Productions and Events

ANTIGONE by Sophocles, in a translation by David Mulroy
Directed by Michole Biancosino
With original choral compositions by Carol Christensen
Given the choice to follow the law of the state or her own sense of duty to her family, a young woman stands up and resists, even though she risks losing everything. This timely Greek tragedy explores justice, conscience, and what it means to live by one’s beliefs.

ANTIGONE by Sophocles, in a translation by David Mulroy
Directed by Michole Biancosino
With original choral compositions by Carol Christensen
Given the choice to follow the law of the state or her own sense of duty to her family, a young woman stands up and resists, even though she risks losing everything. This timely Greek tragedy explores justice, conscience, and what it means to live by one’s beliefs.

ANTIGONE by Sophocles, in a translation by David Mulroy
Directed by Michole Biancosino
With original choral compositions by Carol Christensen
Given the choice to follow the law of the state or her own sense of duty to her family, a young woman stands up and resists, even though she risks losing everything. This timely Greek tragedy explores justice, conscience, and what it means to live by one’s beliefs.

ANTIGONE by Sophocles, in a translation by David Mulroy
Directed by Michole Biancosino
With original choral compositions by Carol Christensen
Given the choice to follow the law of the state or her own sense of duty to her family, a young woman stands up and resists, even though she risks losing everything. This timely Greek tragedy explores justice, conscience, and what it means to live by one’s beliefs.

Serge, Marc, and Yvan are three friends who have their relationships tested after the purchase of an obscenely expensive painting that is completely white. What begins as a disagreement over modern art quickly spirals into a witty examination of friendship, differing perspectives, and just how well we really know the people closest to us. Jayda Gilyard’s (‘26.5) senior 700 work in lighting design, Owen Foberg’s (‘27) senior 700 work in acting, Dieedra Welch’s (‘27.5) 500 work in costume design, and Jane Zhang’s (‘28) 500 work in directing.

Serge, Marc, and Yvan are three friends who have their relationships tested after the purchase of an obscenely expensive painting that is completely white. What begins as a disagreement over modern art quickly spirals into a witty examination of friendship, differing perspectives, and just how well we really know the people closest to us. Jayda Gilyard’s (‘26.5) senior 700 work in lighting design, Owen Foberg’s (‘27) senior 700 work in acting, Dieedra Welch’s (‘27.5) 500 work in costume design, and Jane Zhang’s (‘28) 500 work in directing.

Serge, Marc, and Yvan are three friends who have their relationships tested after the purchase of an obscenely expensive painting that is completely white. What begins as a disagreement over modern art quickly spirals into a witty examination of friendship, differing perspectives, and just how well we really know the people closest to us. Jayda Gilyard’s (‘26.5) senior 700 work in lighting design, Owen Foberg’s (‘27) senior 700 work in acting, Dieedra Welch’s (‘27.5) 500 work in costume design, and Jane Zhang’s (‘28) 500 work in directing.

Serge, Marc, and Yvan are three friends who have their relationships tested after the purchase of an obscenely expensive painting that is completely white. What begins as a disagreement over modern art quickly spirals into a witty examination of friendship, differing perspectives, and just how well we really know the people closest to us. Jayda Gilyard’s (‘26.5) senior 700 work in lighting design, Owen Foberg’s (‘27) senior 700 work in acting, Dieedra Welch’s (‘27.5) 500 work in costume design, and Jane Zhang’s (‘28) 500 work in directing.

Join us in celebrating our ancestors, heroes, and departed loved ones on Día de Muertos. Meet outside the Anderson Freeman Center (Carr Hall). Dress warm, bring mementos or photos of your loved ones “on the other side,” and join the walk through campus past sights and sounds of joyful remembrance… open to all!

Join us to kick off election season and be part of a nation-wide civic action. We will present new world premiere readings by some of the country’s leading women+ playwrights including Sarah Ruhl, Lauren Gunderson, Sarah Mantell, Bridget Carpenter, and Kimber Lee performed by members of Michole Biancosino’s Contemporary Women and Non-Binary Playwrights class at Middlebury College. This theatre event is free and presented through the Axinn Center for the Humanities Public Humanities Lab and with the support of the Middlebury College Department of Theatre.

