Matthew Schrader

Spacing
In this course we will investigate physical structures encountered daily. Buildings, parks, and infrastructure constitute this built environment, reflecting their societies. But what could abolitionist architecture look like, or how might public space in the U.S. create new social relations? Through lenses of race, class, and gender we will build critical vocabularies around the practice of making space. We will focus on the historical and contemporary embodiment of power, race, and culture of the U.S. through the built environment. This studio class will then present a series of projects addressing basic three-dimensional construction and model making techniques. We will engage historical and contemporary artworks, urban planning, architecture, and poetry from perspectives of resistance to dominant modes of constructing space.

Notes from the Woodshed: Sculpture, Abstraction, and Improvisation
This class takes its title from a book of writing by the black American visual artist Jack Whitten (1939-2018). Whitten’s title itself borrows from a tradition in jazz music, ‘the woodshed’ was a metaphorical place to practice, experiment and develop new ideas before taking them public. We engage the classroom as our own ‘woodshed’, creating sculptural form through close looking, response, and improvisation. Students will develop the basic skills and visual language for creating sculpture using wood, foam, Magic-Sculpt, and found materials. We will read Whitten’s book ‘Notes from the Woodshed’, and other texts that contextualize the rich histories of abstract sculpture made by black Americans in the 20th century. No former experience with art is necessary to take this class.

Ruins and Rituals
In this course we will examine monuments, memorials, landscape, and cultural memory. The title comes from a 1979 sculptural work by the black feminist artist Beverly Buchanan. Buchanan has described her works as monuments made from earthen materials to remember acts of black resistance in the United States. We will also investigate recent actions to remove and destroy monuments to confederate soldiers and other figures related to colonial violence. This is a studio class incorporating material experimentation and research. Students will work at model scale using paper, wood, plaster, digital photography, and photoshop to propose (anti)monuments for our time.

Sculpture I
In this sculpture class we will foreground “process” in the creation of form. We will address a variety of traditional tool and material relationships as well as inventing new and unusual processes with unconventional materials and tools. Parallel to studio-based experimentation we will engage in a weekly practice of critique learning how to process the visual with language. The class will be organized around a series of existing artworks, texts and films that will serve as models to help guide our collective inquiry. (At least one 100 level drawing or digital studio course) 6 hrs. lect/lab