Polina Leschenko, piano 10/26/2007
Friday, October 26, 2007
8:00 p.m.
Mahaney Center for the Arts, Concert Hall
A native of St. Petersburg, pianist Polina Leschenko began a successful career in Europe when her playing drew the attention and admiration of Martha Argerich, herself one of the finest pianists of the modern age, and known for spotting young artists on the rise. Argerich isnt alone in recognizing this talent: Leschenkos debut disc was praised by Gramophone magazine. Her Middlebury program includes works by Bach, Bach-Busoni, Chopin, and Liszt. Sponsored by the Middlebury College Performing Arts Series.
Reserved Seating. Tickets: $15/12/5
Pre-performance dinner: Rehearsals Cafe, 6:30 p.m. Tickets: $15
http://go.middlebury.edu/tickets or 802-443-MIDD (6433).
Program:
BACH-BUSONI Chaconne in D minor (from Partita No. 2, BWV 1004)
BACH-FEINBERG Largo (from Trio Sonata No. 5, BWV 529)
LISZT Etude No. 6 (from Grandes etudes de Paganini, S.141)
CHOPIN Andante Spianato et grande Polonaise brillante in E-flat Major, Op. 22
Intermission
LISZT Sonata in B minor
Lento assai - Allegro energico -
Andante sostenuto -
Allegro energico - Andante sostenuto - Lento assai
For additional program notes, please contact Events and Residency Manager Allison Coyne Carroll at carroll@middlebury.edu
Artist Biography:
POLINA LESCHENKO, Piano
Polina Leschenko was born in 1981 in St Petersburg into a family of musicians and began playing the piano under her father's guidance at the age of six. She made her solo début at the age of eight with the Leningrad Symphony Orchestra in St Petersburg. She studied with Sergei Leschenko, Vitali Margulis, Pavel Gililov, Alexandre Rabinovitch-Barakovsky and Christopher Elton. At the age of 16 she received her Higher Diploma with the greatest distinction from the Royal Conservatory in Brussels.
Polina Leschenko's recent engagements have included recitals in Berlin, Luxembourg and Milan as well as appearances at the Festivals of Osnabrück and Sintra and at the Festival 'Progetto Martha Argerich' in Lugano. She made her débuts last season with the Bournemouth Symphony Orchestra and with the Hallé Orchestra, which was so successful that she was immediately reinvited for several dates this season, with Mark Elder and Cristian Mandeal.
In November 2006, Polina Leschenko took part in a major tour with the Australian Chamber Orchestra, playing Mendelssohn's double concerto with Richard Tognetti. The tour was hugely successful and resulted in an immediate reinvitation. Other engagements with orchestra this season include the Orquesta de Euskadi, the Hallé, Russian National, London Mozart Players and Scottish Chamber Orchestras. She will give recitals in Vienna, Minnesota, Atlanta and New York.
This season, Polina Leschenko is the Palais des Beaux Arts candidate for the ECHO Rising Stars series. Together with the cellist Christian Poltéra, she will appear throughout Europe, including Vienna, Salzburg, London, Amsterdam, Paris, Brussels as well as at Carnegie Hall, New York. An accomplished and admired chamber musician, Polina Leschenko will also perform at many festivals this summer, including Risor, West Cork, Moritzburg, and Musiktage Mondsee. She performs regularly with artists including Heinrich Schiff, Ivry Gitlis, Christian Poltera, the Capuçon brothers, Alexander Sitkovetsky, Natalie Clein and Priya Mitchell.
Polina Leschenko has recorded a début CD for EMI in the series 'Martha Argerich presents' with works by Liszt, Chopin, Kreisler/Rachmaninov, Brahms and Bach/Feinberg. The Gramophone described her as having "technical dexterity in abundance, and signs of a major artist in the making". She has recently recorded a well-received disc of Prokofiev chamber music with Martha Argerich, Christian Poltéra and Roby Lakatos, for PureMusic. And her latest disc (a Liszt recital, including the B minor Sonata) has just been released by PureMusic.
Artist Website:
Arts Managment Group
Press Quotes:
"The highlight of the evening was the return of Polina Leschenko, the brilliant young Russian pianist who made such an impression with the Liszt No1 on her debut here a year ago. There is something exceptional and compelling about her combination of delicacy, fluency and well-timed bursts of fireworks."
--Robert Beale, Manchester Evening News, April 2007
"...technical dexterity in abundance, and signs of a major artist in the making."
-- The Gramophone
"Polina Leschenko has matured without having lost any of her freedom. Now even more inspired, she turns her wonderful talents to a brilliant, almost improvisatory reading of the Liszt repertoire. Beautifully acknowledging Bach, Busoni and Gounod's Liszt transcriptions in the first half of the disc, she then offers a unique and personal version of the Sonata: a visionary reading full of lucidity."
--Martine Dumont-Mergeay, La Libre Belgique, 4 July 2007
"But the greatest delight I heard on Wednesday was the Hallé debut of pianist Polina Leschenko. Her technique seems equal to anything. Liszt's Concerto No1 came with springing rhythms and a rubato which lent sassy charm to lyrical passages. A collaborator of Martha Argerich she has similar apparently effortless brilliance." --Robert Beale, Manchester Evening News, 24 February 2006