On a clear, moonless night in the middle of winter, all is not what it seems in the remote town of Almost, Maine. As the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in unexpected and hilarious ways.

Directed by Professor Alex Draper

Please join us for a post-show talkback with the company after the Saturday matinee performance.

On a clear, moonless night in the middle of winter, all is not what it seems in the remote town of Almost, Maine. As the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in unexpected and hilarious ways.

Directed by Professor Alex Draper

Please join us for a post-show talkback with the company after the Saturday matinee performance.

On a clear, moonless night in the middle of winter, all is not what it seems in the remote town of Almost, Maine. As the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in unexpected and hilarious ways.

Directed by Professor Alex Draper

Please join us for a post-show talkback with the company after the Saturday matinee performance.

On a clear, moonless night in the middle of winter, all is not what it seems in the remote town of Almost, Maine. As the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in unexpected and hilarious ways.

Directed by Professor Alex Draper

Please join us for a post-show talkback with the company after the Saturday matinee performance.

The Theatre Department invites any and all students to audition for the spring ‘27 productions of On the Verge, or the Geography of Yearning by Erik Overmyer and Gloria by by Branden Jacobs-Jenkins.

Join us for a conversation about cultural appreciation versus appropriation in Día de Muertos. Together with the FMMC and Theatre departments, we’ll look at examples of Día de Muertos in film and media and talk about what Dia de muertos means to you.

Join the Dia de muertos Celebration ‘26 and the Theatre Department for a hands-on calavera face painting workshop! Learn how to paint your own calavera design inspired by Día de Muertos traditions. Makeup provided!

The First Show is a special production of the Middlebury Theatre Department – a chance for students who haven’t yet been on a Midd stage to take a shot at acting. This show is for those brave, bold souls who want to get up there and try something.

This “set list” of scenes focuses on Love – and the clunky baggage that inevitably accompanies it. Love is fickle. It’s weird. It’s the best. It drives every meaningful interaction we have in this life. So, let’s take a good look at it. MWUAH.

The First Show is a special production of the Middlebury Theatre Department – a chance for students who haven’t yet been on a Midd stage to take a shot at acting. This show is for those brave, bold souls who want to get up there and try something.

This “set list” of scenes focuses on Love – and the clunky baggage that inevitably accompanies it. Love is fickle. It’s weird. It’s the best. It drives every meaningful interaction we have in this life. So, let’s take a good look at it. MWUAH.

The First Show is a special production of the Middlebury Theatre Department – a chance for students who haven’t yet been on a Midd stage to take a shot at acting. This show is for those brave, bold souls who want to get up there and try something.

This “set list” of scenes focuses on Love – and the clunky baggage that inevitably accompanies it. Love is fickle. It’s weird. It’s the best. It drives every meaningful interaction we have in this life. So, let’s take a good look at it. MWUAH.

The First Show is a special production of the Middlebury Theatre Department – a chance for students who haven’t yet been on a Midd stage to take a shot at acting. This show is for those brave, bold souls who want to get up there and try something.

This “set list” of scenes focuses on Love – and the clunky baggage that inevitably accompanies it. Love is fickle. It’s weird. It’s the best. It drives every meaningful interaction we have in this life. So, let’s take a good look at it. MWUAH.

In this workshop, we’ll be thinking about how the body exists on stage. We’ll talk a lot about how different theatre is from the story-telling media we engage with on a daily basis: film, TV,  podcasts. Film and TV are visual media. Podcasts are all about aural experience. But theatre is visual and aural. It’s the only storytelling medium that engages—or can engage—every single sense. (You can’t smell or taste or touch a movie or a podcast, right?

HOW TO WRITE A PLAY WHEN YOU’RE STUCK/FEEL LIKE YOU CAN’T/DON’T WANT TO (EVEN THOUGH YOU WANT TO)/HAVE NO IDEA HOW TO GET STARTED

Are you a theatre kid, looking for a stage? Have you never acted before, but always wanted to?

GREAT NEWS: This show is for YOU. 

What is it?

The Theatre Department invites new and returning students to Curtain Up!

