Brigitte Humbert holds a doctorate from the University of Nebraska. She teaches language, literature, and film, and her research is in the area of French cinema.

She is the author of De la lettre à l’écran: Les Liaisons dangereuses.

Publications

“Parodying the Transatlantic Romance: Julie Delpy’s 2 Days in Paris.” Nouvelles Francographies, 4.3 (Actes du colloque, vol. II) (2013): 119-133.

 

“Peppermint Soda/Diabolo menthe.” Directory of World Cinema: France. Ed. Tim Palmer and Charlie Michael. Bristol, UK/Wilmington, NC: Intellect, 2013. 78-80.

 

“My New Partner/Les Ripoux.” Directory of World Cinema: France. Ed. Tim Palmer and Charlie Michael. Bristol, UK/Wilmington, NC: Intellect, 2013. 267-268.

 

“Nostalgia and Modernity in Two Recent Paris Films.” Quarterly Review of Film and Video 30.1 (2013): 16-24.

 

 “Lucie Aubrac: A Resistance Heroine from Page to Screen.” Literature/Film Quarterly 40.2 (April 2012): 109-126



“Filming France’s Colonial Past: Women ‘Wearing the Pants’ in Outremer and Indochine.” Studies in French Cinema 12.1 (2012): 59-74.

“Films français et remakes américains.” French Review 82.5 (April 2009): 962-980. 



“Trois hommes et un couffin.” The Cinema of France. Ed. Phil Powrie. 24 Frames. London: Wallflower, 2006. 175-183.



“Patrice Leconte’s Ridicule - Women in the political sphere: Transforming memory into modernity?” Studies in French Cinema 3.3 (2003): 137-147.



“Screening France.” French Politics, Culture and Society 21.2 (Summer 2003): 81-94.



“Cruel Intentions: Adaptation, Teenage Movie, or Remake?” Film Literature Quarterly 30.4 (2002): 279-286.