Robert Cohen
Professor of English and Creative Writing
- Office
- Axinn Center 205
- Tel
- (802) 443-2426
- cohen@middlebury.edu
- Office Hours
- Fall 2024: Tuesday and Thursday 2:00-3:30, and by appointment
Robert Cohen, Professor of English and American Literatures, is a novelist who teaches both literature and creative writing courses. His books include Amateur Barbarians, Inspired Sleep, The Here and Now, The Organ Builder, and a collection of short stories, The Varieties of Romantic Experience. Prior to teaching at Middlebury he taught at Harvard, Rice, the University of Houston, and the Iowa Writers Workshop. He earned a B.A. from University of California Berkeley and an MFA from Columbia. His stories and essays have appeared in Harpers, Paris Review, GQ, The Believer, and many other magazines, and his awards include a Guggenheim Fellowship, a Whiting Writers Award, a Lila Wallace-Readers Digest Writers Award, a Ribalow Prize, and a Pushcart Prize.
Courses Taught
CRWR 0170
Upcoming
Writing: Poetry, Fiction, NonF
Course Description
Writing: Poetry, Fiction, NonFiction
An introduction to the writing of poetry, short fiction, and nonfiction through analysis of writings by modern and contemporary poets and prose writers and regular discussion of student writing. Different instructors may choose to emphasize one literary form or another in a given semester. Workshops will focus on composition and revision, with particular attention to the basics of form and craft. This course is a prerequisite to CRWR 0380, CRWR 0385, CRWR 0370, and CRWR 0375. (This course is not a college writing course.) (Formerly ENAM 0170) 3 hrs. sem.
Terms Taught
Requirements
CRWR 0370
Current
Advanced Fiction Workshop
Course Description
Advanced Fiction Workshop: Writing Place-Sinking Deeper into Landscape *
Can place be rendered so richly it becomes a character unto itself? In this course, we'll explore the ways writers deepen a reader's sense of place, and showcase the ways setting can pressurize a narrative and a life. This course will be useful to prose writers of all types, as we explore both non-fiction and fiction - like work by Vladimir Nabokov, Jamaica Kincad, Sarah M. Broom, Daphne du Maurier, and Pitchaya Sudbandthad - in order to observe technique, intention, and impact. Students will read critically and also produce place-based work of their own. This course will be of particular interest to environmentally engaged students looking to process loss and degradation of place in their work. (Formerly ENAM 0370) (CRWR 0170) (This course is not a college writing course) 3 hrs. sem
Terms Taught
Requirements
CRWR 0560
Current
Upcoming
Special Project: Writing
Course Description
Special Project: Creative Writing
Approval Required.
Terms Taught
CRWR 0701
Current
Upcoming
Senior Thesis:Creative Writing
Course Description
Senior Thesis: Creative Writing
Discussions, workshops, tutorials for those undertaking one-term projects in the writing of fiction, poetry, or creative nonfiction.
Terms Taught
ENAM 0117
The Short Story
Course Description
The Short Story (AL)
This course approaches the short story as a distinct prose genre, beginning with work by Edgar Allen Poe and Guy de Maupassant and concluding with stories by contemporary authors. We will examine the particularly notable growth of the genre in America and survey various trends in the form, from "local color" sketches and realistic tales to experiments in modernism and postmodernism. Throughout, we will consider issues of structure, characterization, style, and voice. Other authors may include Anderson, Barthelme, Cheever, Chekhov, Hemingway, Joyce, Moore, O'Connor, Twain, and Welty. 3 hrs. lect./disc.
Terms Taught
Requirements
ENAM 0309
Contemporary Literature
Course Description
Contemporary Literature
In this course we will explore seminal works of the post-World War II literature written in English. In the course of our readings we will move through the cultural and social transformations beginning with the paranoia and alienation of the Cold War, and continuing with the Civil Rights era, the national crisis of Vietnam, the rise of multiculturalism and the culture wars in the 1980s, the wide ranging effects of the information revolution, the profits and perils of globalization, and the profound anxiety of the war on terror. Writers studied will include Thomas Pynchon, Vladimir Nabokov, Don DeLillo, Donald Barthelme, William S. Burroughs, Toni Morrison, Ishmael Reed, Ana Castillo, and Art Spiegelman. 3 hrs. lect.
Terms Taught
Requirements
ENAM 0417
Truth and Other Fictions
Course Description
Pulling Reality’s Hair: Truth and Other Fictions
We will, in this seminar, occupy ourselves with works that straddle or blur or occasionally just flat out ignore the aesthetic divide between fiction and non-fiction, in the hopes of getting a better grip on the relation between self and other, word and world, narrative strategy and fidelity to truths both large and small. Hence readings will include biographical and autobiographical novels, novelistic treatments of biography and autobiography, and a number of hybrid composites that cannot be classified, though we will surely try. Readings will include Nabokov, Proust, Henry Adams, J.M. Coetzee, W.G. Sebald, Lydia Davis, Joan Didion, Gregoire Bouillier, Art Spiegelman, and Spalding Gray. In addition we will view films by Ross McElwee, Andre Gregory, and Charlie Kaufman. This course is not open to students who have taken ENAM 0307. (3 hrs. sem.)