Meet the theatre majors and minors, the faculty and staff of the department and learn what we have in store for this semester and beyond!

Psst! There will be pizza!!

Oakwood is a North Hollywood apartment complex that houses young performers and their guardians during brief, hopeful stays in Los Angeles. Around the kids linger the half-permanent residents of a transient industry: an aging acting coach, a struggling actress who never left, college kids drawn by the cheap rent and dorm-like atmosphere. In Oakwood, nearly everyone is passing through, and nearly everyone is under pressure—to succeed, to belong, and to make the sacrifices mean something.

The Dogteam Theatre Project provides transformative experiences for emerging and professional artists, creating meaningful theatrical engagements for diverse audiences. Among its programs, the Dogteam Theatre Project provides training opportunities for emerging theatre artists in playwriting and design disciplines.

Come see the new work!

In the Manhattan penthouse of reclusive, Nobel-nominated writer Ula Richte, a carefully staged interview with a Polish journalist is meant to cement her legacy. With her agent and lawyer steering every word, the evening begins under tight control—until the script falls apart. What follows is an unguarded reckoning with the dark side of success, the cost of denying one’s roots, and the fierce, exhilarating courage it takes to tell the truth.

The Dogteam Theatre Project provides transformative experiences for emerging and professional artists, creating meaningful theatrical engagements for diverse audiences. Among its programs, the Dogteam Theatre Project provides training opportunities for emerging theatre artists in playwriting and design disciplines.
Come see the new work!

Please join the departments of Arabic, Chinese, Dance, German, Japanese Studies, Luso-Hispanic Studies, Philosophy, Russian, and Theatre for a reception celebrating graduates in these disciplines. 

The following departments invite grads and their guests to join them in the locations listed below.

Arabic | MAC 221 | 3:30-4:15 pm

Dance | MAC Dance Theatre (110) | 3:30-4:15 pm

Japanese Studies | MAC 232 | 3:30-4:15 pm

Russian | MAC 125 | 3:30-4:15 pm

Theatre | Seeler Studio Theatre | 3:30-4:15 pm

Chinese | MAC 232 | 4:45-5:30 pm

German | MAC 121 | 4:45-5:30 pm

Luso-Hispanic Studies | Seeler Studio Theatre | 4:45-5:30 pm

Described by Edward Albee as “the greatest American play ever written,” Thornton Wilder’s Pulitzer Prize-winning play Our Town presents the small town of Grover’s Corners from 1901 – 1913. It’s three acts are, “Daily Life,” “Love and Marriage” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually – in one of the most famous scenes in American theatre – die.

Described by Edward Albee as “the greatest American play ever written,” Thornton Wilder’s Pulitzer Prize-winning play Our Town presents the small town of Grover’s Corners from 1901 – 1913. It’s three acts are, “Daily Life,” “Love and Marriage” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually – in one of the most famous scenes in American theatre – die.

Described by Edward Albee as “the greatest American play ever written,” Thornton Wilder’s Pulitzer Prize-winning play Our Town presents the small town of Grover’s Corners from 1901 – 1913. It’s three acts are, “Daily Life,” “Love and Marriage” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually – in one of the most famous scenes in American theatre – die.

Tierra del Sol is a community-based ballet folklorico whose aim is to preserve, present, and promote Mexican cultural heritage through traditional dance and music. They will share the rich beauty and diversity of the dances, history, and costumes of Mexico in this matinee event, alongside Middlebury dancers. This performance is the culminating event of their current Rothrock Residency working with Middlebury students. 

Free. No tickets required. Approximate running time: 75 minutes with a 10 minute intermission. A Q&A with the artists will follow the performance. 

Sponsored by the Rothrock Family Residency Fund for Experiential Learning in the Performing Arts. Learn more about the artists:  https://sites.google.com/site/tierradelsolboston/

BIGFOOT BY Meghan Endres Brown
Alyssa and Holly Auburn are two sisters reuniting after years of silence. We unpack their history while the presence of Bigfoot himself looms ever closer. Hannah Alberti’s (‘26) senior 700 work in acting, Alex Garcia’s (‘26) senior 700 work in lighting design, and Evan Berger’s (‘26.5) 500 work in scenic design.

