Brett Millier

Reading Literature
Please refer to each section for specific course descriptions.(Formerly ENAM 0103)

Great Moments in American Fiction
In this course we will look at major moments in the development of a distinctly American tradition in fiction. Focusing on short, intense novels by major authors from the mid-19th to the late 20th centuries, we will see how these writers grapple with and illuminate the central questions of the American experience of democracy, race, gender, and social class. (3 hrs lect./disc.)

Nineteenth-Century American Literature
This course will examine major developments in the literary world of 19th century America. Specific topics to be addressed might include the transition from Romanticism to Regionalism and Realism, the origins and evolution of the novel in the United States, and the tensions arising from the emergence of a commercial marketplace for literature. Attention will also be paid to the rise of women as literary professionals in America and the persistent problematizing of race and slavery. Among others, authors may include J. F. Cooper, Emerson, Melville, Douglass, Chopin, Whitman, Dickinson, Twain, Hawthorne, Stowe, Alcott, Wharton, and James. . 3 hrs. lect./disc.(Formerly ENAM 0206)

The American Modernists (AL)
American writers at the turn of the 20th century faced social, intellectual, and technological change on an unprecedented scale. Individually and collectively they worked to answer William Carlos Williams’s pressing question: “How can I be a mirror to this modernity?” In this course we will read, discuss, and write about poetry by writers such as Williams, T.S. Eliot, Ezra Pound, and Wallace Stevens; and prose by Henry Adams, Edith Wharton, Hemingway, Faulkner, Fitzgerald, Nella Larsen, Richard Wright, and others. (Formerly ENAM 0210)

American Literature Since 1945 (AL)
In this course we will trace the development of the postmodern sensibility in American literature since the Second World War. We will read works in four genres: short fiction, novels, non-fiction (the "new journalism"), and poetry. Authors will include Saul Bellow, Joseph Heller, Ralph Ellison, Flannery O'Connor, Jack Kerouac, Vladimir Nabokov, Tom Wolfe, Joan Didion, Toni Morrison, and Don DeLillo. 3 hrs. lect./disc. (Formerly ENAM 0212)

American Women Poets
We will examine the rich tradition of lyric poetry by women in the U.S. Beginning with the Puritan Anne Bradstreet, one of the New World's earliest published poets, we continue to the 19th century and Emily Dickinson, along with the formidable line of "poetesses" who dominated the popular poetry press in that era. We examine the female contribution to the Modernist aesthetic in figures like Millay, Moore, H.D. and Gertrude Stein; the transformation of modernist ideals by Bishop, Plath, Sexton, and Rich; and, among the postmodernists, Lyn Hejinian and Susan Howe. 3 hrs. lect. (Formerly ENAM 0254)

Faulkner and His Influence (AL)
William Faulkner was extreme: the most radical formal innovator among the American Modernist novelists and an outrageous (and subtle) thinker about the complex social and racial history of the American South. He presides over the literature of the southern United States as a towering, Nobel Prize-winning giant. In this course we will read Faulkner’s major novels and short stories, and then look at where his influence shows up in more contemporary writing by American writers, black and white. 3 hrs. sem.

Dickinson and Bishop
In this course we will study, in significant depth, the lives and work of poets Emily Dickinson and Elizabeth Bishop. These authors are important and widely discussed; thus our topics will include a range of aesthetic, literary-historical, biographical, and political perspectives. And we will make use of a range of archival materials—journal entries, letters, drafts of poems—both published and unpublished. At the heart of our discussions, however, will be the poems these great writers produced. We will learn about ways to read and explicate poems, and about the use of archival materials in literary research and analysis. 3 hrs. sem.