Brett Millier

Reading Literature
Please refer to each section for specific course descriptions.

Nineteenth-Century American Literature (Pre-1900 AL)
This course will examine major developments in the literary world of 19th century America. Specific topics to be addressed might include the transition from Romanticism to Regionalism and Realism, the origins and evolution of the novel in the United States, and the tensions arising from the emergence of a commercial marketplace for literature. Attention will also be paid to the rise of women as literary professionals in America and the persistent problematizing of race and slavery. Among others, authors may include J. F. Cooper, Emerson, Melville, Douglass, Chopin, Whitman, Dickinson, Twain, Hawthorne, Stowe, Alcott, Wharton, and James. . 3 hrs. lect./disc.

The American Modernists (AL)
American writers at the turn of the 20th century faced social, intellectual, and technological change on an unprecedented scale. Individually and collectively they worked to answer William Carlos Williams’s pressing question: “How can I be a mirror to this modernity?” In this course we will read, discuss, and write about poetry by writers such as Williams, T.S. Eliot, Ezra Pound, and Wallace Stevens; and prose by Henry Adams, Edith Wharton, Hemingway, Faulkner, Fitzgerald, Nella Larsen, Richard Wright, and others. (Not open to students who have taken ENAM 0207)

American Literature Since 1945 (AL)
In this course we will trace the development of the postmodern sensibility in American literature since the Second World War. We will read works in four genres: short fiction, novels, non-fiction (the "new journalism"), and poetry. Authors will include Saul Bellow, Joseph Heller, Ralph Ellison, Flannery O'Connor, Jack Kerouac, Vladimir Nabokov, Tom Wolfe, Joan Didion, Toni Morrison, and Don DeLillo. 3 hrs. lect./disc.

American Women Poets
We will examine the rich tradition of lyric poetry by women in the U.S. Beginning with the Puritan Anne Bradstreet, one of the New World's earliest published poets, we continue to the 19th century and Emily Dickinson, along with the formidable line of "poetesses" who dominated the popular poetry press in that era. We examine the female contribution to the Modernist aesthetic in figures like Millay, Moore, H.D. and Gertrude Stein; the transformation of modernist ideals by Bishop, Plath, Sexton, and Rich; and, among the postmodernists, Lyn Hejinian and Susan Howe. 3 hrs. lect. (National/Transnational Feminisms)

Dickinson and Bishop
In this course we will study, in significant depth, the lives and work of poets Emily Dickinson and Elizabeth Bishop. These authors are important and widely discussed; thus our topics will include a range of aesthetic, literary-historical, biographical, and political perspectives. And we will make use of a range of archival materials—journal entries, letters, drafts of poems—both published and unpublished. At the heart of our discussions, however, will be the poems these great writers produced. We will learn about ways to read and explicate poems, and about the use of archival materials in literary research and analysis. 3 hrs. sem.

Special Project: Literature
Approval Required.

Senior Thesis: Critical Writing
Individual guidance and seminar (discussions, workshops, tutorials) for those undertaking one-term projects in literary criticism or analysis. All critical thesis writers also take the Senior Thesis Workshop (ENAM 700Z) in either Fall or Spring Term.

Advanced Expository Writing
In this course students will have the opportunity to work intensively to improve the style and impact of their expository (non-fiction) writing. Students will write short daily essays on assigned prompts, culminating in a longer essay on a topic of their choosing. This course is meant for ambitious writers who are confident in their basic composition skills. The course will be conducted asynchronously on Canvas, and students will read a selection of exemplary essays as well as work by their fellow students for inspiration. Each student will meet via Zoom with the professor at least twice per week to discuss their progress.