Ticket sales for this show start 2 weeks before opening.
Tickets $5. go/bigfoot/ for tickets

BIGFOOT BY Meghan Endres Brown
Alyssa and Holly Auburn are two sisters reuniting after years of silence. We unpack their history while the presence of Bigfoot himself looms ever closer. Hannah Alberti’s (‘26) senior 700 work in acting, Alex Garcia’s (‘26) senior 700 work in lighting design, and Evan Berger’s (‘26.5) 500 work in scenic design.

Ticket sales for this show start 2 weeks before opening.
Tickets $5. go/bigfoot/ for tickets

BIGFOOT BY Meghan Endres Brown
Alyssa and Holly Auburn are two sisters reuniting after years of silence. We unpack their history while the presence of Bigfoot himself looms ever closer. Hannah Alberti’s (‘26) senior 700 work in acting, Alex Garcia’s (‘26) senior 700 work in lighting design, and Evan Berger’s (‘26.5) 500 work in scenic design.

Ticket sales for this show start 2 weeks before opening.
Tickets $5. go/bigfoot/ for tickets

Interested in being part of a theatre department production? Auditions for the fall 2026 productions of Almost, Maine directed by Alex Draper, and Antigone directed by Michole Biancosino, are fast approaching!

Click here for more information. Open to Middlebury students only.

BIGFOOT BY Meghan Endres Brown
Alyssa and Holly Auburn are two sisters reuniting after years of silence. We unpack their history while the presence of Bigfoot himself looms ever closer. Hannah Alberti’s (‘26) senior 700 work in acting, Alex Garcia’s (‘26) senior 700 work in lighting design, and Evan Berger’s (‘26.5) 500 work in scenic design.

Ticket sales for this show start 2 weeks before opening.
Tickets $5. go/bigfoot/ for tickets

Interested in being part of a theatre department production? Auditions for the fall 2026 productions of Almost, Maine directed by Alex Draper, and Antigone directed by Michole Biancosino, are fast approaching!

Click here for more information. Open to Middlebury students only.

The Maids by Jean Genet, translation by Martin Crimp

Two maids indulge in a delicious game of role-play as they plot the murder of their capricious mistress. As the stakes rise, their performance spirals into a ritual where adoration, hatred, sacrifice, and glory promise a grand spectacle of liberation. The Maids is a timely parable of the destructive desire to become those we idolize. 

The Maids by Jean Genet, translation by Martin Crimp

Two maids indulge in a delicious game of role-play as they plot the murder of their capricious mistress. As the stakes rise, their performance spirals into a ritual where adoration, hatred, sacrifice, and glory promise a grand spectacle of liberation. The Maids is a timely parable of the destructive desire to become those we idolize. 

The Maids by Jean Genet, translation by Martin Crimp

Two maids indulge in a delicious game of role-play as they plot the murder of their capricious mistress. As the stakes rise, their performance spirals into a ritual where adoration, hatred, sacrifice, and glory promise a grand spectacle of liberation. The Maids is a timely parable of the destructive desire to become those we idolize. 

The Maids by Jean Genet, translation by Martin Crimp

Two maids indulge in a delicious game of role-play as they plot the murder of their capricious mistress. As the stakes rise, their performance spirals into a ritual where adoration, hatred, sacrifice, and glory promise a grand spectacle of liberation. The Maids is a timely parable of the destructive desire to become those we idolize. 

Matt & Ben, a play written by Mindy Kaling and Brenda Withers, depicts its Hollywood golden boys – before J-Lo, before Gwyneth, before Project Greenlight, before Oscar… before anyone actually gave a damn. When the screenplay for Good Will Hunting drops mysteriously from the heavens, the boys realize they’re being tested by a Higher Power. Witness Norah Santoni de Castro’s 700 work in directing and Molly Snow and Jordan Henry’s 700 works in acting in a play full of wit, delusions, and destiny.

Matt & Ben, a play written by Mindy Kaling and Brenda Withers, depicts its Hollywood golden boys – before J-Lo, before Gwyneth, before Project Greenlight, before Oscar… before anyone actually gave a damn. When the screenplay for Good Will Hunting drops mysteriously from the heavens, the boys realize they’re being tested by a Higher Power. Witness Norah Santoni de Castro’s 700 work in directing and Molly Snow and Jordan Henry’s 700 works in acting in a play full of wit, delusions, and destiny.

