James Sanchez
Office
Carr Hall 206
Tel
(802) 443-5971
Email
jcsanchez@middlebury.edu

James Chase Sanchez is an Associate Professor of Writing and Rhetoric at Middlebury College. He has recently published two books that deal with race and racism, especially in his hometown: Race, Rhetoric, and Research Methods (published with co-authors in 2021) and Salt of the Earth: Rhetoric, Preservation, and White Supremacy (2021). He has a third book, co-authored with April O’Brien, under contract with the University of Alabama Press, which is tentatively titled Countermemory: A Rhetoric of Resistance

In 2018, Sanchez produced his first documentary, titled Man on Fire, which won an International Documentary Association Award and aired on PBS via Independent Lens. Sanchez currently has two films in post-production through his production company, A Pound of Snow Productions: North Putnam, a feature-length observational documentary about an uplifting school district in rural Indiana, which is executive produced by famed author Dave Eggers, and In Loco Parentis, an investigative documentary that explores the historical cover-up of sexual abuse in elite New England boarding schools, which is co-produced with Submarine Entertainment and Arts + Labor. These films will premiere soon.

Courses Taught

Course Description

Terms Taught

Summer 2023 - BLSE

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Course Description

Terms Taught

Summer 2024 - BLSE

Requirements

American Literature

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Course Description

Terms Taught

Summer 2024 - BLSE, BLSE Oxford Term

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Course Description

Terms Taught

Summer 2023 - BLSE

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Course Description

Independent Study
In this course, students (non-seniors) carry out an independent research or creative project on a topic pertinent to the relationship between humans and the environment. The project, carried out under the supervision of a faculty member with related expertise who is appointed in or affiliated with the Environmental Studies Program, must involve a significant amount of independent research and analysis. The expectations and any associated final products will be defined in consultation with the faculty advisor. Students may enroll in ENVS 0500 no more than twice for a given project. (Approval only)

Terms Taught

Spring 2023

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Course Description

Documentaries & Social Justice
In this course, students will explore how contemporary documentaries perform social justice via different rhetorical filmmaking styles—including direct cinema, verité, and investigations—and specific social justice tactics—including explicit and implicit calls for change, social pressure, and activism. After watching documentaries and reading reviews, interviews, and theories of filmmaking, students will write various analyses and codes of ethics for documentary films. The final project has students either produce or storyboard their own short social justice-oriented films.

Terms Taught

Fall 2023

Requirements

AMR, ART, CW, SOC

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Course Description

Writing and Power
Power: who has it, who doesn’t, and what does it have to do with your writing? This course both instructs students in how to access power in academic contexts and to critique power structures. We’ll learn how power connects to literacy, and how it's shaped through rhetorical contexts. Students will explore their own power as writers and thinkers while engaging in meaningful personal, reflective and argumentative writing. The professor will work with each student extensively on their writing process and development, and we'll create a writing community. This course bears elective credit but does not fulfill the college writing requirement. 3 hrs. lect/disc

Terms Taught

Fall 2022

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Course Description

Writing and Power
Power: who has it, who doesn’t, and what does it have to do with your writing? This course both instructs students in how to access power in academic contexts and to critique power structures. We’ll learn how power connects to literacy, and how it's shaped through rhetorical contexts. Students will explore their own power as writers and thinkers while engaging in meaningful personal, reflective and argumentative writing. The professor will work with each student extensively on their writing process and development, and we'll create a writing community. This course bears elective credit but does not fulfill the college writing requirement. 3 hrs. lect/disc (Students who have already taken WRPR 0101 cannot take this course again.)

Terms Taught

Spring 2021, Spring 2025

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Course Description

Race, Rhetoric, and Protest
In this course we will study the theoretical and rhetorical underpinnings of racial protest in America. We will begin by studying movements from the 1950s and 1960s, moving from bus boycotts to Black Power protests, and will build to analyzing recent protests in Ferguson, Dallas, and New York. Readings will include texts from Charles E. Morris III, Aja Martinez, Shon Meckfessel, Gwendolyn Pough, and various articles and op-eds. Students will write analyses of historical and contemporary protest, op-eds about the local culture, and syntheses on the course readings. 3 hrs. Lect

Terms Taught

Fall 2020, Spring 2021, Spring 2023, Fall 2023

Requirements

AMR, CW, SOC

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Course Description

Trickery, Bodies, and Resistance: The Tradition(s) of Rhetoric
How do female identifying subjects position themselves (and their bodies) rhetorically in a male-dominated society? How do Black and Latinx rhetorical traditions of call-and-response and code-switching connect with and resist classical traditions of oration and stylistics? In this course we will study the tradition(s) of rhetoric by moving from the trickery of sophists to budding works in feminist rhetorics and cultural rhetorics. Students in this class will learn to synthesize the various traditions of rhetoric in historical and contemporary terms and to critically understand cultural customs that exist outside the white, heteronormative Greco-Roman tradition. 3 hrs. lect.

Terms Taught

Spring 2024

Requirements

AMR, CMP, CW, SOC

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Course Description

Documentary Rhetorics
In this course students will explore the rhetorical performances of documentary film—in terms of production, ethics, and editing—and how documentaries are used for different means: investigation, activism, and even propaganda. After watching contemporary documentaries and reading reviews, interviews, analyses, and theories of filmmaking, students will analyze specific films (with cultural rhetorics and social consciousness lenses), conduct and transcribe interviews, and write a code of ethics for documentary filmmakers. The final project has students either produce or storyboard their own short documentaries.

Terms Taught

Fall 2022, Spring 2024

Requirements

AMR, ART, CW, SOC

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Course Description

The Rhetoric of Public Memory
This course focuses on public memory and the various statues, memorials, sites, and spaces that construct public memory in contemporary U.S. society. In this course, we will study local Middlebury and Vermont public memories, Civil War and Confederate memories, and spaces of contention and controversy, while visiting nearby memorials and museums. Students in this class will compose analyses on these public memories and create arguments on the viability of memories in different shapes and forms. Overall, students will leave this class with a stronger understanding of not only public memory rhetoric but the various components that keep these memories alive. 3 hrs. lect.

Terms Taught

Fall 2020, Spring 2023, Spring 2025

Requirements

AMR, CW, HIS, SOC

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Course Description

Independent Research
(Approval Required)

Terms Taught

Fall 2020, Spring 2021, Fall 2021, Spring 2022, Fall 2022, Winter 2023, Spring 2023, Fall 2023, Winter 2024, Spring 2024, Fall 2024, Winter 2025, Spring 2025

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