Terms Taught
ENAM 0500
Special Project: Lit
Course Description
Special Project: Literature
Approval Required.
Terms Taught
ENAM 0700
Senior Thesis:Critical Writing
Course Description
Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking one-term projects in literary criticism or analysis. All critical thesis writers also take the Senior Thesis Workshop (ENAM 700Z) in either Fall or Spring Term.
Terms Taught
ENAM 1022
Kafka and his Influence
Course Description
Kafka and his Influence
This course is an intensive inquiry into the work and reach of Franz Kafka. In addition to reading his novels, his stories, his letters and diaries, and his aphorisms, we will take up some of the voluminous and often highly imaginative writings on Kafka, with an eye towards fashioning some ideas, and some writings, of our own.
Terms Taught
Requirements
ENGL 0117
The Short Story
Course Description
The Short Story (AL)
This course approaches the short story as a distinct prose genre, beginning with work by Edgar Allen Poe and Guy de Maupassant and concluding with stories by contemporary authors. We will examine the particularly notable growth of the genre in America and survey various trends in the form, from "local color" sketches and realistic tales to experiments in modernism and postmodernism. Throughout, we will consider issues of structure, characterization, style, and voice. Other authors may include Anderson, Barthelme, Cheever, Chekhov, Hemingway, Joyce, Moore, O'Connor, Twain, and Welty. 3 hrs. lect./disc.(Formerly ENAM 0117)
Terms Taught
Requirements
ENGL 0244
The Modern Moment
Course Description
The Modern Moment
This course will explore the development of the modernist novel – and modernism in general-- in the first half of the 20th century. We will examine issues of formal experimentation, new conceptions of character, and an ever-dawning consciousness of the catastrophic as seen in personal, cultural, and political venues. Readings will include Conrad, Joyce, Forster, Kafka, Woolf, Lawrence, Mansfield, Waugh, and others. 3 hrs. lect./disc. (Formerly ENAM 0244)
Terms Taught
Requirements
ENGL 0309
Current
Contemporary Literature
Course Description
Contemporary Literature
In this course we will explore seminal works of the post-World War II literature written in English. In the course of our readings we will move through the cultural and social transformations beginning with the paranoia and alienation of the Cold War, and continuing with the Civil Rights era, the national crisis of Vietnam, the rise of multiculturalism and the culture wars in the 1980s, the wide ranging effects of the information revolution, the profits and perils of globalization, and the profound anxiety of the war on terror. Writers studied will include Thomas Pynchon, Vladimir Nabokov, Don DeLillo, Donald Barthelme, William S. Burroughs, Toni Morrison, Ishmael Reed, Ana Castillo, and Art Spiegelman. 3 hrs. lect. (Formerly ENAM 0309)
Terms Taught
Requirements
ENGL 0417
Upcoming
Truth and Other Fictions
Course Description
Pulling Reality’s Hair: Truth and Other Fictions
We will, in this seminar, occupy ourselves with works that straddle or blur or occasionally just flat out ignore the aesthetic divide between fiction and non-fiction, in the hopes of getting a better grip on the relation between self and other, word and world, narrative strategy and fidelity to truths both large and small. Hence readings will include biographical and autobiographical novels, novelistic treatments of biography and autobiography, and a number of hybrid composites that cannot be classified, though we will surely try. Readings will include Nabokov, Proust, Henry Adams, J.M. Coetzee, W.G. Sebald, Lydia Davis, Joan Didion, Gregoire Bouillier, Art Spiegelman, and Spalding Gray. In addition we will view films by Ross McElwee, Andre Gregory, and Charlie Kaufman. This course is not open to students who have taken ENAM 0307. (3 hrs. sem.) (Formerly ENAM 0417)
Terms Taught
ENGL 0500
Current
Upcoming
Special Project: Lit
Course Description
Special Project: Literature
Approval Required. (Formerly ENAM 0500)
Terms Taught
ENGL 0700
Current
Upcoming
Senior Thesis:Critical Writing
Course Description
Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking one-term projects in literary criticism or analysis.
Terms Taught
ENGL 1022
Upcoming
Kafka and His Influence
Course Description
Kafka and his Influence
This course is an intensive inquiry into the work and reach of Franz Kafka. In addition to reading his novels, his stories, his letters and diaries, and his aphorisms, we will take up some of the voluminous and often highly imaginative writings on Kafka, with an eye towards fashioning some ideas, and some writings, of our own. (This course is a junior/senior seminar for ENGL majors; others by instructor approval). (formerly ENAM 1022)
Terms Taught
Requirements
FYSE 1203
Beast in the Jungle
Course Description
The Beast in the Jungle
In this course we will explore some literary texts in which the practice of exploration itself yields a complex confrontation with, and often breakdown of, identity and will. Westerners’ longing to separate themselves from home and make contact with a foreign “other” arises from the high purposes that set imperial adventures in motion in the first place. Readings will include Conrad’s Heart of Darkness, Forster’s Passage to India, Waugh’s Handful of Dust, Bowles’ Sheltering Sky, Stone’s/ Dog Soldiers/, Duras’ The Lover, Greene’s A Burnt-Out Case. 3 hrs. sem.
Terms Taught
Requirements
INTD 0500
Upcoming
Independent Study
Course Description
Independent Study
Approval Required
Terms Taught