Matt & Ben, a play written by Mindy Kaling and Brenda Withers, depicts its Hollywood golden boys – before J-Lo, before Gwyneth, before Project Greenlight, before Oscar… before anyone actually gave a damn. When the screenplay for Good Will Hunting drops mysteriously from the heavens, the boys realize they’re being tested by a Higher Power. Witness Norah Santoni de Castro’s 700 work in directing and Molly Snow and Jordan Henry’s 700 works in acting in a play full of wit, delusions, and destiny.

Matt & Ben, a play written by Mindy Kaling and Brenda Withers, depicts its Hollywood golden boys – before J-Lo, before Gwyneth, before Project Greenlight, before Oscar… before anyone actually gave a damn. When the screenplay for Good Will Hunting drops mysteriously from the heavens, the boys realize they’re being tested by a Higher Power. Witness Norah Santoni de Castro’s 700 work in directing and Molly Snow and Jordan Henry’s 700 works in acting in a play full of wit, delusions, and destiny.

Shannon Palmer will demonstrate how a kimono and its components are layered, tied, and worn for different occasions. Palmer has studied the intricacies of wearing kimono for many years and worked in a formal kimono rental shop during her time in Japan. Dressing model: Josie Coan ’29.

Announcing Auditions for

Our Town

by Thornton Wilder

Middlebury Theater Department’s second Mainstage Show of the Spring semester is seeking actors for the following roles:

Simon Stimson, Joe Stoddard, Constable Warren, and Mrs. Webb

We also seek ensemble members and encourage all students to come read. All genders and ethnicities welcome. It is not necessary to prepare a monologue. We will have sides at the auditions for you to read.

Meet the theatre majors and minors, the faculty and staff of the Theatre Department and learn what we have in store for this semester and beyond!

Psst! There will be pizza!!

This multidisciplinary exhibit explores the kimono in dialogue with Japanese literature, Western aesthetics, fashion, and fiber crafts. 

Free and open to the public. Located in the Johnson Memorial Building 78 Chateau Rd. Johnson Exhibition Gallery, 2nd floor. Open Monday through Thursday 1-7PM, Friday 9AM-4PM

Join us for a work-in-progress showing that is part of a January term residency and arts exchange with the Australian theatre company, One Step at a Time Like This, centering Shakespeare, eco-dramaturgy, climate, theatre, and interdisciplinary methods in storytelling and performance. 

This residency culminates with a new site-specific work, ALL THE WAYS WITHOUT YOU, set in and around Wright Theatre.

Join us for a work-in-progress showing that is part of a January term residency and arts exchange with the Australian theatre company, One Step at a Time Like This, centering Shakespeare, eco-dramaturgy, climate, theatre, and interdisciplinary methods in storytelling and performance. 

This residency culminates with a new site-specific work, ALL THE WAYS WITHOUT YOU, set in and around Wright Theatre.

Join us for a work-in-progress showing that is part of a January term residency and arts exchange with the Australian theatre company, One Step at a Time Like This, centering Shakespeare, eco-dramaturgy, climate, theatre, and interdisciplinary methods in storytelling and performance. 

This residency culminates with a new site-specific work, ALL THE WAYS WITHOUT YOU, set in and around Wright Theatre.

Join us for a work-in-progress showing that is part of a January term residency and arts exchange with the Australian theatre company, One Step at a Time Like This, centering Shakespeare, eco-dramaturgy, climate, theatre, and interdisciplinary methods in storytelling and performance. 

This residency culminates with a new site-specific work, ALL THE WAYS WITHOUT YOU, set in and around Wright Theatre.

Join us for a work-in-progress showing that is part of a January term residency and arts exchange with the Australian theatre company, One Step at a Time Like This, centering Shakespeare, eco-dramaturgy, climate, theatre, and interdisciplinary methods in storytelling and performance. 

This residency culminates with a new site-specific work, ALL THE WAYS WITHOUT YOU, set in and around Wright Theatre.