, Martha Graham Ensemble, Pascal Rioult Dance Theater, Pearl Lang Dance Theatre, Rebecca Stenn Co., Erick Hawkins Dance Co., the Metropolitan Opera Ballet, Ronald K. Brown/EVIDENCE and Pilobolus. He has also worked as a guest artist with Urban Bush Women.
JAZZ @ MIDDLEBURY
The Music Department offers two organized jazz activities. For this spring, there will also be an unusual opportunity for jazz singers.
The Jazz Workshop provides a weekly opportunity for jazz students to work on repertoire development, jazz idiom and theory, improvisation and playing in small groups. Beginning jazz players are welcome; advanced students are encouraged to participate. Previous jazz experience is not required; proficiency on your instrument is. Auditions are not required. The workshop meets on Thursdays, from 4:30 to 6:30 in the Center for the Arts, room 221. Please contact Dick Forman at Forman@middlebury.edu for more information.
The Sound Investment Jazz Ensemble, the College’s 17-piece big band, currently has no openings. But Dick Forman, the band’s director, is eager to meet students with previous jazz ensemble experience who would be interested in playing with the group in the future. Please contact him at Forman@middlebury.edu to set up a time to say hello, or for more information.
The band is considering adding a couple of tunes to its repertoire, originally arranged by Darmon Meader, for The New York Voices. We’ll be looking to form one SATB quartet to perform these charts with the band. Auditions will be held Wednesday and Thursday, February 12 and 13, from 1:00 to 3:00, in the CFA, room 217. No appointment is necessary. Please just stop by. If you’re interested, but cannot audition during those times please contact Dick Forman at firstname.lastname@example.org to make an appointment. Please prepare a bit of one standard ballad and one up-tempo tune of your choosing. See Dick if you need more information.
Jazz has been part of the Middlebury experience since the early 1930’s, when a group of students formed a band to play the music that’s come to be called America’s National Treasure. Jazz continues to be heard in practice rooms and performance spaces across campus. The Music Department supports a vibrant jazz scene with two organized activities for jazz players, periodic courses in jazz and other popular music genres, and jazz-specific private lessons in piano, voice, guitar, sax, trumpet, trombone, bass and drums.
The Sound Investment Jazz Ensemble is the College’s swingin’ 17-piece big band. The Basie band remains a strong influence. In addition to charts from the Basie, Ellington, Buddy Rich and Thad Jones books (for example), the band also plays the best of contemporary jazz compositions and arrangements. Membership in the band is by audition only. The SIJE maintains an active performance schedule that includes dance gigs, club dates and concerts.
The Jazz Workshop provides an opportunity for students to work on jazz idiom and theory, improvisation, repertoire development, and playing in small groups. Beginning jazz players are welcome; advanced students and existing jazz combos are encouraged to participate. Auditions are helpful, but not required. Combo performances are encouraged and supported in spaces around campus, at 51Main (the College’s downtown bistro) and in presentations in the Center for the Arts.
We’re happy to feature several recordings of our current and former students. The recordings were made at performances in the MCA Concert Hall, using two fixed microphones mounted over the stage. The recording results are, unfortunately, not studio-quality, but the samples will give you an idea of the material we play and the great music we make together.
88 Basie Street. Composed and arranged by Sammy Nestico. SIJE, featuring Felix Klos ‘14, piano.
Click below to listen.
Bag’s Groove. Composed by Milt Jackson, arranged by John Clayton, Jr.. SIJE, featuring Grace Bell ‘13, vibes, Jeff Haswell ’12, tenor sax, and Peter Moore ’14, alto sax.
I Hope in Time a Change Will Come. Composed and arranged by Oliver Nelson. SIJE, featuring Andy Singer, ’11, soprano sax.
Time after Time. Lyrics by Sammy Cahn, music by Jule Styne. Arranged for the Marty Paich Orchestra. SIJE, featuring Elizabeth Goffe ’09, vocals, Ross Bell ’10, tenor sax.
Time after Time. Lyrics by Sammy Cahn, music by Jule Styne. The Felix Klos Trio. Felix Klos ’14, piano, Brian Parker ’14, bass, Joel Feier, ’13 drums.